Case Histories (Jackson Brodie Series #1)

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Overview

A triumphant new novel from award-winner Kate Atkinson: a breathtaking story of families divided, love lost and found, and the mysteries of fate.

Case One: Olivia Land, youngest and most beloved of the Land girls, goes missing in the night and is never seen again. Thirty years later, two of her surviving sisters unearth a shocking clue to Olivia's disappearance among the clutter of their childhood home. . .

Case Two: Theo delights in his daughter Laura's wit, effortless beauty, and selfless love. But her first day as an associate in his law firm is also the day when Theo's world turns upside down. . .

Case Three: Michelle looks around one day and finds herself trapped in a hell of her own making. A very needy baby and a very demanding husband make her every waking moment a reminder that somewhere, somehow, she'd made a grave mistake and would spend the rest of her life paying for it--until a fit of rage creates a grisly, bloody escape.

As Private Detective Jackson Brodie investigates all three cases, startling connections and discoveries emerge. Inextricably caught up in his clients grief, joy, and desire, Jackson finds their unshakable need for resolution very much like his own.

Kate Atkinson's celebrated talent makes for a novel that positively sparkles with surprise, comedy, tragedy, and constant, page-turning delight.

Editorial Reviews

Jacqueline Carey
Certain characters are the stock in trade of detective novels: innocent female murder victims, embittered spinsters, wives with secrets, teenage runaways, sexy old actresses and men who feel driven to try, over and over, to protect or avenge the downtrodden. Kate Atkinson's latest novel contains all these characters, which might suggest it's just another variation on a host of well-worn themes -- but, amazingly enough, this cast, as familiar as it is, still has the power to ensnare us. In fact, Case Histories is so exuberant, so empathetic, that it makes most murder-mystery page-turners feel as lifeless as the corpses they're strewn with.
The New York Times Sunday Book Review
From The Critics
… the lifelike characters in Case Histories are what make it such a compelling hybrid: part complex family drama, part mystery. It winds up having more depth and vividness than ordinary thrillers and more thrills than ordinary fiction, with a constant awareness of perils swirling beneath its surface.
— The New York Times

Product Details

  • ISBN-13: 9780316033480
  • Publisher: Little, Brown & Company
  • Publication date: 9/1/2008
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 400
  • Sales rank: 31,841
  • Series: Jackson Brodie Series, #1
  • Product dimensions: 4.25 (w) x 6.75 (h) x 1.00 (d)

Meet the Author

Kate Atkinson
Kate Atkinson
Kate Atkinson was born in York and now lives in Edinburgh. She has won several prizes for her short stories. Her first novel, Behind the Scenes at the Museum, won the Whitbread First Novel Award and was then chosen as the overall 1995 Whitbread Book of the Year. She has also written the critically acclaimed novels, Human Croquet, Emotionally Weird and a collection of short stories, Not the End of the World.

Read an Excerpt

1
Case History No. 1 1970


Family Plot

How lucky were they? A heat wave in the middle of the school holidays, exactly where it belonged. Every morning the sun was up long before they were, making a mockery of the flimsy summer curtains that hung limply at their bedroom windows, a sun already hot and sticky with promise before Olivia even opened her eyes. Olivia, as reliable as a rooster, always the first to wake, so that no one in the house had bothered with an alarm clock since she was born three years ago.
Olivia, the youngest and therefore the one currently sleeping in the small back bedroom with the nursery-rhyme wallpaper, a room that all of them had occupied and been ousted from in turn. Olivia, as cute as a button, they were all agreed, even Julia who had taken a long time to get over being displaced as the baby of the family, a position she had occupied for five satisfying years before Olivia came along.

Rosemary, their mother, said that she wished Olivia could stay at this age for ever because she was so lovable. They had never heard her use that word to describe any of them. They had not even realized that such a word existed in her vocabulary, which was usually restricted to tedious commands — come here, go away, be quiet, and — most frequent of all — stop that. Sometimes she would walk into a room or appear in the garden, glare at them and say, whatever it is you're doing, don't, and then simply walk away again, leaving them feeling aggrieved and badly done by, even when caught red-handed in the middle of some piece of mischief — devised by Sylvia usually.

Their capacity for wrongdoing, especially under Sylvia's reckless leadership, was apparently limitless. The eldest three were (everyone agreed) 'a handful', too close together in age to be distinguishable to their mother so that they had evolved into a collective child to which she found it hard to attribute individual details and which she addressed at random — Julia- Sylvia- Amelia- whoever you are — said in an exasperated tone as if it was their fault there were so many of them. Olivia was usually excluded from this weary litany; Rosemary never seemed to get her mixed up with the rest of them.

