The Washington Post
Carnivalby Elizabeth Bear
The pair are dispatched to New Amazonia as diplomatic
In Old Earth’s clandestine world of ambassador-spies, Michelangelo Kusanagi-Jones and Vincent Katherinessen were once a starring team. But ever since a disastrous mission, they have been living separate lives in a universe dominated by a ruthless Coalition—one that is about to reunite them.
The pair are dispatched to New Amazonia as diplomatic agents Allegedly, they are to return priceless art. Covertly, they seek to tap its energy supply. But in reality, one has his mind set on treason. And among the extraordinary women of New Amazonia, in a season of festival, betrayal, and disguise, he will find a new ally—and a force beyond any that humans have known….
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By Elizabeth Bear
SpectraCopyright © 2006 Elizabeth Bear
All right reserved.
Michelangelo Osiris Leary Kusanagi-Jones had been drinking since fourteen hundred. He didn't plan on stopping soon.
He occupied a bubbleport on the current observation deck of Kaiwo Maru, where he had been since he started drinking, watching a yellow main-sequence star grow. The sun had the look of a dancer swirling in veils, a Van Gogh starscape. Eons before, it had blundered into a cloud of interstellar gas and was still devouring the remains. Persistent tatters glowed orange and blue against a backdrop of stars, a vast, doomed display of color and light. Kusanagi-Jones could glimpse part of the clean-swept elliptical path that marked the orbit of New Amazonia: a darker streak like a worm tunnel in a leaf.
Breathtaking. Ridiculously named. And his destination. Or rather, their destination. Which was why he was drinking, and why he didn't intend to stop.
As if the destination–and the mission–weren't bad enough, there was the little issue of Vincent to contend with. Vincent Katherinessen, the Old Earth Colonial Coalition Cabinet's velvet-gloved iron hand, far too field-effective to be categorized as a mere diplomatic envoy no matter how his passport was coded. Vincent, whom Kusanagi-Jones had managed to avoid for the duration of the voyage by first taking to cryo–damn the nightmares–and then restricting himself to the cramped comforts ofhis quarters . . . and whom he could avoid no longer.
Vincent was brilliant, unconventional, almost protean in his thinking. Unless something remarkable had changed, he wore spiky, kinky, sandy-auburn braids a shade darker than his freckled skin and a shade paler than his light-catching eyes. He was tall, sarcastic, slender, bird-handed, generous with smiles as breathtaking as the nebula outside the bubbleport.
And he was the man Michelangelo Kusanagi-Jones had loved for forty years, although he had not seen him in seventeen–since the last time he had betrayed him.
Not that anybody was counting.
Kusanagi-Jones had anticipated their date by hours, until the gray and white lounge with its gray and white furniture retreated from his awareness like a painted backdrop. If Kusanagi-Jones captained a starship, he'd license it in reds and golds, vivid prints, anything to combat the black boredom of space.
Another man might have snorted and shaken his head, but Kusanagi-Jones didn't quite permit himself a smile of self-knowledge. He was trying to distract himself, because the liquor wasn't helping anymore. And in addition to his other qualities, Vincent was also almost pathologically punctual. He should be along any tick–and, in fact, a shadow now moved across Kusanagi-Jones's fish-eye sensor, accompanied by the rasp of shoes on carpet. "Michelangelo."
Kusanagi-Jones finished his drink, set the glass in the dispensall, and turned. No, Vincent hadn't changed. Slightly softer, belly and chin not as tight as in their youth, gray dulling hair he was too proud to have melanized. But in the vigorous middle age of his sixties, Vincent was still–
"Mr. Katherinessen." Kusanagi-Jones made his decision and extended his hand, ignoring Vincent's considering frown. Not a gesture one made to a business associate.
Through the resistance of their wardrobes, fingers brushed. Hands clasped. Vincent hadn't changed his program either.
They could still touch.
Kusanagi-Jones had thought he was ready. But if he hadn't known, he would have thought he'd been jabbed, nano-infected. He'd have snatched his hand back and checked his readout, hoping his docs could improvise a counteragent.
But it was just chemistry. The reason they'd been separated. The reason they were here, together again, on a starship making port in orbit around a renegade world. Old times, Kusanagi-Jones thought.
Vincent arched an eyebrow in silent agreement, as if they'd never parted.
"Kill or be killed," Vincent said, next best thing to a mantra. Kusanagi-Jones squeezed his fingers and let their hands fall apart, but it didn't sever the connection. It was too practiced, too reflexive. Vincent's gift, the empathy, the sympathy that turned them from men into a team. Vincent's particular gift, complement of Kusanagi-Jones's.
