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Cherry

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When did you last revel in the glory of a trombone-led jazz band that plays rock & roll? Here's one that'll bring a smile to your face. Josh Roseman has the quirky charisma necessary to turn the often sedate trombone into a leading instrument, and his band's first album showcases his skill and his rather bent sense of humor. Full of covers (and a few originals), Cherry is a cheery journey through funk, soul, jazz, and rock. The band's off-tempo take on Led Zeppelin's "Kashmir" is worth a listen, as is their Morphine-like rendition of Nirvana's "Smell's Like Teen Spirit." But these tunes feel like tossed-off jokes meant to attract attention and they get tiresome quickly. The unit's version of Burt Bacharach's "Land...
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Editorial Reviews

All Music Guide
When did you last revel in the glory of a trombone-led jazz band that plays rock & roll? Here's one that'll bring a smile to your face. Josh Roseman has the quirky charisma necessary to turn the often sedate trombone into a leading instrument, and his band's first album showcases his skill and his rather bent sense of humor. Full of covers (and a few originals), Cherry is a cheery journey through funk, soul, jazz, and rock. The band's off-tempo take on Led Zeppelin's "Kashmir" is worth a listen, as is their Morphine-like rendition of Nirvana's "Smell's Like Teen Spirit." But these tunes feel like tossed-off jokes meant to attract attention and they get tiresome quickly. The unit's version of Burt Bacharach's "Land of Make Believe," on the other hand, is poignant and sticky sweet in all the good ways. Roseman also throws in some Sun Ra, Marvin Gaye, the Beatles, and other tunes to cover all his influences. And while it's certainly fun to hear his vision of each of those, Roseman doesn't give himself enough credit for his own compositional skill. His three original works shine more than the covers. His slow, soulful melody on "Extra Virgin" is the most beautiful song on the album. In his own work, you hear elements of the artists he covers -- Sun Ra's experimentation, Bacharach's hooks, and Gaye's soul -- but in a unique way. He especially favors his Sun Ra side on the march-like "Trousertrout," which takes a couple of minutes to get to the hook, but it's fun when it arrives. ~ Michael Gowan
Downbeat
Roseman combines familiar pop tunes with edgy jazz charts and freewheeling solos.
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Product Details

  • Release Date: 2/5/2002
  • Label: Knitting Factory
  • UPC: 035828030328
  • Catalog Number: 303

Album Credits

Performance Credits
Josh Roseman Unit Primary Artist
Josh Roseman Indexed Contributor, Trombone
Lester Bowie Trumpet
Bob Stewart Tuba, Electric Tuba
Joey Baron Drums
Scott Colley Acoustic Bass
David Fiuczynski Guitar
John Medeski Organ, Piano, Claves, Wurlitzer, Arp Strings
Ben Monder Guitar
E.J. Rodriguez Percussion
Jay Rodrigues Flute, Baritone Saxophone, Tenor Saxophone
Matt Shulman Trumpet
Ari Hoenig Drums
David Jensen Tenor Saxophone
Technical Credits
John Lennon Composer
Paul McCartney Composer
Robert Plant Composer
Peter Apfelbaum Liner Notes
Roswell Rudd Liner Notes
Jerry Leiber Composer
John Bonham Composer
Kurt Cobain Composer
Michael Dorf Executive Producer
Dave Grohl Composer
Scotty Hard Engineer
Scott Harding Engineer
Krist Novoselic Composer
Nick Prout Mastering
Mike Stoller Composer
Josh Roseman Producer, Digital Editing, Sound Design
Greg Tate Liner Notes
Lotus Sutra Liner Notes
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