They had supposed Olivia would be the last to occupy the small back bedroom and that one day the nursery-rhyme wallpaper would finally be scraped off (by their harassed mother because their father said hiring a professional decorator was a waste of money) and be replaced by something more grown-up — flowers or perhaps ponies, although anything would be better than the Elastoplast pink adorning the room that Julia and Amelia shared, a colour that had looked so promising to the two of them on the paint chart and proved so alarming on the walls and which their mother said she didn't have the time or money (or energy) to replace.

Now it transpired that Olivia was going to be undertaking the same rite of passage as her older sisters, leaving behind the — rather badly aligned — Humpty-Dumptys and Little Miss Muffets to make way for an afterthought whose advent had been announced, in a rather offhand way, by Rosemary the previous day as she dished out a makeshift lunch of corned-beef sandwiches and orange squash on the lawn.

'Wasn't Olivia the afterthought?' Sylvia said to no one in particular, and Rosemary frowned at her eldest daughter as if she had just noticed her for the first time. Sylvia, thirteen and until recently an enthusiastic child (many people would have said overenthusiastic), promised to be a mordant cynic in her teenage years. Gawky, bespectacled Sylvia, her teeth recently caged in ugly orthodontic braces, had greasy hair, a hooting laugh and the long, thin fingers and toes of a creature from outer space. Well-meaning people called her an 'ugly duckling' (said to her face, as if it was a compliment, which was certainly not how it was taken by Sylvia), imagining a future Sylvia casting off her braces, acquiring contact lenses and a bosom, and blossoming into a swan. Rosemary did not see the swan in Sylvia, especially when she had a shred of corned beef stuck in her braces. Sylvia had recently developed an unhealthy obsession with religion, claiming that God had spoken to her. Rosemary wondered if it was a normal phase that adolescent girls went through, if God was merely an alternative to pop stars or ponies. Rosemary decided it was best to ignore Sylvia's tête-à-têtes with the Almighty. And at least conversations with God were free, whereas the upkeep on a pony would have cost a fortune.

And the peculiar fainting fits that their GP said were on account of Sylvia 'outgrowing her strength' - a medically dubious explanation if ever there was one (in Rosemary's opinion). Rosemary decided to ignore the fainting fits as well. They were probably just Sylvia's way of getting attention.

Rosemary married their father Victor when she was eighteen years old — only five years older than Sylvia was now. The idea that Sylvia might be grown-up enough in five years' time to marry anyone struck Rosemary as ridiculous and reinforced her belief that her own parents should have stepped in and stopped her marrying Victor, should have pointed out that she was a mere child and he was a thirty-six-year-old man. She often found herself wanting to remonstrate with her mother and father about their lack of parental care, but her mother had succumbed to stomach cancer not long after Amelia was born and her father had remarried and moved to Ipswich, where he spent most of his days in the bookies and all of his evenings in the pub.

If, in five years' time, Sylvia brought home a thirty-six-year-old, cradle-snatching fiancé (particularly if he claimed to be a great mathematician) then Rosemary thought she would probably cut his heart out with the carving knife. This thought was so agreeable that the afterthought's annunciation was temporarily forgotten and Rosemary allowed them all to run out to the ice-cream van when it declared its own melodic arrival in the street.

The Sylvia-Amelia-Julia trio knew that there was no such thing as an afterthought and the 'foetus', as Sylvia insisted on calling it (she was keen on science subjects), that was making their mother so irritable and lethargic was probably their father's last-ditch attempt to acquire a son. He was not a father who doted on daughters, he showed no real fondness for any of them, only Sylvia occasionally winning his respect because she was 'good at maths'. Victor was a mathematician and lived a rarefied life of the mind where his family were allowed no trespass. This was made easy by the fact that he spent hardly any time with them: he was either in the department or in his rooms in college and when he was home he shut himself in his study, occasionally with his students but usually on his own. Their father had never taken them to the open-air pool on Jesus Green, played rousing games of Snap or Donkey, never tossed them in the air and caught them or pushed them on a swing, had never taken them punting on the river or walking on the Fens or on educational trips to the Fitzwilliam. More like an absence than a presence, everything he was — and was not — was represented by the sacrosanct space of his study.

