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The Chicago Way (Michael Kelly Series #1)

The Chicago Way (Michael Kelly Series #1)

3.8 201
by Michael Harvey

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Private detective Michael Kelly is hired by his former partner to solve an eight-year old rape and battery case long gone cold. But when the partner turns up dead, Kelly enlists a team of his savviest colleagues to connect the dots between the recent murder and the cold case it revived: a television reporter whose relationship with Kelly is not strictly


Private detective Michael Kelly is hired by his former partner to solve an eight-year old rape and battery case long gone cold. But when the partner turns up dead, Kelly enlists a team of his savviest colleagues to connect the dots between the recent murder and the cold case it revived: a television reporter whose relationship with Kelly is not strictly professional; his best friend from childhood, a forensic DNA expert; and an old ally from the DA's office. To close the case, Kelly will have to face the mob, a serial killer, his own double-crossing friends, and the mean streets of the city he loves.

Editorial Reviews

From the Publisher
“A magnificent debut that should be read by all.” —John Grisham“An intricate, fast-paced crime thriller.” —The Chicago Sun-Times“ A smart, stylish debut.” —The Boston Globe“This book harkens the arrival of a major new voice.” —Michael Connelly“Gritty and witty, The Chicago Way is done the classic Raymond Chandler Way.” —Kathy Reichs
Patrick Anderson
It is a measure of the ambition of Michael Harvey's first novel, The Chicago Way, that we start it thinking about Dashiell Hammett and end it pondering Aeschylus…With its fast pace, sharp dialogue, vivid characters and horrific crimes, The Chicago Way is hugely readable, even though we remain baffled about what's happening. The plot stays several jumps ahead of us; only at the end, after some startling leaps, do we see how the pieces fit together.
—The Washington Post
Publishers Weekly

Writer and TV producer Harvey's debut novel, in which Chicago PI Michael Kelley seeks the solution to an eight-year-old rape and battery case, is so old-school hard-boiled it should have "caper" in the title. The first-person narrative comes complete with such standard ingredients as a murdered former partner, several sultry babes, mobsters, tough cops and characters from high society as well as low. The last thing this moderately engrossing example of Raymond Chandler lite needs is a reader determined to call attention to its weaknesses. Unfortunately, Stephen Hoye's idea of noir coolspeak is an exaggerated emphasis on certain key words in a sentence ("Three questions buzzedthrough the early morning fogI call my brain...."). The result is an annoying singsong that pushes the tough prose into parody and, in the case of Hoye's absurdly breathy, insinuating female voices, beyond. Simultaneous release with the Knopf hardcover (Reviews, June 25). (Aug.)

Copyright 2007 Reed Business Information
Library Journal

The latest incarnation of Raymond Chandler's Philip Marlowe is ex-Chicago cop Michael Kelly, who narrates his tale in crisp staccato prose. Kelly is drawn into an eight-year-old rape case after his former partner is found dead on Navy Pier. The rape victim becomes Kelly's latest client, a woman whose story intrigues a DNA analyst and a TV anchorwoman. Kelly's investigation soon takes him into deep, dangerous waters, with connections to the mob, a cover-up, and a serial killer. Debut author Harvey borrows elements from Chandler and Robert B. Parker's Spenser to create an appealing, crusading sleuth. Despite a certain lack of originality in the serial killer, who resembles notorious murderer John Wayne Gacy, this is recommended for all public libraries. Harvey is the cocreator of television's Cold Case Files, and that may add patron appeal.
—Lesa M. Holstine

Kirkus Reviews
Nine years after the Chicago Police Department let a rapist slip between their fingers, people involved in the case are dying by the dozen in this heartfelt, ambitious, highly derivative debut. The first victim-at least the first one private eye Michael Kelly finds out about-is John Gibbons, his old partner on the Chicago force, shot to death the day after he asks Kelly's help in the case of Elaine Remington, who's just reappeared after miraculously surviving a murderous assault in 1997. After the cops arrested a suspect that night, he mysteriously disappeared from the precinct house and the case was discreetly buried. Now a remarkably similar rapist seems to be at work again, leaving behind a trail of cut throats and bullet wounds. It's all "just like in the movies," muses Kelly, and he couldn't be more right. Not only is his author boldly stealing dialogue tags from The Big Sleep, The Godfather and The Silence of the Lambs, Kelly himself, a wisecracking Irish scrapper who slings metaphors like Philip Marlowe and reads Homer and Aeschylus in Greek, is right out of Central Casting. But when Kelly's oldest friend is murdered-bad for her, good for the story-and the DNA evidence implicates a convict who's spent the last ten years on Death Row, Kelly shakes off the shades of those genre classics and gets down to business. If you can shrug off the mannered narration, ex-TV producer Harvey ends up delivering the goods.

