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Overview
Robert Antoni has established himself as one of the most innovative voices to emerge from the Caribbean and the Americas. His novel Carnival—”easily his most engrossing, direct work to date”—takes readers on a journey from contemporary New York City to the glitter of Trinidadian Carnival, and deep into the island’s mountainous interior (Miami Herald).
Aspiring novelist William Fletcher has come to New York to escape his affluent West Indian roots, but a chance meeting reunites him with two of his childhood companions: Laurence, who escaped poverty to become a scholar and poet, and Rachel, William’s second cousin and first love. Making good on a liquor-soaked pledge to return to Trinidad for Carnival, they soon find themselves sliding into a fog of ganja, alcohol, and sensual rhythm. But their hedonistic homecoming has also brought them face to face with the demons of history, prejudice, and violence they’ve spent their lives trying to forget.
“Carnival is an appropriately heady and wild novel, in which the air is suffused with dope smoke, calypso drumming and menace” (Independent on Sunday).
Product Details
| ISBN-13: | 9781555845933 |
|---|---|
| Publisher: | Grove/Atlantic, Inc. |
| Publication date: | 11/20/2018 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 304 |
| File size: | 3 MB |
Read an Excerpt
CHAPTER 1
Laurence de Boissière was once the tennis champion of Oxford. Don't think I'm too highly impressed by that as a tennis title, but it meant something to Laurence. He loved tennis, though he did not go to Oxford to play it. In fact, until he arrived there, it had not even occurred to him that they would have a team. But in a matter of days he had all those English boys running redfaced around the court. This gave him an odd sense of inner satisfaction, which he found he grew to like, although, being extremely well-mannered, and still a little shy, he kept it hidden. And in any case for Laurence the sport was little more than a healthful distraction from his studies. He was really an excellent tennis player. More than that, he was a natural. Beautiful to watch on the court. So talented, the story goes, that his coach at Oxford promptly advised him to give up his degree and go to the States to train as a professional. This old coach had been around, he knew what he was talking about. He had connections, vision. He was an American himself, from a place called Carmel, California, where such things were imaginable. But only the sound of the name, Carmel, was enough to convince us. Laurence, the coach said, would be a first, and he was right. Not only would he have been the first West Indian to dream of playing on the professional tennis circuit, something which may not have occurred to the coach, in those days he would have been one of the first black men. He would have been famous. He would have been endorsing brand-name sneakers and kids' cereal. He would have made some serious money.
A few years later Laurence did come to the States, but not as a tennis player. He came as a poet. People at home, still following Laurence's story — still swooning a little over the name of a place that sounded like it wanted to be a chewy candy, a place that in their own minds already glittered like Hollywood — said the boy was crazy. "Mad like toro," they said, and it was a real shame for the rest of us, but he'd made an admirable decision. A few of us said it was the only choice that Laurence could have made. It did not prevent his climb to fame and fortune, either. It simply shifted the parameters. Soft-toned it some. I was there to watch it happen. At least the second trajectory. As a matter of fact, when he arrived in Manhattan — not fresh out of Oxford, but from London's West End where, in addition to being a prize-winning poet with three books already published, he'd also established himself as a successful playwright — though we hadn't heard from each other in a full ten years, I was the first person Laurence called. He made a point of telling me so himself. And truth is, I was flattered.
There are two secondary boys' schools at home, one Anglican and government run, the other by the Jesuits, and Laurence and I went together to the Roman Catholic college. But we'd been friends long before then. Because I happened to be one of a dozen spoiled white children literally playing on the precious clay courts back behind the British Club, on the Saturday morning Laurence made his appearance, causing a bigger commesse than he did later at Oxford. A lanky and very shy little Laventille boy holding the cheapest kind of wooden drugstore racket that looked like it had been strung with fishing-twine, wearing new and unmarked crepe-soled washykongs, baggy shorts and a stiff-collared shirt his mother had obviously sewn out herself from 12¢ cotton. A lanky and very shy yet willful little Laventille boy who, despite any auspices of his French-Creole surname, could never have made it past the club's front door.
