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“[Barry Maitland] writes what may be the best police procedural today. . . . [A] classy story in a usually unclassy genre.” —Sunday Star-Ledger
“Barry Maitland is a master of mysteries, and The Chalon Heads is a crafty and well-crafted showpiece of the genre.” —Los Angeles Times Book Review
“Riveting . . . Deviously complicated . . . Maitland’s intricate tale never fails to grip.” —Publishers Weekly
It began innocently enough, in the days before Kathy knew a cottonreel from a woodblock.
The long corridor of the Strand was booming with traffic, dust and petrol fumes hanging in the hot July afternoon air. Half-way along on the shady south side, not far from the setback entrance of the Savoy Hotel, Brock and Kathy found the shop-front surmounted by the name Cabot's, in ornate raised gold letters on a black ground. Beneath, two small boys had their noses pressed to the glass, mesmerised by a display of old postage stamps.
Inside, in air-conditioned calm, they were confronted by a pyramid of devices, which looked to Kathy as if they belonged in the forensic lab — magnifying glasses both simple and illuminated, watermark detectors, colour indicators, packets of mounts, tweezers, tiny guillotines, short and long wave and ultraviolet lamps for identifying phosphor inks and coatings.
`Nothing stays simple, does it?' Brock said, pointing at the shelves of reference books and albums filling one wall. `When I was a boy, the complete listing of all the stamps in the world was contained in one small fat volume. Now you need a library.'
He took a pair of half-lens glasses from his jacket pocket and leaned forward to examine a pocket microscope in the display, unconsciously imitating the posture of the small boys at the front window. He might have been their uncle, Kathy thought, or their schoolmaster, a big benign bear of a man in a slightly rumpled suit, grey beard and hair in need of a trim, as unlike the hard young men of Serious Crime as he could be, and therefore dangerous in a different way.
Kathy looked around at the other people in the room. A glass counter circled the space, stools in front, glass shelves and cabinets behind with concealed lighting. A number of customers, office workers in shirt-sleeves by the look of them, were browsing or crouching over the counter, some deep in conversation with studious-looking sales assistants. They were all male, Kathy noticed, and indeed, despite the array of technology at the door, the place had something about it that made her think of an old-fashioned gentlemen's club — an air of ordered calm, of discreetly murmured conversations, of clocks ticking but time standing still.
`Is all this just about postage stamps?' she whispered.
`Mmm ...' Brock's attention had shifted now to a cabinet of tiny paper fragments. `Fascinating, isn't it? Another world. Did you ever collect stamps, Kathy?'
`No. I seem to remember collecting things from cornflakes packets, but I can't remember what they were.'
Brock's raised eyebrow told her that that was entirely different, but for the life of her she couldn't see why.
Brock tore himself away from the cabinet and they made their way through a pair of glass doors into a lobby in which another kind of display was mounted, advertising a forthcoming auction. Expensive-looking catalogues were on sale, and posters featured some of the more important sale items. Again Brock delayed, studying a couple of the layouts. `There's money in it,' he murmured.
Kathy wondered, looking at an old envelope in a glass case. The stamp was crude and scruffy, almost obliterated by a heavy postmark. How much would people pay for such things? Ten pounds? Fifty? A hundred? Surely not the price of a decent camera, or a washing-machine.
They went on past the display to a reception desk standing in front of lift doors.
`Detective Chief Inspector Brock and Detective Sergeant Kolla to see Mr James Melville,' Brock said. The receptionist considered his identification with interest and made a phone call, then indicated the lift.
A big cheerful man was waiting for them when the doors opened on the second floor, dressed like a banker but with an unruly mop of hair that refused to lie down. He introduced himself, shook their hands warmly and led them into his cramped office, offering them seats. His desk overflowed with papers, a tray of incoming mail threatening a pile of magazines and catalogues, a computer terminal jostling for space in the corner.
`Thank you so much for coming here, Chief Inspector. I do appreciate it. Can I offer you anything? Tea? Coffee?'
They declined. Brock said, `I was glad to get the opportunity to visit, Mr Melville. I used to be an enthusiast, many years ago, but I never knew where you were.'
`Ah, yes. We and our rivals just along the street.' He indicated the name on the Stanley Gibbons catalogue lying on the desk. Kathy picked it up and began thumbing through it.
