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Through compelling stories of South Central, including his own experience as an immigrant of color, Vargas presents portraits of four groups. He talks daily with women living in a low-income Watts apartment building; works with activists in a community organization against police brutality; interacts with former gang members trying to maintain a 1992 truce between the Bloods and the Crips; and listens to amateur jazz musicians who perform in a gentrified section of the neighborhood. In each case he describes the worldviews and the definitions of “blackness” these people use to cope with oppression. Vargas finds, in turn, that blackness is a form of racial solidarity, a vehicle for the renewal of African American culture, and a political expression of revolutionary black nationalism.
Vargas reveals that the social fault lines in South Central reflect both contemporary disparities and long-term struggles. In doing so, he shows both the racialized power that makes “blackness” a prized term of identity and the terrible price that African Americans have paid for this emphasis. Ultimately, Catching Hell in the City of Angels tells the story of urban America through the lives of individuals from diverse, overlapping, and vibrant communities.
João H. Costa Vargas is assistant professor in the Center for African and African American Studies and the department of anthropology at the University of Texas, Austin.
Robin D. G. Kelley is the William B. Ransford Professor of Cultural and Historical Studies at Columbia University. He is the author of numerous books, including Yo Mama's Disfunktional: Fighting the Culture Wars in Urban America.
|Introduction : looking forward to looking forward||1|
|1||Blackness as exclusion and isolation : the making of inqualities in South Central||35|
|2||Blackness as sorrow and solidarity : women and the ethics of caring||63|
|3||Blackness as liability and powerlessness : community under siege and the welfare state||87|
|4||Blackness as mobilization and movement : the coalition against police abuse and the Panther legacy||109|
|5||Blackness as artistry and affirmation : Leimert Park and the idioms of jazz||141|
|6||Blackness as self-help and social critique : the community in support of the gang truce||177|
|Conclusion : blackness as blueprint for social transformation||215|
|App||CAPA's community organizing manual|
Posted February 5, 2010
No text was provided for this review.