A Certain Justice

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Overview

Set in San Francisco, A Certain Justice is about justice denied in a most violent fashion, and the ultimately heroic actions of a so-called common man, Kevin Shea, who becomes involved with the law to the extent that he is hunted, hounded and nearly destroyed for an act he never committed. With him is a young woman, Melanie Sinclair, who also seems at first flush to be almost superficial, ordinary and predictable, but who becomes something much deeper as she joins forces with Kevin Shea in an urban and ...
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1996 Mass Market Paperback Very Good GREAT BOOK! MAY HAVE MODERATE WEAR, SPINE CREASES AND MARK ON EDGE OR ENDPAGES. PAGES MAY BE AGING, NO WRITING OR MARKINGS IN TEXT. 100% ... SATISFACTION GUARANTEED! "Description: A brutal murder rocks a city. An innocent man stands accused. And justice is the next to die. In a city of tolerance and hope, everything came apart. One man died at the hands of another. The next victim was killed by a mob. Now fires burn in the night, helicopters throb through the air, and politicians, lawyers and cops vie for the remnants of power...Somewhere in the once-placid streets of San Francisco, a young man is on the run, charged by the media with a crime he didn't commit, hounded by demagogues, hunted by a desperate police department. One cop knows that Kevin Shea is innocent of a brutal racial murder. An ambitious politician will use Shea for her own ends. And a down-and-out lawyer is all that stands between Kevin Shea and an even more atrocious crime. For when there's no law left, Read more Show Less

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New York, NY 1996-08-02 Mass Market Paperback Good Mass market (rack) paperback. Glued binding. 544 p.

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A Certain Justice

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Overview

Set in San Francisco, A Certain Justice is about justice denied in a most violent fashion, and the ultimately heroic actions of a so-called common man, Kevin Shea, who becomes involved with the law to the extent that he is hunted, hounded and nearly destroyed for an act he never committed. With him is a young woman, Melanie Sinclair, who also seems at first flush to be almost superficial, ordinary and predictable, but who becomes something much deeper as she joins forces with Kevin Shea in an urban and contemporary version, on one level, of a Thelma and Louise/Bonnie and Clyde, except that this couple is absolutely innocent. Leading the hunt for the fugitive pair is Abe Glitsky, Dismas Hardy's close friend, now chief of homicide, whose job it is to bring them in dead or alive. Compounding his troubles - and threatening the innocence not only of the accused but of those who would bring them to justice - is the overpowering presence of a key U.S. senator who demands a quick resolution to the matter, and whose ambitions extend beyond the mere fight for truth and justice...

In the modern, enlightened city of San Francisco, a most backwards and heinous incident occurs--an innocent black man is lynched by a group of whites. Wrongfully identified as the mob's ringleader, Kevin Shea goes into hiding as an angry city hunts him down.

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Editorial Reviews

From the Publisher
"Catapults Lescroart into the top ranks of crime writers."
--Playboy