Product Details

Knopf Doubleday Publishing Group
Publication date:
Michael Kelly Series , #1
Edition description:
Sales rank:
Product dimensions:
5.17(w) x 8.00(h) x 0.70(d)

Read an Excerpt

Chapter 1

I was on the second floor of a three-story walk-up on Chicago’s North Side. Outside the Hawk blew hard off the lake and flattened itself against the bay windows. I didn’t care. I had my feet up, a cup of Earl Grey, and my own list of the ten greatest moments in Cubs history.

For the first half hour I was stuck on number one. Then I realized the greatest moments at Clark and Addison are always about to be. With that I settled in and mapped out the starting rotation for next year’s world champions. That’s when I saw him.

Actually, I sensed John Gibbons before I saw him. But that’s just how it was with Gibbons. From waist to shoulders he was of one dimension, that being massive. His head sat on a bulldog neck, with short ears and gray hair clipped close. His nose showed the back rooms of Chicago’s alleys. His eyes were still clear, cool, and blue. He cornered me with a look and smiled.

“Hello, Michael.”

Gibbons had been retired from the force five years now. I hadn’t seen him in four, but it didn’t matter. We had some history. He shook off the rain and threw a chair toward my desk. He sat down as if he belonged there and always had. I put the Cubs away, pulled open the bottom drawer, and found a bottle of Powers Irish. John took it straight. Just to be sociable, I gave Sir Earl a jolt.

“What’s up, John?”

He hesitated. For the first time I noticed his suit, uncomfortably cheap, and his tie, a clip-on. In his hands he twisted a soft felt hat.

“Got a case for you, Michael.”

He always called me Michael, which was okay since that was my name. I didn’t want to derail him, but my curiosity held sway.

“Jesus, John, who’s dressing you these days?”

The big man reddened a bit and looked down at the outfit.

“Pretty bad, huh? The wife. Did you know the wife, Michael?”

I shook my head. I didn’t know anything about John that wasn’t three years old. His personal file at that time read widower. His first wife, an Irishwoman from Donegal, got a message from her doctor one day about an X-ray. Two weeks later, she was gone. I had sent a card and given John a call.

“The wife, the second wife that is, she left about a year ago,” Gibbons said. “She was a younger type, you know.”

John always had a weakness for them. Women, that is. It’s been my experience if you have that sort of weakness, the younger ones tend only to aggravate the situation.

“So you been dressing yourself?” I said.

“For some time.”

“And you get all dressed up to come here?”

A nod.

“To see me?”

Another nod.

“I got a case, Michael.”

“So I gather.”

I freshened his drink and poured a bit more hot water into my mug.

“You remember 1997.”

“Before my time,” I said.

“Not by much. Anyway, it was Christmas Eve. I had the windows rolled down. You remember I used to keep the windows down. Even when it was cold. Well, I’m driving the squad by myself. Down in South Chicago.”

I knew South Chicago. A collection of warehouses and whorehouses. Dry docks and rough trade. A nasty bit of Chicago, crumbling at the edges and blending into Indiana gray.

“I hear a shot,” John said. “Roll around a corner and see this girl running down the middle of the street. Head-to-toe blood. The guy is right behind her. He’s got a .38 in one hand and a knife in the other. Sticking her as they run.”

John closed his eyes for a moment and left the room. When he opened them, he was back. I didn’t feel so comfortable anymore.

“Couple decades on the job, Michael. Never saw anything close to it. I get out of the car, she’s coming right at me. I just catch the both of them. He’s on top and I can still hear that knife. Made like a suction noise. I reach around with my piece and put it to his head. For the first time he registers me and stops.”

“None of this is ringing a bell, John.”

“It should ring a bell, huh?”

I nodded.

“Well, let me finish. So we are all three on the ground. Me with the gun to his head and the girl in between us. Her face was about six inches from mine. I could smell the death on her, you know?”

I knew.

