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Overview
Then his manager, tough ex-cop Alfred Brooks, and his "writer," college boy Martin Malcolm Witherspoon, scheme Sonny into a glitzy Las Vegas match. Suddenly he's everybody's darling and headed for Hollywood stardom.
But fame isn't all it's cracked up to be, and Sonny needs to make the fight of his life to decide where he really belongs.
Product Details
| ISBN-13: | 9780064470971 |
|---|---|
| Publisher: | HarperCollins |
| Publication date: | 03/04/2003 |
| Pages: | 240 |
| Product dimensions: | 4.19(w) x 6.75(h) x (d) |
| Lexile: | 720L (what's this?) |
| Age Range: | 12 - 17 Years |
About the Author
Read an Excerpt
Chapter One
Sonny is wired. All the way to the fight, he's jamming his headset on and yanking it off, drumming the dashboard with his bad hand, grunting at trees. When I tell him to get some sleep, he glares.
"Just drive."
It's usually a good sign, Sonny on edge. Means his reflexes are hair-trigger; he's ready to rock. But this feels different. He's cranky, off his rhythm. After two years with a boxer you can read his moods like a weather map. He's got a lot shaking around inside his head. His mom is on his teeth is a wet brown shred. He's in pain. That's the only reason he let me drive his van. Long trips are tough on what's left of his spine.
"They're out to rattle you, Sonny," says Jake. "They're afraid of you."'
"This is futile," says Sonny.
"Fu-tile,"mocks Alfred. "Martin teach you a new word?"
I don't mind being the butt, if it gets us over, "Words are like punches, a new"
"Shut up," says Alfred. "Scared, Sonny?"
"That don't work no more," says Sonny. "Wake up. Elston Hubbard's fighting in Vegas for a title shot and I'm here in Woptown."
"Portuguese Americans," says Jake, "and that kind of talk. . ."
going nowhere." don't get us anywhere," says Jake.
"Got to keep pushing," says Alfred.
"Why?" asks Sonny.
"Cause you got the goods to be champ."
"Of this?" Sonny jerks a thumb out at the arena, a gray cinder-block box that looks ready to crumble into the pitted black tarmac of the parking lot. Old fishing boats, paint peeling, masts cracked, bob in the harbor. We're in some coast town I've never heard of I make a mental note to get the correct spelling of the town's name. Formy book. Especially if this is where it all ends. What a pissant place to close down the story. But fitting. Ironical. And then I feel ashamed -- I'm thinking about my book. This is Sonny's life.
After a while, Alfred asks, What else you gonna do?"
"You mean what else you gonna do," snaps Sonny.
"I got my pension," says Alfred. "I can watch you play Indian for the tourists, sell your momma's made-in-China tomahawks."
In the rearview, I see Jake's wrinkled old face twist into a scowl. Sonny's mom is his niece, but he hates what she's doing more than anyone.
"Can't be worse than this," says Sonny. "Time to hang it up. It's never gonna get any better."
"Warriors welcome their fears', "says Jake. "The Creator gives them fear to make their senses sharp."
"Not about being afraid," says Sonny. "About wasting time. For nothing."
"Let the Hawk find the way," says Jake.
"Later on the redskin crap," says Sonny.
"Let's just get on with it, " says Alfred, "and then we'll all sit down and figure out what's next. Promoter booked us into a nice motel with free movies. Let's win the fight, relax, and tomorrow we'll have a big breakfast and make some plans."
"You been saying that for two years," says Sonny.
Alfred opens the window and spits out the brown shreds. "What do you say, Martin?"
"Nobody's been punching at me," I say. I keep my eyes on the road, but I can imagine Sonny's sidelong glance. I know how to get his attention. "I'm not going to tell Sonny what to do."
It's sly but it works. You can't order Sonny around, even if you're right, but if you are, he'll come around. You just have to cut him slack.
"Don't count on me making any more plans after tonight," grumbles Sonny.
Back in the rearview, Alfred and Jake roll their eyes in relief. I let the air out slowly, through my nose.
We have to lift Alfred's wheelchair up the front steps of the arena. It's hard on someone who used to be a tough cop to be dependent, but for once Alfred says nothing. One wrong word and Sonny blows. Never seen this weirdness before.
The arena is cold and shabby, wooden planks over the hockey ice and a crummy old ring. The ancient canvas is stained with dinosaur blood. .The ropes are frayed, sagging. The ring is surrounded by folding chairs, another bad sign. Crowd doesn't like a decision, those chairs fly.
The promoter is waiting for us in his office. Typical small-town boxing sleazebag, cheap toupee and gold chains. "Tickets just ain't moving. Times are bad. The new TV shows. You know how they hate Indians around here. I didn't want to cut your percentage, so I moved you to a cheaper motel."
I think, No movies, but I say, "What about the marquee? Sonny's name was supposed to be first, and in bigger letters."
"Hadda do it for TV. They're shooting a documentary on Iron Pete."
"Why him?" growls Alfred.
"Who knows? Something about ethnic box
Us."
"What do you think Sonny is?"I say. "Native
Americans are the original ethnics." You talk to them, kid. I got my own problems
The dressing room is chilly, damp. Rusted hooks in crumbly concrete. No hangers, no lockers. The toilets haven't been flushed in weeks. No hot water. All the other fighters except Iron Pete, the local hero, dress in the same room with us. They're mostly white guys with dumb tattoos', eagles and skulls, skinny kids who washed out of the Marines or fat truck drivers who don't have good-cnough personalities to be bouncers. They're getting their hands taped by their older cousins, fatter truck drivers with cigarettes dripping ash. Everybody gawks at us, two black guys, one in a wheelchair, an old Indian and a mixedblood fighter.
"Someday, Sonny," says Alfred, packing extra gauze over the bad knuckle,
The Chief. Copyright © by Robert Lipsyte. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.