…vivid and moving…[Tomalin] brings Dickens to life in all his maddening contradictions…by following his own method: She provides choice details, superintends many characters, and welcomes both humor and pathos. Dickens walks off the page, and the pace never flags…Tomalin's is not the definitive Dickens—it's too concise for that—but if you plan to read only one biography of the most popular Victorian writer, it should be this one.
—The Washington Post
Enormously ambitious… Warmly sympathetic and often eloquent.”
Clear-eyed, sympathetic, and scholarly…It is wonderfully done.”
If you plan to read only one biography of the most popular Victorian writer, it should be this one.”
"As Claire Tomalin demonstrates in her vivid and moving new biography, Dickens’s own life was rich in the attributes we call “Dickensian” — shameless melodrama, gargantuan appetites, reversals of fortune... To encompass this frenzy, Tomalin keeps the story racing. She brings Dickens to life in all his maddening contradictions... Dickens walks off the page, and the pace never flags. Tomalin accomplishes this resurrection in a mere 417 pages of text, supplemented by dozens of illustrations, several maps of Dickens’s London and a helpful dramatis personae... if you plan to read only one biography of the most popular Victorian writer, it should be this one."
—THE WASHINGTON POST
"Enormously ambitious... admirable... warmly sympathetic and often eloquent."
—Joyce Carol Oates, THE NEW YORK REVIEW OF BOOK
“Clear-eyed, sympathetic and scholarly, she spreads the whole canvas, alive with incident and detail, with places and people. She writes of publishers, illustrators, collaborators and all Dickens’s intersecting circles of friends and family. It is wonderfully done.”
—THE ECONOMIST
“[A] splendid history… Tomalin skillfully presents the chief trauma of Dickens' young life — being sent to work in a factory at age 12, after his father was imprisoned for debt — and suggests the ways it left a lasting mark, from his sympathy for the working class to his towering ambition and herculean work ethic.”
—SEATTLE TIMES
"[O]nward-driving, hypnotically vivid… the result of Claire Tomalin's unrivalled talent for telling a story and keeping a reader enthralled: long as the book is, I wanted more.”
—THE GUARDIAN (UK)
"[O]nward-driving, hypnotically vivid… the result of Claire Tomalin's unrivalled talent for telling a story and keeping a reader enthralled: long as the book is, I wanted more.”
“[A] splendid history… Tomalin skillfully presents the chief trauma of Dickens' young life — being sent to work in a factory at age 12, after his father was imprisoned for debt — and suggests the ways it left a lasting mark, from his sympathy for the working class to his towering ambition and herculean work ethic.”
“Clear-eyed, sympathetic and scholarly, she spreads the whole canvas, alive with incident and detail, with places and people. She writes of publishers, illustrators, collaborators and all Dickens’s intersecting circles of friends and family. It is wonderfully done.”
"As Claire Tomalin demonstrates in her vivid and moving new biography, Dickens’s own life was rich in the attributes we call “Dickensian” — shameless melodrama, gargantuan appetites, reversals of fortune... To encompass this frenzy, Tomalin keeps the story racing. She brings Dickens to life in all his maddening contradictions... Dickens walks off the page, and the pace never flags. Tomalin accomplishes this resurrection in a mere 417 pages of text, supplemented by dozens of illustrations, several maps of Dickens’s London and a helpful dramatis personae... Tomalin’s is not the definitive Dickens — it’s too concise for that — but if you plan to read only one biography of the most popular Victorian writer, it should be this one."
Like Shakespeare, Charles Dickens (1812–1870) was an overachiever of genius, and his life was as eventful, dramatic and character-filled as any of his novels. This rich new biography brilliantly captures his world.
Acclaimed biographer Tomalin (Thomas Hardy: The Time-Torn Man,2007, etc.) has always hunted big literary game (Hardy,Jane Austen, Samuel Pepys, etc.), and here she goes after one of the biggest and most complex. Dickens once told a visiting Dostoevsky that his heroes and villains came from the two people inside him: "one who feels as he ought to feel and one who feels the opposite." However, there were many more dimensions to Dickens' character. Besides being a tireless writer of long, complicated novels and hundreds of articles, an editor of a succession of magazines and a frustrated actor whose public readings became standing-room-only events, he was ebullient, charming, radical, instinctively sympathetic to the poor, generous to friends but unforgiving once you got on his bad side. At home, he was a domineering husband to his long-suffering wife and a distant father to his ten children. Dickens certainly would have appreciated Tomalin's keen eye for scene, character and narrative pace. Ever the deft critic, she notes how the characters inMartin Chuzzlewitare "set up like toys programmed to run on course," and thatHard Times"fails to take note of its own message that people must be amused." Having written previously on Dickens' disastrous late-life affair (The Invisible Woman: The Story of Nelly Ternan and Charles Dickens, 1991), Tomalin also displays considerable detective work to bolster the possibility that Dickens and his other woman had a secret child who died in infancy.
Superbly organized, comprehensive and engrossing from start to finish—a strong contender for biography of the year.