Ann-Marie, my freckled, carrot-headed cousin, steupsed out loud. She sucked her teeth. Stomped off the court, her ribboned braids flying, the Pied Piper leading the rest of the spoiled little white children behind her. Laurence and I stood at opposite ends of the court littered by bright yellow balls. We stared at each other over the net. And I can tell you that from that moment, even at nine years of age, even before I could have possibly articulated it for myself, I knew that I adored and despised this boy even as much as I did myself.
I dug a ball out of my pocket. Bounced it with its hollow thud and the puff of detonated dust on the clay surface. Lobbed it over at him.
He swung, holding his racket by the middle of the handle, spinning halfway around, missing it altogether. Eventually he managed to swat one into the net. Then to get it over onto my side.
By now the other children had returned, accompanied by several adults, my auntie, Ann-Marie's mother, among them. It was ten in the morning and the adults, also wearing their tennis costumes, were drinking rum-cocktails out of little glasses. Sam, the club's owner, held the beaded silver shaker rattling with ice.
Suddenly my throat ached, like I'd been shouting. The sun was beating down on my head, sweat stinging my eyes. The damp clay smelled like vegetable rot.
We were a spectacle too amusing to stop. The children giggled, my auntie actually guffawed. Laurence and I kept on. Now I missed the ball as often as he did. My racket felt so heavy I could hardly hold it up. My flesh like it was melting off me, sliding from my bones in great, dripping shingles. On the other side of the net, Laurence's face appeared to have been pounded out of that same wrought-iron as the gate behind him.
So it was ironic, to say the least, that when he called to tell me he'd reserved a court for us at Hudson River Park — though our tennis date was still another two weeks off, though for years now I'd sworn myself off tennis as an exceptionally bourgeois, white people's sport — I went out immediately and bought the cheapest wooden racket strung with fishing-twine Walgreens had on offer. I was dead broke.
"Compère," I'd said into the receiver, surprised, genuinely excited to hear his voice. "Me ain't hit a ball since Bazil wearing shortpants!"
I'd felt ridiculous, embarrassed. Two minutes talking on the phone, and already I sounded like I'd never left. Like a country-bookie. Not Laurence: now he spoke like a proper Englishman.
"Fair enough," he'd told me. "Neither have I."
It was one of those perfect Saturday mornings — streetside gypsy flower vendors arranging their bunches in white plastic buckets in the bright sun, the halal butcher in his crimson turban just rolling up his galvanized curtain, sleepy bent-over Asians in front of the markets laying out vegetables on beds of crushed ice — one of those perfect, sunny, early summer mornings, when you knew you'd rather be scrunting the most precarious kind of existence in this place, than live like a prince anywhere else on earth.
All I'd found for a tennis outfit was a pair of cutoff Levis and a Despers T-shirt. But fifteen minutes later I remembered that Desperadoes was the Laventille steelband, and I decided Laurence might take it the wrong way. So waiting for the light at the corner of Broadway and West Houston I balanced my racket for a second on the rounded top of a mailbox, pulled the T-shirt up over my head and put it back on inside-out. The rubber soles of my sockless red hightops were so thin I could feel the cracks in the sidewalks. Count the glass buttons of the basement gratings beneath my feet.
There was still a trace of shyness in Laurence's smile. I wasn't sure if his polo shirt had the creases from being packed in his suitcase, or if it had actually been pressed. But hugging him I smelled the burnt-steam smell of the drycleaners' irons. Mingling with aftershave, or more likely French cologne. We held each other for a second, and I looked over his shoulder, down at the fuzzy little balls attached to his socks hanging over his heels. He looked like he'd put on a few pounds, but I could feel the hard muscles running across his back. He was still in excellent shape. The only exercise I'd done in as long as I could remember was to climb the six flights of stairs to my apartment for which, for the first time, I whispered a prayer of thanksgiving.
