Chet Baker In New York

Editorial Reviews

All Music Guide - Lindsay Planer
Chet Baker's West Coast cool comes to the Big Apple on Chet Baker in New York. The project would be Baker's first -- in a four album deal -- with the Big Apple-based Riverside Records. The bicoastal artist incorporates his decidedly undernourished sound and laid-back phrasing into the styling of Al Haig piano, Johnny Griffin tenor sax, Paul Chambers bass, and Philly Joe Jones drums. The results are uniformly brilliant as Baker's cool-toned solos fly and bop with authority around the equally impressive supporting soloists. Conversely, the same cohesive unity continues on the introspective numbers that are more akin to Baker's California cool. Undoubtedly one of the charms...
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Editorial Reviews

All Music Guide - Lindsay Planer
Chet Baker's West Coast cool comes to the Big Apple on Chet Baker in New York. The project would be Baker's first -- in a four album deal -- with the Big Apple-based Riverside Records. The bicoastal artist incorporates his decidedly undernourished sound and laid-back phrasing into the styling of Al Haig piano, Johnny Griffin tenor sax, Paul Chambers bass, and Philly Joe Jones drums. The results are uniformly brilliant as Baker's cool-toned solos fly and bop with authority around the equally impressive supporting soloists. Conversely, the same cohesive unity continues on the introspective numbers that are more akin to Baker's California cool. Undoubtedly one of the charms of this collection is the distinct choice of material. Running the gamut from the relaxed and soothing "Polka Dots and Moonbeams" and equally serene "Blue Thoughts" at one end of the spectrum to the percolating and driving intensity of "Hotel 49" on the other. This track features each quintet member taking extended solos corralling together at the head and again at the coda for some intense bop interaction. Especially ferocious is Philly Joe Jones, who could easily be mistaken for Keith Moon, Ginger Baker, or even Gene Krupa with his cacophonous solo that never strays from the beat or loses its sense of swing. Perhaps the best meshing of styles can be heard on the Miles Davis composition "Solar." This "best-of" candidate refers to both Chambers' and Jones' concurrent involvement with Davis. The churning backbeat likewise propels the melody and ultimately the performers into reaching beyond their individual expertise and into an area of mutual brilliance. Chet Baker in New York is a highly recommended entry into Baker's catalog. It should also be noted that these same sides were issued in 1967 as Polka Dots and Moonbeams on the Jazzland label.
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Product Details

  • Release Date: 8/17/2004
  • Label: Riverside
  • UPC: 025218733168
  • Catalog Number: 1119

Tracks

Disc 1
  1. 1 Fair Weather (6:58)
  2. 2 Polka Dots and Moonbeams (7:56)
  3. 3 Hotel 49 (9:48)
  4. 4 Solar (5:52)
  5. 5 Blue Thoughts (7:33)
  6. 6 When Lights Are Low (6:52)
  7. 7 Soft Winds (6:26)
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Album Credits

Performance Credits
Chet Baker Primary Artist, Trumpet
Johnny Griffin Tenor Saxophone
Al Haig Piano
Philly Joe Jones Drums
Paul Chambers Bass
Technical Credits
Jack Higgins Engineer
Orrin Keepnews Producer, Liner Notes
James Van Heusen Composer
Joe Tarantino Mastering
Paul Bacon Cover Design, Original Cover Artwork
Paul Weller Cover Photo
Steve Hoffman Mastering
Tamaki Beck Mastering
Paul John Weller Cover Photo
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