Cavafy's Alexandria: Expanded Edition

by Edmund Keeley

Overview

C. P. Cavafy, one of the greatest modern Greek poets, lived in Alexandria for all but a few of his seventy years. Alexandria became, for Cavafy, a central poetic metaphor and eventually a myth encompassing the entire Greek world. In this, the first full-length critical work on Cavafy in English, Edmund Keeley describes Cavafy's literary progress and aesthetic development in the making of that myth.

Product Details

ISBN-13:	9780691044989
Publisher:	Princeton University Press
Publication date:	12/31/1995
Series:	Princeton Modern Greek Studies , #13
Edition description:	Expanded Edition
Pages:	208
Product dimensions:	7.75(w) x 10.00(h) x (d)

About the Author

Edmund Keeley (1928–2022) was the Charles Barnwell Straut Class of 1923 Professor of English, emeritus, and professor emeritus of creative writing at Princeton University. His books include Modern Greek Poetry: Voice and Myth and The Salonika Bay Murder: Cold War Politics and the Polk Affair (both Princeton).

Table of Contents

Preface to the Paperback Edition

Acknowledgments

1 Introduction: The Literal City 1

2 The Metaphoric City 13

3 The Sensual City 43

4 Mythical Alexandria 75

5 The World of Hellenism 103

6 The Universal Perspective 133

7 Epilogue: Voice, Perspective, and Context 153

Appendixes 181

Bibliographical Note 197

Notes 199

Indexes 217

Editorial Reviews

Winner of the 2000 Ralph Manheim Medal for Translation, PEN American Center

"Attempting a comprehensive and coherent critical sighting of Cavafy's life work, Keeley classifies and analyzes the entire canon, including the more significant unpublished poems, and in this context comments with sensitivity and clarity on some of the best-known and most difficult poems."—-George Economou, The New York Times Book Review

"This book is as marvelous a guide to the imagined Alexandria as E. M. Forster's is to the real one."—-Joseph Brodsky, New York Review of Books

"Keeley has performed an invaluable service in tracing [Cavafy's] deliberate arrangement of his work. In this way such seminal poems as The God Abandons Antony or The City are revealed in their full thematic importance, while many others when seen in their proper place in the design take on a significance which they lacked in isolation."—-Ian Scott-Kilvert, The Times Higher Education Supplement

From the Publisher

Keeley has performed an invaluable service in tracing [Cavafy's] deliberate arrangement of his work. In this way such seminal poems as The God Abandons Antony or The City are revealed in their full thematic importance, while many others when seen in their proper place in the design take on a significance which they lacked in isolation.
— Ian Scott-Kilvert

The Times Higher Education Supplement

Attempting a comprehensive and coherent critical sighting of Cavafy's life work, Keeley classifies and analyzes the entire canon, including the more significant unpublished poems, and in this context comments with sensitivity and clarity on some of the best-known and most difficult poems.

The New York Times Book Review - George Economou

This book is as marvelous a guide to the imagined Alexandria as E. M. Forster's is to the real one.

New York Review of Books - Joseph Brodsky

Keeley has performed an invaluable service in tracing [Cavafy's] deliberate arrangement of his work. In this way such seminal poems as The God Abandons Antony or The City are revealed in their full thematic importance, while many others when seen in their proper place in the design take on a significance which they lacked in isolation.

The Times Higher Education Supplement - Ian Scott-Kilvert

Attempting a comprehensive and coherent critical sighting of Cavafy's life work, Keeley classifies and analyzes the entire canon, including the more significant unpublished poems, and in this context comments with sensitivity and clarity on some of the best-known and most difficult poems.
— George Economou

The New York Times Book Review

This book is as marvelous a guide to the imagined Alexandria as E. M. Forster's is to the real one.
— Joseph Brodsky

New York Review of Books