`What was your area, Chief Inspector?'
Brock smiled, remembering. `I had an aunt in Canada so I had plenty of Canadian stamps, as I recall. She used to make a point of sending me first-day covers.'
`Ah, well, they may be worth something now, you never know. We have a particularly outstanding Canadian cover in our coming auction that you'd be interested in. Let me give you both a catalogue ...' He stooped into the narrow space behind his desk with some difficulty and emerged with copies, which he handed across to them. As he did this he took the opportunity to examine Kathy's hands. No rings, no nail polish, and traces of something — photocopy toner? He nodded approvingly.
`What about you, Sergeant?' Melville asked. `Were you ever a collector?' He didn't imagine for one moment that she had been, but he wanted to hear her voice. He approved of young women like this, competent and unpretentious, with low heels and little makeup.
`I'm afraid not, sir. I know absolutely nothing about it.'
An intelligent voice, class-neutral, and cautious, like her eyes. He did like her eyes, and the way her fair hair, cut short, was tucked behind her ears.
`Well, perhaps we'll have the opportunity to show you something of it ... if you have time.'
What it was that resonated with him about young women like this, James Melville couldn't precisely say, except perhaps that they didn't frighten him the way the others, all legs and lipstick, did. On the other hand, his last attempt to help just such a sensible young woman advance her career in Cabot's had ended in near disaster. He took a deep breath to calm himself and turned to Brock. `I do hope you won't feel I've wasted your time, Chief Inspector.'
`Not at all,' Brock replied. `You knew my name, Mr Melville. Have we met?'
`No, I don't believe so, but I know you by reputation from the newspapers.'
`You said you had a problem. Is it to do with the auction? We saw the display downstairs. Looks fascinating.'
`Ah, yes, a major event. But no, that wasn't the reason for my call, Chief Inspector. Rather, it was to do with one of our clients, someone we've known for a number of years, who appears to be in some dreadful trouble. He told me about it only this morning, and I suggested — no, I insisted — that he contact the police.'
`I see,' said Brock slowly. `But how did you get my name, Mr Melville?'
`It was our client who suggested that if I was to call anyone it should be you. He holds you in very high regard, Chief Inspector.'
`Is that right?'
`Look,' Melville said hurriedly, `why don't I get him in here and have him explain it all to you himself? He's in the other office at the moment.'
`Sounds like a good idea.'
Kathy watched Melville's departure with interest. He seemed quite anxious, and she wondered who would have chosen to approach Brock in such an indirect way, and have him meet him on ground like this. Royalty, perhaps? The Queen collected stamps, didn't she? Or someone in government, a pop star ...
The door opened, and Melville ushered in a man almost a foot shorter than himself, sturdily built, as formally dressed in dark pinstripe suit, and with a remarkably round, creamy face with Oriental features, jet-black hair swept back from his high forehead. The man was smiling so intently that his eyes were merely horizontal creases in his face.
`Mr Brock!' he cried. `How are you?' exposing brilliant white teeth, and Kathy was surprised, having quickly adjusted to the idea that this might be a businessman from Hong Kong or Singapore, to hear a cockney accent mildly gentrified to the outer suburbs.
`Good God,' Brock said, sounding astonished and not at all enthusiastic. `Sammy Starling.'
Undeterred by the coolness in Brock's voice, the man advanced on him, hand outstretched, beaming from ear to ear.
Melville hurriedly drew up another chair. `I was saying, Mr Starling, that it would be best if you explained the matter yourself.'
The man nodded energetically. `Yes, yes. But it's good to see you again, Mr Brock! You don't look a day older.'
`Nor you, Sammy,' Brock replied, his good humour evaporated. Kathy could see that Melville was aware of it and was embarrassed. `What's this all about?' Brock asked.
Starling's face abruptly lost all expression. He hesitated for a moment, then spoke in a low voice, devoid of all the animation it had had before. `It's my wife, Mr Brock. She's missing.'
`Well, now,' Brock murmured, watching him carefully.
Starling cleared his throat. `She came up to town at the end of last week. I haven't heard from her since.'
Kathy was trying to fix his age. His smooth face was deceptive, she decided. There was a hoarseness in the voice and creases in the neck and behind the ears that made him much older than he had first appeared. Fifty plus, she guessed. She noticed a pale scar crossing the back of his left hand, slicing across all four fingers above the knuckles. Defence wound, she thought automatically. Starling's appearance, like his accent, had also undergone a process of gentrification, she decided, tailored suits and old scars.
