The Centaur in the Garden

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A masterpiece of magical realism by one of Brazil’s most celebrated novelists.

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New York 1984 Trade paperback First edition. New. No dust jacket as issued. (103106) 1st US edition Trade paperback is brand new in Near Mint condition. Trade paperback (US). ... Glued binding. 224 p. Audience: General/trade. Read more Show Less

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A masterpiece of magical realism by one of Brazil’s most celebrated novelists.

The Wisconsin edition is for sale only in the United States

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Editorial Reviews

From the Publisher
"Scliar is a world-class fabulist with a solid and distinguished oeuvre awaiting discovery by a larger audience. I’ve seen The Centaur in the Garden compared to works by Franz Kafka, Nikolai Gogol, Philip Roth, Mordecai Richler, and even John Updike. At its center is Guedali Tartakowsky, a Jewish centaur born into a family of Russian immigrants in Rio Grande do Sul. Scliar pushes the tragic destiny of Tartakowsky through an infusion of comedy. Its style is vintage Scliar: crisp, speedy, cinematic, succinct."—Ilan Stavans
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Product Details

  • ISBN-13: 9780345316691
  • Publisher: Random House Publishing Group
  • Publication date: 2/1/1985
  • Edition description: 1st ed
  • Pages: 216

Meet the Author

Moacyr Scliar is a physician who lives in Porto Alegre, Brazil. His many award-winning novels and short-story collections, which have been translated into numerous languages, include The Carnival of Animals, The Collected Stories of Moacyr Scliar, and The Gods of Raquel. The Centaur in the Garden was named one of "100 Greatest Works of Modern Jewish Literature" by the National Yiddish Book Center.

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Customer Reviews

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  • Anonymous

    Posted January 7, 2004

    'Everything Is All Right Now'

    Written in the tradition of magic realism,'The Centaur in the Garden'is a fable in which mythic creatures, half horse, half human,(the centaur),and half woman, half lion,(the sphinx), play leading roles. Guedali Tartakovsky, fourth child of Leon Tartakovsky, a Jew brought over from Russia by Baron Hirsh early in the 20th century to farm in a remote area of Brazil, is born a centaur, a human with the lower body of a horse. The family is horrified. His mother goes into a deep depression, but Leon is determined to bring up his son as a Jew. He persuades a mohel,( a Jew trained to do circumcisions under the guidelines of Jewish tradition)to circumcise the boy. Similarly, when Guedali reaches thirteen, Leon holds a Bar Mitzvah for him in the family home. At maturity, Guedali becomes restless and runs away, joining a circus where the lady lion-tamer falls in love with him. He escapes from her and meets Tita, a female centaur, who has been brought up by an eccentric millionaire. Guedali and Tita travel to Morocco where a famous surgeon transforms them into human beings. They still retain their hooves which they conceal with specially made boots. Returning to Brazil, they join city society. Guedali becomes rich, but Tita longs for her former life.When she falls in love with a young centaur later killed by their condominium police, Guedali flees to the countryside where he seeks to return to his roots. Transcendental questions bother him. 'Had Guedali,the centaur boy, been happy? Happier than the biped adult?' He experiences nostalgia. 'My tail and hooves were mine as my ego and id', he realizes. Sometimes,when he is nervous,he beats his foot against the ground in the manner of a horse beating his hoof. 'Why the uncontrollable itch to gallop?' he asks himself. This strange tale compares the loss of the horse's body to the process of assimilation undergone by many Jews. It posits the thesis that by discarding their mother tongue, Yiddish, and their customs, Jews lose their essential being. The story ends with Guedali writing in large letters,'Everything is All Right Now'. 'We're just like everyone else', he thinks,but 'his private horses still gallop within', revealing his inner conflict.

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