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| John Ottman | Primary Artist |
| Bruce Harvey | Conductor |
| Mark Banning | Art Direction |
| Lora Rosner | Orchestration |
| Casey Stone | Engineer, Engineering |
| James Nelson | Mastering |
| John Ottman | Composer, Producer, Liner Notes, Orchestration |
| Lori Silfen | Music Business Affairs |
| Mitch Rotter | Soundtrack Executive Producer |
| Michael V. Gerhard | Executive Producer |
| Matt Verboys | Executive Producer |
| Erin Scully | Music Executive |
| John F.X. Walsh | Music Business Affairs |
| David Ellis | Liner Notes |
Editorial Reviews
All Music Guide - Jason Ankeny
After scoring so many lowbrow Hollywood thrillers, it's somewhat inevitable that John Ottman would begin repeating himself -- listening to Cellular, it's difficult to shake the sense that the composer is simply going through the motions, even if the complexity and craftsmanship of his approach remain crystal clear. A dark, mysterious score that accelerates with each successive theme, Cellular boasts a few unique touches, most notably the mobile-phone keypad rhythms that snake in and out of the music, but Ottman is forced to operate in such a limited emotional and stylistic context that there's little here that wouldn't fit just as comfortably in likeminded schlock such as ...