"Engrossing."
--San Francisco Examiner

"A terrific writer."
--Jonathan Kellerman

Publishers Weekly - Publisher's Weekly
Politics and justice mix like oil and water after racial tensions erupt into violence in this taut and engrossing San Francisco-set thriller. Lescroart (The 13th Juror) wastes no time setting up his story. In the first few, galvanizing pages, an African American lawyer is lynched by a mob of drunk Irish Americans incensed at the murder of one of their friends by a black career criminal. Alone in trying to save the doomed lawyer is Keven Shea, a 28-year-old grad student. But when a photograph showing him trying to hand the lawyer a knife to cut loose the noose is interpreted as an attempted stabbing, Shea, who goes on the lam, becomes the target of a citywide manhunt. He also becomes San Francisco's chief symbol of racial unrest as politicians ranging from the city's district attorney to a U.S. senator pursue their personal interest in declaring him guilty; only Lt. Abe Glitsky, head of the city's homicide detail, seems to be looking at the case objectively. Meanwhile, Shea turns for help to his girlfriend and, in one of the author's few nods toward clich, to a down-and-out lawyer pal. Throughout, Lescroart keeps a sharp eye on both the big picture and the individual views of a multitude of well-drawn characters. By showing the political maneuvering that can accompany an outbreak of violence, he offers an unusually thoughtful, exciting thriller that evinces insight into incidents and attitudes that seem all too real. 125,000 first printing; $150,000 ad/promo; Literary Guild and Doubleday Book Club featured alternates; author tour. (Aug.)
Kathy Broderick
Fans of Lescroart will line up for his newest legal thriller, which takes place over a few stress-filled summer days in San Francisco. When a drug-related murder results in strained race relations in the city, events escalate until a drunken mob lynches a young black attorney. A young white man, Kevin Shea, tries with all his body and soul to stop the crime from happening, but his efforts are wasted, and an irresponsible photographer snaps a shot of Kevin that gets misinterpreted by everyone. The city goes nuts--riots, fires, and a $200,000 reward is posted for Kevin's apprehension. But Kevin, now on the run with his spunky girlfriend, insists on making his role in the event clear and his innocence known. He calls an old friend, attorney Wes Farrell, to help. Once cynical and distrustful of the legal system, Wes regains faith in the law while fighting for Kevin. Meanwhile, Lieutenant Abe Glitzky, head of homicide, calmly gathers evidence, but he gets sidetracked when his old flame, now a U.S. senator, shows up to put her own "spin" on the drama destroying the city. With not one, two, or three, but four major homicides combining into one political and legal nightmare for SF, this makes a good thriller.
From Barnes & Noble
Joined by a young woman, a man is hunted and hounded through the streets of San Francisco and nearly destroyed by the precarious forces of "justice" for an act he never committed. A riveting novel from the author of The 13th Juror.
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Product Details

  • ISBN-13: 9780440221043
  • Publisher: Random House Publishing Group
  • Publication date: 8/28/1996
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 544
  • Product dimensions: 4.15 (w) x 6.85 (h) x 1.15 (d)

Meet the Author

John T. Lescroart
John Lescroart is the bestselling author of eighteen previous novels, which have sold more than ten million copies. He lives with his family in Northern California.

Biography

John Lescroart has made a name (albeit an unpronounceable one!) for himself as the author of crime thrillers, most notably an acclaimed series starring the San Francisco lawyer-and-cop team of Dismas Hardy and Abe Glitsky. But the road to bestsellerdom has been paved with more than a few unexpected detours for this hardworking novelist, who has been writing all his adult life but who only started to chart big around the mid-1990s.

Lescroart (pronounced les-KWA) grew up with an equal interest in music and writing. After college, he concentrated his energies on the former, performing alone and in bands around the San Francisco Bay area and scribbling in whatever spare time he could find. But he set a deadline for himself, and when he had not "made it" by age 30, he quit music to focus on writing. Within weeks he finished up a novel-in-progress based on his experiences living in Spain. He submitted it to a former high school teacher who was less than dazzled; but the man's wife loved it and entered the manuscript in a local competition. Although it would not formally see print for another four years, Sunburn won the prestigious Joseph Henry Jackson Award, beating out Anne Rice's Interview with a Vampire for the best novel by a California author.

To support his art, Lescroart held down a dizzying succession of jobs -- from house painting and bartending to working as a legal secretary. At one point, just as he was ready to enroll in the creative writing program at Amherst, he was offered a lucrative gig he could not afford to pass up, and graduate school fell by the wayside. As the years passed, some of his books were published, but he never felt financially secure enough to write full-time. Then, in 1989, he contracted spinal meningitis after body-surfing in contaminated seawater. He emerged from his life-threatening ordeal with a new resolve, quit the last of his day jobs, and became a real working novelist.

It took a few tries for Dismas Hardy to become the fully realized character Lescroart's fans have come to know and love. Debuting in 1989's Dead Irish, Hardy began life as an ex-cop/ex-attorney turned bartender and did not return to the practice of law until his third appearance in Hard Evidence (1993). From then on, interest grew in the series, which has snowballed into a lucrative franchise for the author. In 2006, Lescroart introduced another San Francisco-based dynamic duo, private investigator Wyatt Hunt and homicide detective Devin Juhle, in The Hunt Club. Slightly younger than Hardy and Glitsky but drawn with the same humanizing brush, the protagonists of this series have proved immensely popular with readers.

Incidentally, Lescroart's writing success has allowed him to return to his other love: He has founded his own independent label, CrowArt Records, which showcases some of his own music and produces CDs by a number of artist/friends. At long last, John Lescroart is able to enjoy the best of both worlds.

