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Chicago Trio New York Tenor

Editorial Reviews

All Music Guide - Alain Drouot
Chicago Trio New York Tenor is actually the first personal project by Jerry Steinhilber, and it certainly blows a nice, fresh breeze over the field of post-bop. The idea was to pit his regular trio against his mentor at the Berklee School of Music, saxophonist George Garzone, who is equally featured on soprano and tenor saxophones. Steinhilber found in bassist Larry Kohut and pianist Jim Trompeter two remarkably sympathetic cohorts with whom he has developed a special cohesiveness. The program is comprised of original compositions penned by either Steinhilber or Garzone, and complemented by one standard. The session is generally reminiscent of the classic '60s hard bop ...
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Editorial Reviews

All Music Guide - Alain Drouot
Chicago Trio New York Tenor is actually the first personal project by Jerry Steinhilber, and it certainly blows a nice, fresh breeze over the field of post-bop. The idea was to pit his regular trio against his mentor at the Berklee School of Music, saxophonist George Garzone, who is equally featured on soprano and tenor saxophones. Steinhilber found in bassist Larry Kohut and pianist Jim Trompeter two remarkably sympathetic cohorts with whom he has developed a special cohesiveness. The program is comprised of original compositions penned by either Steinhilber or Garzone, and complemented by one standard. The session is generally reminiscent of the classic '60s hard bop Blue Note era and some songs are so memorable that they will immediately sound familiar. The beautifully crafted tone poem "For All Children" reflects the drummer's admiration for John Coltrane as well as his qualities as a colorist, for Steinhilber is a powerful but disciplined drummer who neither drowns the rest of the band nor indulges in pointless solos. His playing is characterized by a careful and skillful use of dynamics "The Mingus That I Knew". Trompeter and Garzone are two musicians who have wonderful melodic and harmonic ideas and complement each other ideally, as "Blue Note Maki" bears witness. As for Kohut, his input goes far beyond time-keeping. Jerry Steinhilber is a drummer who deserves wider recognition and this highly spirited set serves as a perfect introduction.
Jazz Times
Fans of Coltrane's early to mid-'60s music will welcome this energetic collaboration between the legendary New york tenor and soprano saxophonist George Garzone and a strong Chicago trio led by drummer Jerry Steinhilber.
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Product Details

  • Release Date: 3/12/2002
  • Label: Soul Note Records
  • UPC: 027312136524
  • Catalog Number: 121365

Tracks

Disc 1
  1. 1 Blue Note Maki (6:43)
  2. 2 Bad Billy Boy (7:45)
  3. 3 Tutti Italiani (7:33)
  4. 4 This Is Always (7:10)
  5. 5 Head Now (5:47)
  6. 6 The Mingus That I Knew (6:51)
  7. 7 For All Children (10:27)
  8. 8 Hey! Open Up (7:28)
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Album Credits

Performance Credits
Jerry Steinhilber Primary Artist, Cymbals, Drums
George Garzone Soprano Saxophone, Tenor Saxophone
Jim Trompeter Piano
Larry Kohut Bass
Technical Credits
Flavio Bonandrini Executive Producer
Aldo Borrelli Engineer
Maria Bonandrini Graphic Design, Cover Photo
Scott Steinman Engineer
Jerry Steinhilber Producer
John Larson Engineer
Warren Blumberg Liner Notes
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