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Richard Gilman examines each of Chekhov's full-length plays, showing how they relate to each other, to Chekhov's short stories, and to his life. He also places the plays in the context of Russian and European drama and the larger culture of the period. Gilman interweaves biographical narrative with textual commentary and with a discussion of stagecraft and dramaturgy-Chekhov's techniques for influencing viewers, the scenic framing of the action, and issues of genre and temporal structuring. Although previous critics of Chekhov have tended to view him as an essentially social dramatist or as an observer of the smaller aspects of existence, Gilman asserts that Chekhov was far more of an innovative playwright, a revolutionary, than has been seen. His book-the most complete, acute, and elegant study of this master playwright ever written-will appeal to all those who care about Chekhov, theater, and the life of the mind.
|1||Chekhov: Truth, Moral Reality, Imagination||1|
|2||Iranov: Prologue to a Revolution||36|
|3||The Seagull: Art and Love, Love and Art||70|
|4||Uncle Vanya, or How It Is||101|
|5||Three Sisters, or I Can't Go On, I'll Go On||141|
|6||The Cherry Orchard, or "An Aperture into Eternity"||197|