- Shopping Bag ( 0 items )
Want a NOOK? Explore Now
Baker's quirky brilliance was evident early on in several convoluted short stories that appeared in The New Yorker and Atlantic. But he hit his own idiosyncratic stride with his 1998 debut novel. Essentially one long, loopy digression riddled with footnotes nearly as long as the narrative, The Mezzanine traces a young man's meandering thoughts during a brief escalator ride from the ground floor to the mezzanine of the office building where he works. The "action," such as it is, takes scant minutes, but it's time enough to lay bare the protagonist's entire inner life. In his review for The New York Times, Robert Plunket singled out for commendation "...the razor-sharp insight and droll humor with which Mr. Baker illuminates the unseen world."
In other novels, Baker has taken us inside the heads of many characters: a young father bottle-feeding his infant daughter (Room Temperature); a middle-aged man whose early-morning ritual begins with lighting a fire (A Box of Matches); a man who stops time in order to fondle and exploit unsuspecting women (Fermata); two people a continent apart who indulge in graphic sexual fantasies over the telephone (Vox). (Fermata and Vox were widely criticized as "literary pornography." Vox created additional buzz, when it was revealed that Monica Lewinsky had given a copy to President Bill Clinton.)
Although Baker can never be accused of dispassion, the peculiarity of his nonfiction has led to mixed reviews. In lengthy essays and articles and wildly discursive books, he has paid extravagant tribute to his literary hero John Updike (U and I: A True Story), decried the destruction of library card catalogs (an essay in The Size of Thoughts), led a crusade to preserve and archive entire collections of American newspapers (Double Fold), and challenged the traditional view of World War II as "inevitable" (Human Smoke).
Baker's brand of erudite obsession may not be everyone's cup of tea, but it is easy for literate readers to fall in love with his glittering prose. He is, above all else, a lover of language; and in his deft and capable hands, even the most mundane objects and events spring to glorious, full-bodied life. Summing up the singular, seductive charms of Baker's writing, Salon critic Laura Miller may have said it best: "...dazzling descriptive powers married to a passionate enthusiasm for the neglected flotsam and jetsam of everyday life."
His great-grandfather Ray Stannard Baker served as press secretary to president Woodrow Wilson and won a Pulitzer prize for his biography of Wilson.
Baker's first area of interest was music, rather than literature. A talented bassoonist, he attended Eastman School of Music with an eye to becoming a classical composer. Midway through his first year, he changed his major to English. He transferred to Haverfod College in Philadelphia, graduating in 1980.
One of Baker's most passionate concerns is preserving complete runs of newspapers as a valuable record of American history. To that end, he founded the American Newspaper Repository in 1999, when he learned the British Library was selling off or trashing its bound volumes of post-1870 newspapers.
Anonymous
Posted August 15, 2004
I read this book in the store. I finished it in 45 minutes. I was afraid to buy it, because of the context. It was the most amazing piece of writing I have read in years. It really stuck with me for the rest of the day. It was like reading hte best interview ever.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted May 17, 2011
No text was provided for this review.
Anonymous
Posted January 21, 2011
No text was provided for this review.
Anonymous
Posted July 22, 2010
No text was provided for this review.
Overview
From the Trade Paperback edition.