Challengers

( 4 )

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
There never has been much of a question that the New Pornographers are a cerebral power pop band -- A.C. Newman's songs dance around meaning and Dan Bejar deliberately turns meaning inside out -- but they always hit the gut instead of the head due to their propulsive melodies and sweetly muscular guitars. Such was the case up through 2005's Twin Cinema, anyway, but on their fourth album, 2007's Challengers, they turn inward, tempering their hooks and muting their colors, winding up with an album that emphasizes their admirable qualities first, with their endearing ones revealing themselves only after repeated plays. It's true that the New Pornographers' albums ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
There never has been much of a question that the New Pornographers are a cerebral power pop band -- A.C. Newman's songs dance around meaning and Dan Bejar deliberately turns meaning inside out -- but they always hit the gut instead of the head due to their propulsive melodies and sweetly muscular guitars. Such was the case up through 2005's Twin Cinema, anyway, but on their fourth album, 2007's Challengers, they turn inward, tempering their hooks and muting their colors, winding up with an album that emphasizes their admirable qualities first, with their endearing ones revealing themselves only after repeated plays. It's true that the New Pornographers' albums have always been growers, records that unveiled their gifts over time, but Challengers is their biggest grower yet, a dense collection of carefully constructed and brain-power pop where even the liveliest song, "All the Things That Go to Make Heaven and Earth," is a tense, nervous cacophony of ideas and riffs that doesn't grab hold -- it plants a seed that later blooms. Few of the other songs here are as fast or jumbled as that -- it's every bit the early Roxy Music salute Newman claims it is -- as the rest of the album dwells over slower, softer territory, or precisely written pop tunes where no left turn goes unexplored. At least that's true of Newman's tunes, and he once again dominates the album, writing nine out of the 12 tracks. Newman has a knack for writing segments that are bright, hooky, and seemingly indelible, possessing the blinding rush of the best power pop, but when he's writing for this band, he assembles these colorful shards of melody in challenging ways, creating intricate mosaics where the melodies never quite lead exactly where they seem they would. Although the New Pornographers play these songs with an unassuming directness, Newman's pop requires active listening, especially here on Challengers, as it's built upon carefully arranged and quietly performed songs. Bejar balances these precious tendencies of Newman by indulging in his eccentricities. His songs aren't as detailed in their arrangements, but this only accentuates his oddness, where he can make either the slow, spooky crawl of "Myriad Harbour" or the delicate Brit-pop stomp of "Entering White Cecilia" seem equally off balance. As always, this does make for a good contrast to the essential sweetness of Newman's melodies (perhaps best heard on the openers, "My Rights Versus Yours" and "All the Old Showstoppers," the gateway drugs for the rest of the album), but it often seems as if Newman knows that he has a gift for these sweet melodies, so he undercuts that gift by having his melodies follow unconventional paths, and by having his lyrical meaning so well hidden that it often seems not worth the bother to analyze. So, this is internal music, best suited for solitary listening, but the odd thing about Challengers is that it has the inherent tension and messiness of a band, where harmonies float in and out and the group rides a natural rhythm instead of a click track. And that, more so than the seesaw between Newman's and Bejar's songs, is the true balance of the New Pornographers, because both writers benefit from having a band that plays like a band: while you may not be able to decipher these writers immediately, they sell their eccentricities as something that's quintessentially, endearingly human, and that talent proves invaluable on a record as subtle, yet rewarding, as Challengers.
Rolling Stone Online - Christian Hoard
Challengers, the Vancouver group's fourth album, is slower and more thoughtful, but mostly it keeps up the hook-pumped, harmony-chocked power pop modestly tricked out with strings and keyboards.
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Product Details

  • Release Date: 8/21/2007
  • Label: Matador Records
  • UPC: 744861077022
  • Catalog Number: 10770
  • Sales rank: 70,047

Album Credits

Performance Credits
The New Pornographers Primary Artist
Neko Case Vocals, Group Member
Kurt Dahle Percussion, Drums, Vocals, Group Member
Phil Palazzolo Guitar
Brendan Ryan Trumpet, Accordion, French Horn
John Collins Bass, Guitar, Mandolin, Glockenspiel, Tambourine, Casio, Guitar (Baritone), Group Member
Todd Fancey Banjo, Guitar, Mandolin, Group Member
Blaine Thurier Sampling, fender rhodes, Group Member
A.C. Newman Bass, Guitar, Mandolin, Percussion, Piano, Vocals, Wurlitzer, Casio, Group Member
Olivier Manchon Violin
Kathryn Calder Piano, Vocals, Wurlitzer, Group Member
Ben Kalb Cello
Marla Hansen Viola
Eileen Gannon Harp
Leslie Kubicka Flute, Piccolo
Tara Szczygielski Violin
Technical Credits
Dave Craswell Engineer
Patrick McCarthy Engineer
Neko Case Artwork
Kurt Dahle Producer, Engineer
Ryan Dahle Engineer
Mark Ohe Artwork
Phil Palazzolo Producer, Engineer
Nick Luca Engineer
Brendan Ryan String Arrangements
John Collins Producer
Howard Redekopp Engineer
A.C. Newman Composer, Producer
Chad Lupo Engineer
Charles Burst Engineer
Josh Clark Engineer
Judge Artwork
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Customer Reviews

Average Rating 4.5
( 4 )
Rating Distribution

5 Star

(2)

4 Star

(2)

3 Star

(0)

2 Star

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1 Star

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Sort by: Showing all of 4 Customer Reviews
  • Posted October 1, 2010

    more from this reviewer

    They so kick a**

    This is a great band, and it's a joy to hear Neko Case with them. Buy this CD.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 1, 2010

    Not as good as Twin Cinema, but still quite good

    Like many people, I was initially disappointed when I listened to this album. Where was the energy and fire of Twin Cinema? And then I listened to it a few more times and realized that this album had grown on me quite a bit. I looked at people's reactions on the internet and they all mentioned feeling that it was definitely a grower, so if you get this album, give it a chance first. It's not a match for their previous album, but it's still quite good.

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  • Anonymous

    Posted May 28, 2009

    No text was provided for this review.

  • Anonymous

    Posted October 21, 2009

    No text was provided for this review.

Sort by: Showing all of 4 Customer Reviews