Good To Know

In our exclusive interview, Lescroart let us in on some fun and fascinating insights about himself and his life as a writer:

"First, it's Less-KWAH. Here's a tip -- don't have that name. Get a pen name that people can pronounce and remember. Just this Saturday, I gave a talk at a well-attended writers' conference. There were probably a hundred people in the room, and the talk went very well. Five minutes later, I was in the bathroom washing my hands and around the corner, I heard a guy tell another that he'd just heard the greatest talk by John le Carré. 'You know, The Tailor of Panama and the Smiley books? Good stuff. I'm going to go buy all his books.'"

"Second, I didn't have to quit the day job to keep writing. One of the most productive times in my early writing life was while I had a full-time job as a word processor in a law firm and also worked part-time at night, often working until 11:00 p.m. How did I do any writing, you might ask? Well, I did it between 6:00 and 8:00 in the morning, four pages a day, and published five books in six years. But because a) I was making some money doing 'regular' work and didn't have to be scrounging for coin and b) I was panic-stricken at the little time that was left in the day to write, I wound up becoming more efficient."

"Third, I don't wait on inspiration, and I refuse to acknowledge 'writer's block.' I simply sit down and put words on the paper. It's like being a carpenter -- writers build things. Carpenters don't wake up and say, 'Hmm, I'm not in the mood to drive nails today.' No, they go to work and do the job. It's not very romantic, but that's how I approach writing."

"If you have a good relationship, nurture it. The great god of Writing with a capital "W" isn't the only thing in life. It can be a great part and a big part, but it shouldn't consume you on a daily basis and shouldn't make your life miserable all the time. Try not to get nuts about the greater success of other writers -- we're really not in competition with other writers. We're only trying to outdo ourselves, to get better at our jobs. Go on dates. Spend some time outside (fishing is good, so is skiing, hiking, swimming, jogging). Stay in shape -- writing is a marathon. Don't drink too much. Have as much fun as you can."

Lescroart used to perform as "Johnny Capo" in a group called Johnny Capo and His Real Good Band. Although he no longer performs with that outfit, he still pursues music as the founder of his very own independent label called CrowArt Records. The first project on the label was Date Night, a CD of his own compositions performed by master pianist Antonio Castillo de la Gala. Followers of Lescroart's writing may recognize the in-joke in the album's title. As he explains on his web site, "Fans of Dismas Hardy will know that Diz and Frannie (Dismas's wife) set aside every Wednesday night for some time alone together -- it's their date night."

Read More Show Less
    1. Also Known As:
      John Lescroart
    2. Hometown:
      El Macero, California
    1. Date of Birth:
      January 14, 1948
    2. Place of Birth:
      Houston, Texas
    1. Education:
      B.A. in English with Honors, UC Berkeley, 1970

Read an Excerpt

At about eight-ten on an unusually hot and sultry evening a couple of weeks before the Fourth of July, Michael Mullen, a thirty-nine-year-old white accountant with a wife and three children all under eight, stopped his new black Honda Prelude at the corner of 19th and Dolores in the outer Noe Valley District of San Francisco.  Dolores is a divided street with a wide grassy area occasionally pocked with trees between the north and south lanes.

According to witnesses, a young black male was walking in this divider strip when Mullen pulled up to the stop sign at 19th.  The driver immediately behind Mullen, a kid named Josh Cane, noticed that, with the heat, Mullen had his driver's window open, his elbow sticking out resting on it.

The young man in the divider strip, who'd been walking north, the same direction both Mullen and Cane had been driving, closed the remaining feet between himself and Mullen in a couple of athletic bounds, "like he was jumping over some mud or something." (Rayanne Jonas, fifty-six, an African-American day-care provider, walking home from the center on Army, where she worked.)

"I saw he was already holding something, which then, I mean at that time, I thought was a pipe, and then I realized..."

It turned out it was a gun, which the man stuck into Mullen's temple.  He pulled the trigger.  The report was loud enough that Cane—in his car with his windows up and his air conditioner blasting—heard it "like a crack of thunder."

The only witness with the wherewithal to move in the following seconds, to try to do anything at all, was a fifteen-year-old Hispanic youth named Luis Santillo, who was on his way home from his afterschool job at the fast food place down the street on 16th and Guerrero.  He, too, saw the athletic man take the leaps, aim the gun, and fire.