“So we untangle. I put the guy on the ground and cuff him. He says nothing. I slap him around a bit. Still nothing. I look at the girl. She’s cut up pretty good, stabbed more than once in the chest. I get a pulse and call for the medics.”

John got up and walked across to the window.

“Hot in here, isn’t it?”

John cracked the window.

“It’s thirty-five outside with freezing rain and gusts,” I said.

“Gusts?” His shoulders turned my way and the rest followed.

“That’s what they called them,” I said. “Gusts. Gusts ain’t good.”

John left the window open and walked back to the chair.

“So we get this girl into an ambulance. She was a looker, Michael. Did I tell you that?”

I was waiting for that part. “Let me guess. You fell for her.”

“Jesus, Michael. She was covered in blood and half-dead. Besides, she was just a kid.”

“Go on.”

“Anyway, I find out she was running from his car. It’s a shitbox Chevy idling in the middle of the street. I pop the trunk and what do I find?”

“Tell me.”

“Sheets of plastic. Rolls of the stuff. And rope. Lots of rope. I open the driver’s door. There’s plenty of blood. Under both seats, I find custom-made carriers. In one, he’s got a bulldog shotgun. In the other, he’s got a machete strapped up there. Over both visors, two more leather fittings. One for the gun he had. The other for the knife.”

“Not the guy’s first dance?”

“No sir,” John said. “So I take him downtown and throw him in the slam. It’s past midnight, I figure I can sort him out tomorrow.”


“I come in the next day. He’s gone.”


“The chief then. You didn’t know him. Dave Belmont.”

“Heard the name,” I said.

“Nice guy, career cop. Dead now. Didn’t ever want any beefs. Just keep your mouth shut and put your time in. That kind of guy. Anyway, he takes me into the office. Says forget about it. Says the guy is gone and it’s over. Never happened. Then he gives me this.”

From his pocket John Gibbons took out a piece of green velvet. Clipped inside was a silver Police Medal. The highest award a Chicago cop can get. Score one and your career is made.

“Those are hard to come by, John.”

“Part of the deal. I get the medal, a pay raise, and promotion. In return . . . ”

“You forget about it.”

“That’s right. So I did.”

“And nine years later you want to do what?”

“Well, I really don’t want to do anything. But then I got this.”

From his other pocket John Gibbons pulled a letter.

“And what is that?”

“It’s a letter.”

“I can see that.”

“From the girl. The girl from that night.”

“From nine years ago?”


“She didn’t die, I take it.”

“We need to help her, Michael.”

“We . . . ”

“I poked around a bit.“ Gibbons shrugged. “Didn’t really get anywhere.”

As a detective, my old partner was a good piece of muscle. Someone to break down doors, even if he had no idea what might be on the other side.

“You’re the best I ever worked with,” Gibbons continued. “You know it. I know it. Everyone on the force knew it. If you can help out, I’d be grateful.”

The Irishman threw an envelope across the table. I opened it up and enjoyed the warm feeling money can sometimes give a person. Then I looked up and across the desk.

”Tell me about the girl,” I said.

Gibbons began to talk. I picked up the letter and, reluctantly, began to read.

Meet the Author

Michael Harvey is the creator, writer, and executive producer of the television series Cold Case Files, as well as an Academy Award-nominee for his documentary Eyewitness, and is a former investigative reporter for CBS. He earned a law degree at Duke and a masters in journalism from Northwestern. He alsoowns a bar in Chicago.

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The Chicago Way (Michael Kelly Series #1) 3.8 out of 5 based on 0 ratings. 201 reviews.
MikeS More than 1 year ago
I am surprised at the universal review acclaim for this book. It is a throwback to the '30's and '40's mystery genre, sparse language, tough guy attitudes, etc. But the plot was average at best. Lots of killings, little overt sadness, the investigation must go on, tough guy risks. But the villain was predictable, the leaps of logic significant and the work just not that impressive. It tried to be somewhat like Michael Connelly, just substitute Chicago for Los Angeles, with a little Dennis Lehane thrown in, but in content it fell way short. Okay for a fun read, but for good literature, stick with the originals.
Anonymous More than 1 year ago
been better chicago detectives suggest a refresher course in some chicgo stories like edna ferber studs turkel and a few ABCs the one way you can tell a true chicago tale can it describe the water Borrow if you must it is not a re read. Nettlehorst g s and Lakeview'45.
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Excellent seamy murder and attack novel with stronger female victims than one would initially surmiise.
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