Vincent stared at him, tawny eyes bright. Kusanagi-Jones shrugged and turned his back, running his fingers across the rainbow lights of his subdermal watch to order another martini, codes flickering across neuromorphed retinas. He stared out the bubble again, waiting while the drink was mixed, and retrieved it from the dispensall less than a meter away.
"Oh, good." Vincent's Earth patois–his com-pat–was accentless. "Nothing makes a first impression like turning up shitfaced."
"They think we're animals anyway." Kusanagi-Jones gestured to a crescent world resolving as Kaiwo Maru entered the plane of the ecliptic and began changing to give her passengers the best view. "Not like we had a chance to make them like us. Look, crew's modulating the ship."
"Seen one reconfig, seen them all." Nevertheless, Vincent came up to him and they waited, silent, while Kaiwo Maru reworked from a compact shape optimized for travel to something spidery and elegant, designed to dock with the station and transfer cargo–alive and material–as efficiently as possible.
"Behold," Vincent teased. "New Amazonia."
Kusanagi-Jones took a sip of his martini, rolling the welcome rawness over his tongue. "Stupid name for a planet." He didn't mind when Vincent didn't answer.
Bravado aside, Michelangelo did stop drinking with the one in his hand, and Vincent pretended not to notice that he checked his watch and adjusted his blood chemistry. Meanwhile, Kaiwo Maru docked without a shiver. Vincent didn't even have to put his hand out to steady himself. He pretended, also, that he was looking at the towering curve of the station beyond the bubble, but really, he was watching Michelangelo's reflection.
There had been times in the last decade and a half when Vincent had been convinced he'd never exactly remember that face. And there had been times when he'd been just as convinced he'd never get it out of his head. That he could feel Michelangelo standing beside him, glowering as he was glowering now.
One wouldn't discern it casually; Angelo wouldn't permit that much emotion revealed. His features were broad and solemn, his eyes stern except when bright. He seemed stolid, wary, unassuming–a blocky muscular man whose coloring facilitated his tendency to fade into the shadows. But Vincent felt him glowering, his displeasure like the weight of an angry hand.
Michelangelo glanced at his watch as if contemplating the colored lights. Vincent knew Michelangelo had a heads-up; he wasn't checking the time. He was fidgeting.
Fidgeting was new.
"I don't love you anymore." Michelangelo pressed his hand to the bubble and then raised it to his mouth.
"I know. I can still read your mind."
Michelangelo snorted against the back of his fingers. "I'm a Liar, Vincent. You'll believe what I want you to believe."
"Just true." Then the irony of his own statement seemed to strike him. He dropped his head and stared at the tips of his shoes as if hypnotized by the rainbows reflected across them. When he glanced back up, Vincent could read laughter in the way the crinkles at the corners of his eyes had deepened.
Vincent chuckled. He touched his watch, keying his wardrobe to something more formal, and stilled momentarily while the program spread and the wardrobe rearranged itself. "Do you want me, at least? That would make things easier."
Michelangelo shrugged, impassive. Vincent turned, now watching him frankly, and wondered how much of the attraction was–had always been–that Michelangelo was one of the few people he'd met that he couldn't read like a fiche.
"They offered me a choice. Therapy or forced retirement."
Michelangelo's coloring was too dark for his face to pale, but the blood draining made him ashen. "You took therapy."
Vincent stifled a vindictive impulse. "I took retirement. I don't consider my sexuality something that needs to be fixed."
"Sign of persistent pathology," Michelangelo said lightly, but his hands trembled.
"So I've been told. The funny thing is, they couldn't make it stick. I didn't even make it home before I was recalled. Apparently I'm indispensable."
Michelangelo's thumb moved across his inner wrist, giving Vincent a sympathetic shiver at the imagined texture of the skin. Another glass appeared in the dispensall, but from the smell, this one was fruit juice.
He sipped the juice and made a face. "I heard."
Vincent wondered if the license was off. "And you?"
"Not as indispensable as Vincent Katherinessen." He put the glass back and watched as it recycled: the drink vaporizing, the glass fogging. A waste of energy; Vincent controlled the urge to lecture. If they got what they needed on New Amazonia, it wouldn't be an issue–and anyway, they were on a starship, the one place in the entire OECC where conserving energy wasn't a civic duty as mandated as community service. "I took the therapy."
Vincent swallowed, wishing he could taste something other than the tang of atomizing juice. He picked a nonexistent bit of lint off his sleeve. "Oh."