"Hey!" he yelled.  "What the hell..." He started running toward Mullen's car.

Meanwhile, ignoring Luis and everything else, the assailant pulled the door of the car, reached in, grabbed, and with one hand pulled Mullen out, lifted his wallet, and dumped his body on the street.

Luis, twenty feet in front of the car and still coming, still yelling, froze as the vehicle accelerated, the driver's door swinging half-open.  The car fishtailed slightly on the pavement, corrected, then jumped forward through the intersection, its left bumper hitting Luis, bouncing him first off the hood and windshield, and then throwing him seventy-six feet into a juniper bush in the divider strip, which saved his life, although the pins in his hip would probably prevent him from ever jumping athletically like the shooter.

The car, gaining speed, "went off like a rocket, just going and going 'til it was out of sight" (Riley Willson, a car mechanic at his own shop, Riley's Garage, on the northeast corner of 19th and Dolores.)

On June 20, the car—or what was left of it—was recovered.  Its doors were gone, as were the tires.  The body had been tagged by what must have been every kid with a can of spray paint in the neighborhood.  The car had been abandoned on Moscow Street hard by the Crocker-Amazon Playground, a common dump spot south of the 280 Freeway, almost to the city limits.

Besides the traces of cocaine, marijuana seeds and roaches, beer cans and other debris, the car yielded such a beautiful fingerprint—in blood—on the back side of the steering wheel, that Shawanda Mboto, the San Francisco Police Department specialist in these matters, let out a war whoop from her perch by her microscope.

It took less than a day to verify that the blood was in fact Michael Mullen's. The fingerprint belonged to an African-American career criminal named Jerohm.

Jerohm Reese was twenty years old.  He had first visited the Youth Guidance Center at the age of fourteen when, without a regular domicile, he was convicted in juvenile court of stealing a pair of Air Jordan tennis shoes from Ronda Predeaux after he had beaten him up.

His "accomplice" in that crime—the boy who had held Ronda down by kneeling on his upper arms and pounding away at his face while his shoes were stripped off—was another youth, Wesley Ames, better known as Tooth because he had only one left on the top, right upfront.

Over the next four years Jerohm Reese acquired a juvenile rap sheet, mostly stealing and, when he needed to, doing some minor violence, often with his fists although once he used a metal pipe and once a rock.

He spent his eighteenth birthday in a courtroom.  Though Jerohm had not yet turned eighteen when he robbed the Portola Liquor Store on Ocean, this time he had had a gun in his possession, which on his arrest he said had been a toy. (Jerohm's toy—never located—had given a concussion to Meyer Goldsmith, the owner.)

Jerohm's public defender, Gina Roake, had prevailed with her argument for leniency, on the grounds that technically this was Jerohm's first offense (as an adult). Whether persuaded by this argument or exhausted at the end of another long day at the bench, Municipal Court Judge Thomas Langan had sent Jerohm upstairs to the county jail for a year, of which, due to the over-population of the jail, he served five months and twenty-one days.

Between the ages of eighteen-and-a-half, when he got out of jail on the Portola robbery, and twenty, when his bloody fingerprint was identified on Michael Mullen's steering wheel, Jerohm kept a low profile, and though he was brought to the Hall and questioned several times, he was charged with no new crimes.

Although Jerohm lived and hung mostly in the Bay View district between Hunter's Point and Candlestick Park—one of the coldest and most inhospitable environments in the state—at about midnight on June 21-22, he was arrested by an African-American inspector sergeant of homicide named Ridley Banks as he exited the Kit Kat Klub just north of Laguna, a long walk from Candlestick, after his presence had been reported by that establishment's owner, Mo-Mo House, who had some sort of arrangement with Sergeant Banks.  Accustomed to the drill, Jerohm offered no resistance.

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Customer Reviews

Average Rating 3.5
( 7 )
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Sort by: Showing all of 7 Customer Reviews
  • Anonymous

    Posted April 3, 2006

    A City in Turmoil

    This story seemed so real. A crowd of drunks causing a riot and the whole story becomes racial. It's very interesting how the politicians get involved and make decisions to look good and get votes. Some big surprises in the ending. I enjoy the same characters in many of Lescroart's books and his writing style.

    2 out of 2 people found this review helpful.

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    Posted December 26, 2011

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    Posted June 1, 2011

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