Catriona

( 2 )

Overview

Catriona is the sequel to Kidnapped and one of Stevenson's own favorites. He considered it his "high water mark," saying he would "never do a better book."

We rejoin David Balfour, who, no sooner than he's back in his Edinburgh estate, gets caught up in the aftermath of the Appin murder. He knows the accused man is innocent and plans to testify, but is waylaid by adventure, during the course of which he falls in love with the Rob Roy Macgregor's granddaughter, Catriona. ...

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Catriona (Barnes & Noble Library of Essential Reading)

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Overview

Catriona is the sequel to Kidnapped and one of Stevenson's own favorites. He considered it his "high water mark," saying he would "never do a better book."

We rejoin David Balfour, who, no sooner than he's back in his Edinburgh estate, gets caught up in the aftermath of the Appin murder. He knows the accused man is innocent and plans to testify, but is waylaid by adventure, during the course of which he falls in love with the Rob Roy Macgregor's granddaughter, Catriona. Obstacles plague Balfour, but the struggle is the story. We give nothing away by saying it ends on a hopeful note.

"A great adventure, a touching love story." (B-O-T Editorial Review Board)

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Product Details

  • ISBN-13: 9781605123837
  • Publisher: Akasha Publishing
  • Publication date: 4/12/2009
  • Pages: 316
  • Product dimensions: 5.50 (w) x 8.50 (h) x 0.88 (d)

Customer Reviews

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Sort by: Showing all of 6 Customer Reviews
  • Anonymous

    Posted December 28, 2007

    Feminist Interpretation Off the Mark

    Robert Louis Stevenson's novel 'Catriona' continues the run of bad luck that befell the young narrator, David Balfour, in 'Kidnapped.' I am glad the book has won new life in the Barnes and Noble Library of Essential Reading, but I do take issue with the feminist interpretation given in the introduction by Caroline McCracken-Flesher, professor of English at the University of Wyoming. While it is easy enough to understand how turn-of-the-century post-modernists view women characters primarily from a pro-feminist, anti-Victorian mindset, Catriona just will not fit into that construct. Catriona is far more like a manipulative Zelda Fitzgerald than a reasoned Eleanor Roosevelt. She snivels behind a closed door to make herself appear a misunderstood lady of good breeding, exhibits unwarranted jealousy toward Barbara Grant, and switches from love to hatred of David from chapter to chapter and even page to page. She deliberately jumps from a ship which is taking her to a place of safety into a small boat taking her to a place where she does not know the language and has no money. This shows her not to be a risk-taking woman, but a she-cat at the mercy of her busy emotions. She has all the earmarks of a Borderline Disorder Personality. A strong feminist character would be more sublime. It would be better to read 'Catriona' as the continuation of the journey of a naive narrator who is not a good judge of those whom he must trust whether it be family, clan, king, friend, or the entire judicial system of Scotland. 'Catriona' simply continues his education in the ways of the world by extending to beauty what Stevenson had already proven to be true of the clans and factions of the eighteenth-century Scottish male. Davie simply cannot trust his naive view of life, loyalty, and love. McCracken-Flesher comments specifically on a passage near the end of the book where Davie invites Catriona to accompany him to visit her just-as-treacherous father, to which she coyly agrees, 'If it be your pleasure.' To this, Davie, in an aside to the reader, remarks, 'These were early days.' McCracken-Flesher believes this passage proves that 'narrating from a distance of years, [David] has grown into a fuller understanding of gender relationships and married roles.' Possibly. But I think it just as likely to indicate that it will take the naive Davie many years to understand what the sympathetic reader was aware of by the end of Part I: alas, Catriona's words do not match her agenda. That Davie falls for her shows not that women can be just as strong as men, but that they can be just as treacherous.

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  • Anonymous

    Posted June 29, 2003

    fantastic sequel

    True Stevenson fans will relish this continuation of the story began in Kidnapped. I loved the innocent interplay of the passion developing between David and Catronia. Alan Breck has a few interesting pages as well. Drenched in old Scot vernacular, you will not be disappointed.

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    Posted May 18, 2011

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    Posted December 5, 2009

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    Posted December 7, 2011

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    Posted August 17, 2010

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