Caught Up [Expanded]

Editorial Reviews

All Music Guide - Stephen Cook
Taking the drama of a love triangle to logical extremes, Millie Jackson's Caught Up turns the pitfalls of tainted love into the basis for a concept album (the seeds for soul music's explicit treatment of the topic having been planted by James Carr's "Dark End of the Street"). While the "other woman's" view is taken up initially on cuts like the R&B hit "If Loving You Is Wrong I Don't Want to Be Right," the wife's plight is covered on the second half of the disc with revealing titles like "It's All Over But the Shouting." Jackson also delivers some of her patented racy commentary on the appropriately named "The Rap," while showing equal vigor in the album's wealth of ...
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Editorial Reviews

All Music Guide - Stephen Cook
Taking the drama of a love triangle to logical extremes, Millie Jackson's Caught Up turns the pitfalls of tainted love into the basis for a concept album (the seeds for soul music's explicit treatment of the topic having been planted by James Carr's "Dark End of the Street"). While the "other woman's" view is taken up initially on cuts like the R&B hit "If Loving You Is Wrong I Don't Want to Be Right," the wife's plight is covered on the second half of the disc with revealing titles like "It's All Over But the Shouting." Jackson also delivers some of her patented racy commentary on the appropriately named "The Rap," while showing equal vigor in the album's wealth of fine vocal performances, including an impressive cover of Bobby Womack's "I'm Through Trying to Prove My Love to You." Caught Up's standout track, though, is the version of Bobby Goldsboro's "Summer" that closes the record. Seemingly out of sync with the overriding concept, the song touches upon a girl's loss of innocence to an older man. One soon realizes, though, that beyond sexual awakening, Jackson is really emphasizing the point of no return: after the epiphany, one is sent hurdling toward the power struggles and politics of adult relations, including, potentially, the moral crossroads of infidelity. Luckily, as soon as your mind overloads from pop semiotics, the in-the-pocket grooves supplied by the Muscle Shoals Swampers provides the needed salve. Jackson shows both brains and soul on this fine release, creating what might be the only concept album one can dance and drink to. [Ace reissued the record in 2006, adding four bonus tracks, including an instrumental by the Muscle Shoals Swampers and three songs with alternate vocals.]
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Product Details

  • Release Date: 7/25/2006
  • Label: Westbound Uk
  • UPC: 029667017923
  • Catalog Number: 203
  • Sales rank: 55,594

Album Credits

Performance Credits
Millie Jackson Primary Artist
Barry Beckett Keyboards
Roger Hawkins Drums
David Hood Bass
Jimmy Johnson Guitar
Tom Roady Percussion
Brad Shapiro Percussion
Technical Credits
Bobby Goldsboro Composer
Millie Jackson Composer, Producer, Concept
Paul Rodgers Composer
Homer Banks Composer
Carl Hampton Composer
Rob Keyloch Remixing
Bob Ludwig Mastering
Jerry Masters Engineer
Steve Melton Engineer
Mick Ralphs Composer
Brad Shapiro Producer, Orchestration
Ernie Winfrey Remixing
Tony Rounce Liner Notes
Phillip Mitchell Composer
Duncan Cowell Mastering
King Sterling Composer
Billy Clements Composer
David Wiseltier Original Design Concept
Mike Lewis Orchestration
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