Cavaille-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All
Aristide Cavaillé-Coll (1811-1899) is often referred to as the greatest organ builder of all time. The pipe-organ, being the most complicated musical instrument mechanically and tonally, as well as the most expensive, adds significantly to that world's greatest designation. The talents required to be such a person range far from music-making to advanced physics, architecture, and engineering. That, plus the obvious knack to raise vast sums of money. Cavaillé-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All, by Ronald Ebrecht, is the story of the quest to build the largest-ever mechanical-action organ in the biggest church at the time. Cavaillé-Coll's model for that organ and the book he wrote outlining his proposal are the core of Ebrecht's discussion.

Cavaillé-Coll bestrode a century as well as an art-form. His century complicated the project with the most intricate, intractable problems. Saint-Peter's Square, now a part of the Vatican City State, was then part of the newly-united Italy, which had just deposed the pope as ruler of the center of Italy and taken the papal lands. The east end of the basilica facing the square and the Tiber became a much disputed boundary. It was a part of the Italian state so hotly contested that the Italian Republicans would not accept the concept of an organ hanged from the basilica wall, lest it shift. Before, or since, has the music sphere ever provoked such a question that could bring nations to swords?
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Cavaille-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All
Aristide Cavaillé-Coll (1811-1899) is often referred to as the greatest organ builder of all time. The pipe-organ, being the most complicated musical instrument mechanically and tonally, as well as the most expensive, adds significantly to that world's greatest designation. The talents required to be such a person range far from music-making to advanced physics, architecture, and engineering. That, plus the obvious knack to raise vast sums of money. Cavaillé-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All, by Ronald Ebrecht, is the story of the quest to build the largest-ever mechanical-action organ in the biggest church at the time. Cavaillé-Coll's model for that organ and the book he wrote outlining his proposal are the core of Ebrecht's discussion.

Cavaillé-Coll bestrode a century as well as an art-form. His century complicated the project with the most intricate, intractable problems. Saint-Peter's Square, now a part of the Vatican City State, was then part of the newly-united Italy, which had just deposed the pope as ruler of the center of Italy and taken the papal lands. The east end of the basilica facing the square and the Tiber became a much disputed boundary. It was a part of the Italian state so hotly contested that the Italian Republicans would not accept the concept of an organ hanged from the basilica wall, lest it shift. Before, or since, has the music sphere ever provoked such a question that could bring nations to swords?
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Cavaille-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All

Cavaille-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All

by Ronald Ebrecht
Cavaille-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All

Cavaille-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All

by Ronald Ebrecht

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Overview

Aristide Cavaillé-Coll (1811-1899) is often referred to as the greatest organ builder of all time. The pipe-organ, being the most complicated musical instrument mechanically and tonally, as well as the most expensive, adds significantly to that world's greatest designation. The talents required to be such a person range far from music-making to advanced physics, architecture, and engineering. That, plus the obvious knack to raise vast sums of money. Cavaillé-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All, by Ronald Ebrecht, is the story of the quest to build the largest-ever mechanical-action organ in the biggest church at the time. Cavaillé-Coll's model for that organ and the book he wrote outlining his proposal are the core of Ebrecht's discussion.

Cavaillé-Coll bestrode a century as well as an art-form. His century complicated the project with the most intricate, intractable problems. Saint-Peter's Square, now a part of the Vatican City State, was then part of the newly-united Italy, which had just deposed the pope as ruler of the center of Italy and taken the papal lands. The east end of the basilica facing the square and the Tiber became a much disputed boundary. It was a part of the Italian state so hotly contested that the Italian Republicans would not accept the concept of an organ hanged from the basilica wall, lest it shift. Before, or since, has the music sphere ever provoked such a question that could bring nations to swords?

Product Details

ISBN-13: 9780739167281
Publisher: Bloomsbury Academic
Publication date: 11/10/2011
Pages: 238
Product dimensions: 7.20(w) x 10.00(h) x 0.90(d)

About the Author

Ronald Ebrecht is Artist in Residence and University Organist at Wesleyan University.

Table of Contents

Foreword Jean-Louis Tauran vii

Preface Ronald Ebrecht ix

Introduction Thomas Murray xiii

Chapter I An Auspicious Debut, a Difficult Era 1

Chapter II One Hundred Stops, Saint-Sulpice, Paris' Greatest Organ 17

Chapter III Willis' One Hundred Eleven Stops, and Cavaillé-Coll's Septet of Secular Organs 53

Chapter IV The Rome Project and Book 81

Chapter V How Developments in France Impacted Italy, and the Organs in Rome 95

Chapter VI The Vedette: the Model, Its Evaluation, and Exhibition 113

Chapter VII The Jubilee 129

Chapter VIII Others Build Ever Bigger: Cavaillé-Coll's Final Glories and Impoverished Death 173

Bibliography 211

Index 221

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