Michelangelo lifted his chin, turned, and gave Vincent a smile warm enough to melt his implants. He glanced over his shoulder, as if ascertaining the lounge was empty, then leaned forward, slid both hands up Vincent's neck, and pulled Vincent's head down to plant a wet, tender kiss on his lips.
It's a lie, Vincent told himself, as his breath shortened and his body responded. Michelangelo was substantial, all muscle under the draped knits his wardrobe counterfeited. They both knew he controlled Vincent the instant Vincent let him close.
Just as Vincent knew Michelangelo's apparent abandonment to the kiss was probably as counterfeit as his
"hand-knitted" sweater. It's a lie. He took the therapy. It didn't help. His body believed; his intuition trusted; the partnership breathed into the kiss and breathed out again. Sparkles of sensation followed Michelangelo's hands as they cupped Vincent's skull and stroked his nape. He knew Michelangelo wanted him, as he had always known. As Michelangelo had always permitted him to know.
He wondered what the ship's Governors made of the kiss, whether they had been instructed to turn a blind eye on whatever illegalities proceeded between the diplomat and his attaché. Or if their interaction had been logged and would be reported to the appropriate agencies within the Colonial Coalition when Kaiwo Maru dispatched a packet bot.
The relationship between the Cabinet and the Governors was complex; the Cabinet did not carry out death sentences, and the Governors did not answer to the Cabinet. But after the Great Cull, they had begun performing some of their Assessments in accordance with planetary laws. There was détente; an alliance, of sorts, by which the Cabinet maintained control and the Governors, with their own inhuman logic and society, supported an administration that maintained ecological balance.
Once, there had been many governments on Old Earth. Industrialized nation-states and alliances had used more than their share of resources and produced more than their share of waste. But Assessment had ended that, along with human life in the Northern Hemisphere. In the wake of an apocalypse, people often become reactionary, and the survivors of Assessment were disproportionately Muslim and Catholic. And in a society where being granted permission to reproduce was idealized–even fetishized–where every survivor meant that someone else had not lived . . . those who were different were not welcome.
Over a period of decades, in the face of necessity, resistance to the widespread use of reproductive technology and genetic surgery waned. The Governors did not care about the morality of the human-made laws they enforced. Or their irony either.
So, throughout Coalition space, that kiss was the overture to a capital case. But just this once, its illegality didn't matter. That particular illegality was why they were here.
Michelangelo leaned back, but his breath stayed warm on Vincent's cheek, and Vincent didn't pull away. "They'll just separate us again when this is over."
"Maybe. Maybe not. We were useful to them once."
"Politics were different then."
"The politics are different now, too."
Michelangelo disengaged, stepped back, and turned away. "Can't honestly think we will be allowed within three systems of each other. After New Earth"–Michelangelo's weight shifted, a guilty tell Vincent could have wasted half a day on if he'd been in the mood to try to figure out how much of what Michelangelo gave him was real–"we're lucky the Cabinet thought us useful enough to keep alive."
By Michelangelo's standards, it was a speech. Vincent stood blinking for a moment, wondering what else had changed. And then he thought about therapy, and the chip concealed in–but isolated from–his wardrobe. Don't love you anymore.
That would make things easier, wouldn't it?
"If we pull this off"–Vincent folded his hands behind his head–"The Cabinet won't deny us much. We could retire on it. I could finally introduce you to my mother."
A snort, but Michelangelo turned and leaned against the bubble, folding his arms. "If we don't wind up Assessed."
Vincent grinned, and Michelangelo grinned back reluctantly. The sour, sharp note in Michelangelo's voice was a homecoming. "If we bring home just the technology we're to negotiate for–"
"Assuming it is either portable or reproducible?"
"–we're unlikely to find ourselves surplused. I know what a cheap, clean energy source will mean to the Captaincy on Ur. And to appeasing the Governors. What will it mean on Old Earth?"
Michelangelo had that expression, the knitted brow and set muscle in his jaw that meant he agreed with Vincent and wasn't happy about it. He had to be thinking about Old Earth's tightly managed population of fifty million, about biodiversity and environmental load and Assessment. Culling.
"On Earth?" Michelangelo would never call it Old Earth, unless speaking to someone who wouldn't know what he meant otherwise. "Might mean no culls for fifty, a hundred years."
"That would pay for a lot." Michelangelo could do the math. Nonpolluting power meant that a larger population could be supported before triggering the Governors' inexorable logic.
The Governors did not argue. They simply followed the programs of the radical environmentalists who had unleashed them, and reduced the load.