They would have been surprised to know that the study had once been a bright parlour with a view of the back garden, a room where previous occupants of the house had enjoyed pleasant breakfasts, where women had whiled away the afternoons with sewing and romantic novels, and where in the evenings the family had gathered to play cribbage or Scrabble while listening to a radio play. All of these activities had been envisaged by a newly married Rosemary when the house was first bought — in 1956, at a price way beyond their budget — but Victor immediately claimed the room as his own and somehow managed to transform it into a sunless place, crammed with heavy bookshelves and ugly oak filing cabinets, and reeking of the untipped Capstans that he smoked. The loss of the room was as nothing to the loss of the way of life that Rosemary had planned to fill it with.

From the Trade Paperback edition.

Table of Contents

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Average Rating 3.5
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  • Anonymous

    Posted April 4, 2008

    That's It?

    CASE HISTORIES is a novel about three murder mysteries erratically woven together. I bought the book at the recommendation of Stephen King. Yes, that Stephen King. In his column in Entertainment Weekly a couple of years ago, he named CASE HISTORIES as the best book of the year. Perhaps I read it during the wrong year. The first few chapters of the novel introduce a new set of characters in each chapter, without tying them together -- haphazardly -- until much later. Their only connection seemingly being Jackson, a detective trying to solve each cold case crime. There were too many characters and names thrown at the reader to truly enjoy and get to know (or care about) any one of them. I recommend future readers grab a piece of paper and pen before sitting down to read CASE HISTORIES and draw family trees and connections so they know who's who and what time period they're in. It truly helped years ago when I read Truddi Chase's 100+ multiple personality account in When Rabbit Howls. Then again, that book held my interest. As I started to get to know the characters a little bit, the author would end the chapter and start anew with different characters. By the time I got to a second chapter with characters introduced several chapters back, I had already forgotten what their story was and how each interacted with one another. After several chapters like this, I was discouraged. A friend of mine told me to 'stick with it' because after she got through the muck, she got into the story much more. Sadly, I never reached that point. Like the 2007-2008 TV Season, I got interested in the new characters and then they were taken away from me (because of the writers' strike). I had to endure their absences and by the time they returned, I forgot why I liked them in the first place. As for Kate Atkinson's writing, it was reminiscent of Ellen DeGeneres' comic rambling...without the comedy. The author went off on tangents at every possible moment, as if we were leaping from one person's thoughts to another's. There wasn't a specific point of view in the book, as if Atkinson couldn't decide whose viewpoint to use. Another disappointment I found with Atkinson's writing is her account of the violence and murders. They were all written matter-of-factly. No drama, no suspense, no build-up. It was almost...textbook. This, too, made me unsympathetic toward the characters and their bonds with the victims. And when the mysteries were solved and truths revealed, they felt anticlimatic. The ideas were interesting, but they weren't fleshed out in the writing. The author mostly tells you what happened instead of showing it. All in all, although this wasn't the worst book I've read, I was very disappointed after investing in 300 pages. After too long of disinterest, when you finally reach something of interest, you can't muster up the enthusiasm to enjoy it. By then, you already feel cheated by the writer. 'That's it?' Jackson [asked]. 'No, of course it's not,' Amelia said. 'Now we have tea and cake.'

    14 out of 14 people found this review helpful.

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  • Anonymous

    Posted February 22, 2007

    loved it.

    this was a great read! i just finished it. portions of this book were so heartbreaking that i found them difficult to read-- but as a whole, the book was entirely rewarding. i was sort of obsessed with this book while i was reading it. i, too, couldn't stop thinking about it. yes, it does have a lot of characters. there were a few times where i had to stop and think for a minute (or just charge through and wait to catch up)-- but i was able to keep track well enough to know what was going on. and i'm pretty dumb in that way.

    5 out of 5 people found this review helpful.

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  • Anonymous

    Posted September 13, 2009

    Mysteries for smart people

    Trying to find a smart and savvy mystery that isn't full of ludacris plot twists and flat characters has been like trying to find a unicorn. Seemingly impossible. That is, until I found Kate Atkinson. This book is so intellegently written and it really captured my interest from the very first chapter. But the thing that really amazes me is how much depth the characters have. Often when a novel features so many characters, there isn't enough time for the author to give much depth to any of them, but that isn't the case here. Atkinson manages to delve into the heart of each character and put its contents on the page for the reader to connect with. She made me feel connected to every character and each one is quirky and unique, without being too unbelievable. I also love her sly, snarky writing style. It adds the perfect amount of humor to an already amazing book.

    2 out of 2 people found this review helpful.