Laurence bent over and bounced the ball a few times, quickly, with his left hand, and I took a deep breath. Prepared myself for a royal cut-tail.
But he paused before the service.
"William," he said, "you got your Despers jersey on wrong-side-out."
I exhaled slowly. Relaxed my grip on the racket.
"Didn't want you to take it the wrong way."
"Come again?"
"I was afraid you'd feel insulted."
"Oh-ho," he said.
And with those two syllables — not just the syllables themselves but the way he pronounced them, pounding hard on the second one with the blast of air chopped off and squeezed into a high-pitched singsong — with those two syllables I felt a sudden surge of warmth inside my chest. For a second we were back on the damp clay court back behind the British Club. Though I wasn't sure if the emotion I was feeling was thrill, or dread.
Laurence bent over and bounced the ball a few more times. Then paused again.
"Compère," he said, his pursed lips loosening into a smile. "You got that one wrong-side-out, too."
CHAPTER 2The story we all heard was that after Oxford he'd fallen in with theater people. In the west end of London, but more precisely in the largely West Indian area of Notting Hill. He wrote a play in verse inspired by CLR James's book of the Haitian revolt, in which Toussaint L'Ouverture daubs his face with the blood of his former French master, whom he had also defended fiercely and loved like a father. The play was performed in the local theater and the Times Sunday Supplement named Laurence London's new rising playwright, though until that moment he'd thought of himself exclusively as a poet. A very beautiful and elegant Senegalese actress played the part of L'Ouverture's muse, taunting him in the critical scene from the heights of a crystal chandelier as L'Ouverture knelt, his reddened face shining, gazing up at her from below, and soon after the play's run was concluded we heard she married Laurence. The marriage created quite a stir in London circles, and it was even reported about in the tabloids, not because of Laurence's rising fame, but because his new wife was a model and a celebrity already famous in her own right. Her face had even appeared on the covers of several fashion magazines, including Elle and French Vogue. But as Laurence's wife she gave up her modeling career, not that she could have had many more years of it left, anyway, and both of them dedicated themselves to the theater, and within three years they had two sons.
All of this was even bigger news for us at home, as you can well imagine, and the magazines were fished out of someplace and handed around, already tattered with the covers creased up, and once again people spoke of Laurence's accomplishments with an admiration that spilled over into envy and even awe. There were two factors, however, that stuck at the back of everybody's mind, though nobody mentioned either of them aloud. These two things jarred, and they tainted Laurence's latest accomplishment in the marriage. Because although his wife had arrived in Paris an infant in her mother's arms, and her family migrated to London only a year later, where she'd been brought up and educated so that by now of course she was a perfect Englishwoman herself, the part of the story none of us could get beyond was the part about her African origins. Somehow it felt like a regression. That, and the fact that her elegant face on the covers appeared even darker than Laurence's. So no one was surprised to hear, after three years, that he had left her.
We were looking for a place to have a couple of cold beers and cool down after the tennis. Not so easy to find at ten on a Saturday morning, even in this alcoholic, insomniac city, since all the late-night bars had already shut up tight, and the chichi cafés wouldn't be opening for lunch for another hour. But we were in no hurry. Lazying our way along. Savoring a moment of quiet. Only the tight squeak of Laurence's tennis shoes against the sidewalk, flop of my own hightops. I dumped my ruined drugstore racket in the first trashcan. Laurence carried his zipped into the outside of his white leather bag, Wilson stamped in red across the pill-shaped pouch. The heat had just started rising in waves off the fresh asphalt patches along an almost empty West Side Highway. River dancing behind it, sumptuous, blue blue blue.
We cut across to Hudson St and followed it for a few blocks until it split into Bleecker, into the heart of the West Village. At one point we passed an empty lot completely paved over with pieces of jagged glass-bottle — like the choice shards we used to tie to the tails of our hexagonal, warring madbull-kites — in the hard white sun the parking lot glittered like a field of diamonds.