Brock frowned as if trying to recall. `Mrs Starling ... Brenda?'
`Eva,' Starling said, with quiet force, as if trying to jog his memory. `Brenda died in `eighty-seven.'
He drew his wallet from his jacket pocket and took out a photograph, which he passed to Brock, who looked at it for a moment then passed it on to Kathy. It was night, the couple caught in camera flash, he beaming in white tuxedo, she in a short black cocktail dress, hem swinging with her step. No older than thirty, Kathy thought, trying not to appear surprised. More like twenty-five. Black hair swept back from a smiling, vivacious face, long slender neck. Dark, beautiful, Mediterranean looks. Simple but expensive jewellery and dress. You must be rich, Mr Starling, she thought.
`Where was this taken?' she asked.
`Cannes, last year,' Starling said, pleased at the question. `Film festival.'
`Is she an actress?'
`No,' he said. `She's my wife.' He blinked at the look Kathy gave him. `I mean, no, she doesn't work.'
`And you've been married how long now?' Brock asked.
`Three years and seven months,' he said. `On Saturday.'
`I remember. They called her a princess in the gossip columns, didn't they?'
Starling's mouth gave a hint of a smile and he nodded.
`You said that she came up to town, so you don't live in London?' Kathy asked.
`Our home's in Surrey,' Starling said. `Near Farnham. And we've got a flat in town, in Canonbury. But she's not there. I've looked everywhere.'
Brock eyed him closely, waiting for more. When none came he said, `Why this, Sammy?' He gestured at the room. `What's this all about?'
The other lowered his head and said, `She's been kidnapped, Mr Brock.'
Starling sighed. `I need your help.'
Melville, unable to contain himself further, said, `Mr Starling came to see me this morning, Chief Inspector, and under the circumstances I couldn't just ignore —'
`Why was that?' Brock asked, keeping his eyes on Starling. `Why did he come here?'
`Why, on account of the stamps,' Melville said. `Why don't you show him, Mr Starling?'
Starling reached again into the inside pocket of his suit and brought out two envelopes. Checking the date of the postmarks, he handed one to Brock, who took it from him and carefully drew out a single folded sheet of paper. He read it, then spread it out on the table. A handwritten message had been printed in the centre of the page,
WHERE IS SHE, SAMMY?
IT'LL COST YOU PLENTY
TO FIND OUT.
Above these words was pasted a small faded scarlet rectangle, a tiny picture of a woman's head, surrounded by a decorative frame. It was only when she looked closely at it that Kathy saw that the frame contained lettering, `Van Diemen's Land', and `Postage, One Penny'.
`A stamp?' she asked.
`It looks old. There's no perforations around the edge.'
`1855,' he said. `It's a Chalon Head.'
`It's the name of a type of stamp.'
`Is it rare?'
`Quite rare. The catalogue gives this one a value of about one thousand pounds.'
Kathy blinked in astonishment at the grubby little scrap of paper.
`That's an odd way to demand a ransom, isn't it?' Brock said, looking at Starling. `I thought the general idea was for the kidnapper to get money from the victim, rather than the other way round.'
Starling leaned forward and pointed at the stamp. `They've glued it to the page with some kind of adhesive, like epoxy or something.' He gazed at Brock with an expression of incomprehension. `The stamp's worthless now. They've destroyed it. Isn't that right, Mr Melville?'
Starling shook his head in disgust, and it struck Kathy that he seemed more upset about this than about the reference to his wife in the message.
Brock examined the envelope. `Postmark central London, EC1. Address written in hand-printed capitals. Like the note.'
Kathy looked more closely at the tiny portrait. It was of a young woman, presumably the young Queen Victoria, head and naked shoulders, wearing a crown, earrings, a necklace, hair swept back and up. As she examined it, she felt an odd sense of foreboding. She asked Starling if she could have another look at the photograph of his wife, which he had returned to his wallet. He caught her expression and gave it to her without a word. She laid it alongside the stamp. `It's her, isn't it?' she said to him.
Melville said, `Sorry?' and she passed them both to him. He too stared in astonishment. `Good heavens! It is very like her. I had no idea. I've never met Mrs Starling.'