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  • Posted December 9, 2008

    more from this reviewer

    A winner

    In 1970 four year old Olivia Land and her two sisters Julia and Amelia are having a sleep out in their backyard. When Julia and Amelia awaken the next morning, they find Olivia is gone. Thirty-four years later, the two sisters find Olivia¿s favorite toy Blue Mouse in their recently deceased father¿s house. They hire private investigator Jackson Brodie to see if he can learn what happened to her.......................... In 1979, Theo is thankful that his eighteen year old daughter works in his office instead of traveling to dangerous countries like her friends are doing. The safety of his office is only an illusion when a bland looking man slits Laura¿s throat. The killer escapes. Decades later Theo hires Jackson Brodie to track down the culprit................................. Also in 1979, a depressed and sleep-deprived Michelle, after giving birth to her daughter Tania, kills her husband with an axe when he wakes the baby up. Years later, Michelle¿s sister Shirley hires Jackson to find her niece........................ While Jackson is juggling these three cases, someone cuts his brake lines causing him to have an accident and a few days later, someone blows up his house. The incidents may relate to any of the three cases he is working on but he is not about to drop them because he understands their need for closure and wants to give it to each of them........................ The three cases don¿t connect in any way except through Jackson, who finds himself emotionally involved with his clients who are in deep anguish. Jackson has compassion and empathy for people he sees as victims. Readers will care for him and hope that the turmoil in his personal life will end happily............................ Harriet Klausner

    2 out of 4 people found this review helpful.

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  • Posted November 25, 2010

    Disappointing

    I almost never fail to finish a book, but it was very difficult at times to continue with this one. I found the storyline to be eratic, and at times quite difficult to follow. When the various pieces finally started to come together, this seemed rushed, as if the book couldn't go beyond a specified number of pages. In retrospect, the story of the book is interesting, but the eratic approach just didn't work, at least not for me.

    1 out of 1 people found this review helpful.

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  • Posted October 22, 2010

    more from this reviewer

    Enjoyable - Stick with It

    I had to push myself to continue through the first part of this book, and it got a little confusing keeping track of the characters. The story got more interesting as people and events were tied together, and by the end I was really enjoying this book. What surprised me was that I found myself thinking back on some of the characters, and actually quoting one of them to a friend.

    1 out of 1 people found this review helpful.

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  • Posted October 22, 2010

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    Very interesting

    I will admit I usually avoid British mystery writers but have read a few through the years...Kate Atikinson is one I would actually recommend!

    Loved the book, loved the premise -- all the different stories and how they all touched each other without being put together in one nicy tidy ending. The underlying story is the relationships between parent and child and relationships between siblings. And, the main character, private detective, Jackson Brodie, is extremely appealing. I look forward to reading more books in this series.

    1 out of 1 people found this review helpful.

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  • Posted October 13, 2010

    more from this reviewer

    Great read and wonderful characters

    I had a hard time putting this book down from the moment I started reading the first case. The characters are well developed. The only reason I didn't get the book five stars is the fact that the stories do jump around a bit and it's hard to keep up with the characters. Towards the ending all the stories come together and really make it a must read.

    The reason I had to read the book is a review from Stephen King. He said "Not just the best novel I read this year, but the best mystery of the decade. . . . I defy any reader not to feel a combination of delight and amazement."

    1 out of 1 people found this review helpful.

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  • Posted February 3, 2010

    more from this reviewer

    At first glance, Case Histories appears to be a collection of stand-alone stories but as the novel unfolds, they come together to form a very different kind of mystery.

    Often, I find mysteries to be a bit predictable in nature. For this reason, I typically steer clear of them. However, my book club picked Case Histories for this month and although it's definitely a mystery, it's sort of veiled in its delivery. Meaning, it doesn't hit you over the head with its mysterious-ness.

    Each case is, well.a tad shocking. Shocking in that these characters tend to think out loud and their observations and feelings over a particular person, place or thing are so honest that at times, you suck in a breath and say, "Wow."

    I believe the idea was to have the stories alternate, and then eventually mesh into one. This happens, but rather loosely. You aren't given all the details, but given enough to know what happens by the end of the novel. Although the result was a tad predictable, what happens within each case, is not.

    In the end, I'm not sure I liked how the cases came together. I almost like them better as stand-alone stories. As I read each case, I was left wondering about the people within them. As horrible as some of these characters are, I could easily relate to them. But given the entire situation, I lost the ability to relate to them. Well, some of them.

    As you can see, this review is a collection of my rambling thoughts because this reading experience left me rather antsy. It wasn't a short story collection but in my opinion it didn't really read like a novel either.

    1 out of 1 people found this review helpful.

