Cast of Thousands [UK]

Editorial Reviews

All Music Guide - Andy Kellman
There doesn't appear to be an Elbow consensus: they are their own band; they are the Coldplay it's OK to like; they are the Talk Talk for people who've never heard Talk Talk or Catherine Wheel; they are somewhere between Supertramp and Superchunk; they are part of a succession of over-introspective, twaddle-peddling British rock bands. They are most of these things -- the positive things, at least -- at various points. On Cast of Thousands, Elbow's second album, the group does deserve to take its rightful place as one of the most respectable rock bands going. What separates this album from the debut isn't all that apparent on the surface. Downcast songs about relationships...
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Editorial Reviews

All Music Guide - Andy Kellman
There doesn't appear to be an Elbow consensus: they are their own band; they are the Coldplay it's OK to like; they are the Talk Talk for people who've never heard Talk Talk or Catherine Wheel; they are somewhere between Supertramp and Superchunk; they are part of a succession of over-introspective, twaddle-peddling British rock bands. They are most of these things -- the positive things, at least -- at various points. On Cast of Thousands, Elbow's second album, the group does deserve to take its rightful place as one of the most respectable rock bands going. What separates this album from the debut isn't all that apparent on the surface. Downcast songs about relationships remain the stock in trade, but the sound has made natural advancements and the quality control is less prone to malfunctioning. In other words, they have followed through on whatever promise Asleep in the Back held; you could sense this would happen, just as you could sense that, after Lazer Guided Melodies, Spiritualized would make an even better record the next time out. However predictable, the minor differences add up to a lot. More so than ever, Elbow's greatest asset is that the band is capable of making big sounds without being bombastic or flashy. And they've tempered the characteristics that got them tagged as sad sacks, although that fact is mostly apparent in the lyrics "place" rhymes with "virgin mother what's-her-face"; the payoff line in opener "Ribcage" goes "I wanted to explode, to pull my ribs apart and let the sun inside". The only setback? Gospel choirs. Hopefully, at some point before they make their next album, they'll realize that their songs don't need background vocals from an entire congregation in order to feel redemptive -- or powerful.
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Product Details

  • Release Date: 7/28/2009
  • Label: Ume Imports
  • EAN: 5033197218120
  • Catalog Number: 9721812
  • Sales rank: 104,558

Album Credits

Performance Credits
Elbow Primary Artist
Alfie Vocals
Sally Herbert Violin
Stephen Hussey Violin
London Community Gospel Choir Vocals
Everton Nelson Violin
Marcus Garvey Vocals
Catherine Browning Violin
Ian Burdge Cello
Jimi Goodwin Vocals
Chris Worsey Cello
Giles Broadbent Violin
Gillon Cameron Violin
Cathy Davey Vocals
Maya Bickel Violin
Beckie Garvey Vocals
Gina Garvey Vocals
Technical Credits
Ben Hillier Producer
Ian Burdge String Arrangements
Guy Garvey Composer
Elbow Composer, Producer, Film Producer
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