While Brock also made the comparison, Kathy watched Starling. He showed no surprise at her observation, and appeared almost disappointed, as if he had been well aware of this but had been intending to keep it to himself.
`Do you think it significant?' Melville asked, but no one offered a reply. `I merely assumed that the Chalon Head referred to Mr Starling's area of interest. He has made quite a specialisation out of Chalons, haven't you, Mr Starling?'
Starling nodded. His face was exceedingly difficult to read, its creamy circle creased by his features in what might have been an expression of discreet pleasure, or embarrassment, or pain.
`There were two envelopes? What about the other one?' Brock said.
`That one came in the post yesterday, this one this morning.' Starling handed over the second envelope, posted a day later from the same central London postal district. The format of the message was the same. It read,
DO EXACTLY WHAT YOU'RE TOLD, SAMMY,
IF YOU WANT HER BACK IN ONE PIECE.
There was another, similar stamp pasted above the lines of lettering, this one green, with the value twopence. But this time the stamp was sliced diagonally in two, through the neck of the young queen.
Brock stared at it impassively for a while, then said heavily, without lifting his head, `You didn't really think that I could conduct some kind of private investigation for you, did you, Sammy?'
Starling tilted his impassive face. `I'm in your hands, Mr Brock. You know how things stand.'
`Yes.' Brock took a deep breath, as if about to take up a great burden, reluctantly. `And is there anything else I should know, Sammy?'
Starling lowered his eyes. `Three months ago ... they released Keller.'
`Did they, now? I didn't hear that. Well, then, you'd better come back with us and give us a full statement.'
`Ah ...' Starling looked distinctly anxious now. `I don't think I should do that, Mr Brock. They may be watching me. That's why I thought we should meet here. And, you know. I could never come to Scotland Yard ...'
Brock handed him a card. `Go to this address. Don't worry, no one will know you there.'
He made to get to his feet, but Melville broke in, `Chief Inspector, the reason why I felt this matter to be so urgent ...'
`Yes, Mr Melville?'
`I believe it likely that there will be three messages, and three only.'
`Why is that?'
`These Van Diemen's Land stamps, there are just three in that set — the penny red, the twopenny green, and the fourpence blue.'
Brock nodded. `Yesterday, today, and tomorrow.'
Excerpted from The Chalon Heads by Barry Maitland. Copyright © 1999 by Barry Maitland. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
|Prologue: Raphael and The Beast||1|
|2 Queen Anne's Gate||14|
|3 A Life of Starling||26|
|4 The Canada Cover||53|
|5 An Auction||66|
|6 A Feminist Theory of Stamp Collecting||88|
|7 A Female Head of the Greatest Beauty||108|
|8 Severed Heads and Penny Reds||115|
|9 Approaching Thunder||136|
|10 Sew Sally||151|
|11 A Parting of Ways||163|
|12 Cobalt Square||181|
|13 The Yellow Bikini||201|
|14 Acting Badly||225|
|15 An Orphan on Our Doorstep||246|
|16 The Moving Finger Writes||262|
|18 The Source||306|
|19 A Chalon Head||320|
Posted June 25, 2002
<p>Barry Maitland is a superb storyteller. 'The Chalon Heads' has twists and turns in just the right places, and a wonderfully diverse set of characters.</p> <p>The topic for the book is philately, or more accurately stamp forgery, which makes an interesting foil for the gruesome plot and autopsy scenes. The 'Chalon heads' are rare stamps portraying the head and 'naked shoulders' of the young Queen Victoria. Some of the characters find the picture sexier than a beautiful flesh-and-blood Portugese princess and there lies the heart of the story.</p> <p>Kathy and Brock are the same Detective Sergeant/Detective Chief Inspector pair who have featured in Barry Maitland's previous three books. They have a nicely balanced level of tension between them, especially when the Chief Inspector starts behaving oddly and the Internal Affairs people turn up on the doorstep.</p> <p>Professor Maitland doesn't have quite the same ear for spoken language that the great masters of British murder mysteries have: there are some oddities in his use of British dialect that had me laughing in all the wrong places. But, he makes up for it by keeping up a good, fast pace and a credible story line.</p> <p>I see that Barry Maitland has another in the series due to be published later this summer called Silvermeadow. Based on The Chalon Heads, that should be quite a treat.</p>Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.