The tennis had started off slowly, very slowly, until Laurence came up with the brilliant idea that we swap rackets. Of course, he still had a clear advantage. But at least now I had a chance of returning the ball. Answering his serves. And after a while we even managed to get a few decent volleys going. After a while, when I'd worked up a decent sweat, I was pleased to discover that not only did a lot of it come back from oblivion, I was thoroughly enjoying myself. Sadly, by the end of the first hour, Laurence had popped three fishing-twine strands of the drugstore racket. Then, with an overambitious, grunting, two-handed backhand, the ball passed right through the racket.
Laurence held it up to the sun, incredulous, examining the strings. Broken ones poking out like guitar wires.
"The treacherous instrument is in thy hand," he said. "Unbated and envenomed."
"My line you thiefed!"
We'd performed it together in Father O'Connor's sixth-form special English — me playing Laertes to his Hamlet — but at that moment I refused to be distracted. The score was love-30, best I'd done all morning, though admittedly, the last point was gained on the pass-through backhand.
"Service," I said.
"Always thought it was a metaphor for your namesake's own uncapped ballpoint. Think about it, William."
"Stop dodging, and serve."
"Or Hamlet's own drawn, uncircumcised prick — our boy had been focking his bro's crazy sister."
"Serve, nuh!"
"Focked his mother too, of course. But not so well as his uncle. Why else should she protest, 'thou'rt fat and scant of breath'?"
"Listen —"
"And since sex is the twin sister of death, then metaphorically at least he focked the same uncle too; focked his bro; focked his bro's crazy sister's father. Let me tell you, plenty poison in our boy's envenomed point. Plenty work."
I let him enjoy himself.
"Only family he couldn't fock was his own father."
"Or out-fock."
"Very nice! Question is, who was more Freudian, Hamlet or Shakespeare himself?"
He dropped the racket and turned to face me.
"Or to put it more pertinently, who of the three was most West Indian?"
"Fine," I said, "we'll call this last game a draw."
"Agreed. And take back this ruined instrument. It's bent and busted. It don't work."
"Careful. That's hitting below the belt."
"Allow me to make it up with a cold one. Must be an open tavern someplace in stinking Denmark."
CHAPTER 3We found one around the corner from Sheridan Square, Bar None. Like a dark dank cave, lit by its yellow-blinking jukebox, smelling of sweat and stale cigarettes. We bummed a couple from the bartender and he reached over the zinc counter to light them for us. Jamaican according to his accent — neat braids with white beads at the ends that clicked together every time he moved his head — we asked for Red Stripes in his honor. Turned out he was an actor, or budding actor, he even knew of Laurence's plays, also his poetry. New York is the city of coincidences, after a while you just take it for granted. His story was he'd left Kingston as a boy, grown up in west London, last six months spent here in the city, taking acting classes and tending bar. Another one of us, I thought. Francis explained that so far he'd only managed to land a couple of TV commercials, minor part in a soap, B-movie — "You do the celluloid ting to make some bread" — but his first love was treading the boards. He tried to disguise it, but it was also obvious he was enamored with Laurence. At first sight. Laurence didn't seem bothered, either, which surprised me. He seemed to enjoy it.
We bummed a couple more cigarettes and Francis opened a couple more ice-cold Red Stripes, we drank them out of the bottles, then he insisted on pouring us each a shot of Mount Gay. Laurence went so far as to make a joke out of the name, map of Barbados on the label — an erect penis — which neither Francis nor I had noticed before. And even I had to laugh. Laurence was in good form. We insisted Francis drink the shot with us, he was about to close up anyway, then he poured all three of us another, then one more for the road, and then he refused to let us pay, for any of it.
(Continues…)
Excerpted from "Carnival"
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Copyright © 2005 Robert Antoni.
Excerpted by permission of Grove Atlantic, Inc..
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