Chameleon

Editorial Reviews

All Music Guide - Lindsay Planer
Although trumpeter Maynard Ferguson's mid- to late-'70s catalog was commercially viable, it also reflected the overindulgence that, in essence, defined the decade. By 1974, Ferguson had already become one of the most established figures in contemporary jazz. After performing with Stan Kenton & His Orchestra in 1950, he became a prolific recording artist. Unlike many jazz players, Ferguson maintained his chops, arguably gaining incremental momentum for his trademark high-range blasting, which is evident throughout this LP. Stylistically, Chameleon 1974 is all over the place. The supporting combo -- which includes future Frank Zappa keyboardist Allan Zavod -- provide ...
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Editorial Reviews

All Music Guide - Lindsay Planer
Although trumpeter Maynard Ferguson's mid- to late-'70s catalog was commercially viable, it also reflected the overindulgence that, in essence, defined the decade. By 1974, Ferguson had already become one of the most established figures in contemporary jazz. After performing with Stan Kenton & His Orchestra in 1950, he became a prolific recording artist. Unlike many jazz players, Ferguson maintained his chops, arguably gaining incremental momentum for his trademark high-range blasting, which is evident throughout this LP. Stylistically, Chameleon 1974 is all over the place. The supporting combo -- which includes future Frank Zappa keyboardist Allan Zavod -- provide tastefully executed backing arrangements. Unfortunately, in many cases they are sonically voided by Ferguson's over the top wailing, the most flagrant example being the reworking of "The Way We Were," which features the trumpeter barreling through with the same gusto and attack that he brings to the hard-hitting cover of Stevie Wonder's "Livin' for the City" or the funkified rendering of the Herbie Hancock composition that gives this long-player its name. "Brother John" is notable for Ferguson's gospel-flavored introduction as well as the soulful support of the ensemble once the platter reaches cruising velocity. Less impressive is the brass assault that accompanies Paul McCartney's "Jet." However, the album concludes with the bop-oriented "Superbone Meets the Bad Man." This is one of the unmitigated highlights as the players embrace their jazz roots and discard the "hip" pretensions governing most of the material. In fact, the brief duet between Ferguson and Bruce Johnstone baritone sax makes the rest of the disc seem practically irrelevant. The 2003 CD reissue contains remastered sound as well as an extended essay within the 12-page liner booklet.
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Product Details

  • Release Date: 7/1/2003
  • Label: Sony Mod - Afw Line
  • UPC: 827969033227
  • Catalog Number: 90332
  • Sales rank: 15,527

Tracks

Disc 1
  1. 1 Chameleon (4:36)
  2. 2 Gospel John (6:05)
  3. 3 The Way We Were (3:27)
  4. 4 Jet (3:56)
  5. 5 La Fiesta (8:06)
  6. 6 I Can't Get Started (3:44)
  7. 7 Livin' for the City (4:57)
  8. 8 Superbone Meets the Bad Man (5:09)
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Album Credits

Performance Credits
Maynard Ferguson Primary Artist, Trumpet, Baritone Horn, Leader, Vocals
Bob Summers Trumpet, Flugelhorn, Latin American Rhythm
Stan Mark Trumpet, Flugelhorn, Multi Instruments
Danny D'Imperio Drums
Bruce Johnstone Flute, Baritone Saxophone, Vibraslap
Andrew MacKintosh Flute, Alto Saxophone, Soprano Saxophone, Bells, cowbell
Dennis Noday Trumpet, Flugelhorn, Multi Instruments
Rick Petrone Bass, Bass Guitar
Randy Purcell Trombone
Allan Zavod Piano, Electric Piano
Lynn Nicholson Trumpet, Flugelhorn, Multi Instruments
Brian Smith Flute, Tenor Saxophone, Tambourine
Jerry Johnson Trombone
Technical Credits
Paul McCartney Composer
Bob Belden Reissue Producer
Maynard Ferguson Contributor
Tim Geelan Remixing
John Guerriere Remixing
Teo Macero Producer
Linda McCartney Composer
Dean Pratt Liner Notes
Mark Wilder Mastering, Remastering
Jack Ashkinazy Mastering
W. Royal Stokes Liner Notes
Howard Fritzson Art Direction
Karen Lee Grant Artwork, Cover Design
Randall Martin Reissue Design
Seth Foster Mastering
Stanley Tonkel Engineer
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