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  • Posted September 12, 2009

    Case Histories

    This is a cracking good story, held interest from the first page to the last. Kate Atkinson cleverly weaves the plots of the "cases" together, peopled by interesting folk just making it desirable to know them better. It is a combination of a mystery story, psychological study, family/relationship study. Would be a great discussion book for a book group. Some violence, one must note, but would be hard to have a book beginning with mysteries without this. Perhaps the worst criticism would be a "too pat" ending for the multi-characters, but in the world of today, with so much seeming to end badly, it is actually rather nice. This reader is going to find more books by this author to enjoy.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 22, 2008

    Terrific

    I read this book in one sitting. Loved it. Not for the faint of heart. Quirky. Not for the 'romance readers' Came online to order other books by this author.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted June 27, 2008

    Great book!!!

    This book is absolutely amazing! I could not put it down and I highly recommend this book if your into mysteries and suspense. Great Read!!!

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted March 27, 2008

    Not worth reading!

    Although this book was highly rated I found it very disappointing. The characters were not interesting or fully developed.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted February 28, 2008

    A reviewer

    This book was well done. The characters are either likeable or interesting enough that you want to find out what happens to them. Not for the faint of mind, however, as there are a lot of characters and it takes a bit of focus to hold it altogether. The climax and endings seem a bit rushed but there is closure to most of the plots. The characters are engaging and it would be lovely to see what happens to them next.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 2, 2005

    Very Disappointed

    1. Too much time passes between the introduction of the cases and the climax of the story. 2. You are pulled back and forth between plots that are so poorly put together that you pretty much miss the connection. 3. Characters, clues, and connections are introduced in such a seperated method that you may not read about another for almost five chapters! By then you are going through a mental refresher so that you can keep up.

    1 out of 1 people found this review helpful.

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  • Posted October 17, 2011

    Highly enjoyable read

    I must confess that the first Kate Atkinson book I read was "Left Early, Took My Dog" which is the 4th of the Jackson Brodie Series. So I went and read "Case Histories" and it was wonderful. Jackson, a ex-soldier, ex-policeman, decides to try being a private detective and the 3 cases in this novel all touch him in some way. He is a great detective, just he is a bit tired of following the chain of command. The characters are well rounded and vibrant. Jackson is rather laid back in personality but very observant. He has some personal things to work out (like an ex wife and a young daughter) as do us all. The plot has lots of turns and deals a lot with missing people and missing life.

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  • Posted September 16, 2011

    Not a quick read, but worth spending time with

    Three crimes -- in 1970, 1979 and 1994 -- form the heart of Case Histories. How are the cases of a missing toddler, a dead teenager and an axe-murder related? The pivotal character is private detective and former cop, Jackson Brodie, who has as his clients, several people who were involved one way or another in the three cases. Case Histories is a book readers need to approach knowing as little as possible - that way its unfolding will be more fun. Don't get me wrong, the three case histories are tragic, the losses immense; the people who lived through them remain traumatized decades later. Still Kate Atkinson writes with a deft pen and a sense of humor - and she brings "English eccentrics" to full flower. I read Behind the Scenes at the Museum, Kate Atkinson's first novel, when it came out in 1995. It was a surprise winner (at least to the literary "establishment") of the prestigious Whitbread Book of the Year award in 1995. Now she's embarked on a series of what are being called mysteries starring Jackson Brodie; Case Histories is the first. Case Histories is the first book that, the moment I finished it, I wanted to go right back and start reading it again. That's pretty weird! I settled for scanning it again to get all the pieces put together in my head. Case Histories is not a quick read, but it's worth spending time with. I plan to read the next three in the series and keep my fingers crossed for more. Readers who don't care for strong language (occasional) and very descriptive (but brief) sex scenes might want to give Case Histories a pass or relax their rules for this one.

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  • Posted May 11, 2011

    Starts off slow, but ends with a bang

    Don't let the beginning fool you, or get you confused, as you might become what with the different stories and different characters coming in. I ended up loving this book and couldn't put it down in the end.

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  • Posted February 16, 2011

    Recommend ~

    I love the way she writes, and the way her stories move forward and backward and all around. I will look forward to reading more of her.

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  • Anonymous

    Posted January 25, 2011

    Terrible

    Don't waste your time - This was a free ebook and so far I have enjoyed all the free books - but this one was a waste of time. I read the reviews and they said stick with the book and it would get better - not true I read to the end and it did not get better. It was only 268 pages and took me two weeks - normally I ready about 400 pages a week - this book never got my attention.

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