Assessments were typically small now. Nothing like the near-extermination of the years surrounding Diaspora, because Old Earth's population had remained relatively stable since nine and a half billion citizens had been reduced to organic compounds, their remains used to reclaim exhausted farmland, reinvigorate desertified grassland, enrich soil laid over the hulks of emptied cities–or simply sealed up in long-abandoned coal mines and oil wells.
Michelangelo's nod was curt, and slow in coming. Vincent wondered if he'd been mistaken in pushing for it, but then Michelangelo made him a little present of the smile they both knew tangled Vincent's breath around his heart. "And if we manage to overthrow their government, steal or destroy their tech, and get a picture of their prime minister in bed with a sheep in bondage gear?"
A heartbeat, but Vincent didn't even try to keep the relief off his face. "They'll probably give you another medal you're not allowed to take home."
Michelangelo's laugh might have been mistaken for choking. He shook his head when he stopped, and waved a hand out the bubble at the light over the docking bay, on Boadicca Station's side. "Light's green. Let's catch our bus."
Excerpted from Carnival by Elizabeth Bear Copyright © 2006 by Elizabeth Bear. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Meet the Author
Elizabeth Bear was born on the same say as Frodo and Bilbo Baggins, but in a different year. This, coupled with her childhood tendency to read the dictionary for fun, has led inevitably to penury, intransigence, and the writing of speculative fiction. Her hobbies include incompetent archery, practicing guitar, and reading biographies of Elizabethan playmenders.
She is the recipient of the John W. Campbell Award for best New Writer and the author of over a dozen published or forthcoming novels, including the Locus Award-winning Jenny Casey trilogy and the Phillip K. Dick Award-nominated Carnival. A native New Englander, she spent seven years near Las Vegas, but now lives in Connecticut with a presumptuous cat.
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Most Helpful Customer Reviews
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Yum coton candy
Her eyes went wide and she quickly left.
Wait wait wait. Um... this is kind of awkward with two girls here. Ok , I gtg. Bbt. Same place. Ill send a post at "warriors" for you to come.
I bought this book because I bought her book Dust and really enjoyed it. This book was definately not Dust. It was almost as if someone else had written it. The two heroes of the story Vincent and Michaelangelo were a incredible team until a failed mission and the discovery of their taboo homosexual relationship forces them apart. After seventeen years the New Earth government has brought them together again for a mission to infiltrate the government of New Amazonia, a planet run by women who live by a code of wild west dueling. The twist is one of the two is a saboteur and was reponsible for the first failed mission. There is political intrigue and the native alien dragons who have made themselves immortal by downloading themselves into a conglomerate virtual entity that inhabits the infrastructure of the planet. The book never seems to really come together. It starts off slow but when the action takes off it's still unworthy. It was hard to follow the silent musings of the two men because you couldn't tell when they were thinking to themselves about themselves or thinking to themselves about each other. Are you confused? I was too. The premise of the book was strong but if fell apart amidst the politics and alien ethicals issues. Not a must read book but I think a Sci-Fi/Fantasy lover will get enough out of it.
Their last diplomatic assignment together ended disastrously so their superiors split up the lovers. However, the Old Earth Colonial Coalition has run into a unique problem as they negotiate with the planet New Amazonia. On Old Earth, women perform menial tasks and are subservient to men no female has ever served as an ambassador. On New Amazonia, women run everything with men working as drones or staying home breeding. To succeed the Old Earth leaders decide they need to send a low count of testosterone of gentle souls so they choose the former lovers, Vincent Katherinessen and Michelangelo Kusanagi-Jones to open negotiations with the Amazons no one else is remotely acceptable To enable them to start off on the right foot, Vincent and Michelangelo bring with them art stolen from the planet. However, their mission is not to broker a peace and trade agreement, but to steal the secrets behind the source of the powerful energy that runs New Amazonia. While CARNIVAL provides a festive time on the planet, neither the Amazons or the earthlings can comprehend that though Vincent and Michelangelo appear as gentle lovers, they are not afraid to initiate their own agenda. --- This is an excellent science fiction that uses sexual preference stereotypes as a means to polarize two societies in which neither are capable of understanding the courage and competency of the two ¿gentle¿ albeit gay men. Both worlds seem genuine even with the patriarchal vs. matriarchal differences. The two heroes take advantage of the bias on their homeworld and on Amazon. Elizabeth Bear provides an exciting outer space thriller with a deep message that extreme isms mean lose-lose for the victims and the perpetrators. --- Harriet Klausner