Child of the River

Child of the River

by Paul J. Mcauley

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Child of the River is the first book of the end times; the beginning chapter in the final great epic of a mysterious civilization. In it, a singular young man named Yama makes his way from a ghostly city of the dead to a metropolis of living wonders, and through the labyrinthine country of the mind, in search of a lost past and a destiny that is both his and his world…  See more details below


Child of the River is the first book of the end times; the beginning chapter in the final great epic of a mysterious civilization. In it, a singular young man named Yama makes his way from a ghostly city of the dead to a metropolis of living wonders, and through the labyrinthine country of the mind, in search of a lost past and a destiny that is both his and his world's. Every path Yama follows - each hairbreadth escape and unanticipated adventure - brings him a step closer to the staggering truth about his heritage and his purpose. And exposes, bit by bit, the astonishing reality of his world, which is not what it appears to be.

Editorial Reviews

Library Journal
On the world of Confluence, where thousands of bloodlines compete for position in a society abandoned by its creators, the mysterious appearance of a youth of indeterminable heritage portends either the world's end or a new beginning. Yama's search for his origins leads him from the faded necropolis of Aeolis to the fabled metropolis of Ys, bringing him closer to the secret of his past while simultaneously plunging him into the midst of a convoluted war of politics and religion. McAuley's (Fairyland, Avon, 1996) latest novel launches an ambitious sf/fantasy saga set against a richly detailed world of ancient technology and forbidden magics. A good addition to most sf or fantasy collections.
Kirkus Reviews
Thousands of years ago, so we eventually learn, the omnipotent and now-vanished Preservers built Confluence, not a planet but a habitat, or construct, thatþs home to a zillion speciesþ"bloodlines"þwhose ancestry includes both human and animal genes. When Yama, a boy of mysterious origin, was found resting on the breast of a dead woman in a boat, he was adopted by the Aedile, ruler of the city Aeolis and of the vast, crumbling necropolis that surrounds it. Now, the sinister apothecary Dr. Dismas visits the great city Ys and learns something significant about Yama's originsþbut he won't tell the Aedile what it is; indeed, Dismas attempts to kidnap Yama and involve him in the war against the "heretics," adherents of the enigmatic and recently vanished Ancients of Days. Yama escapes Dismas and in the necropolis acquires a sentient knife that feeds on sunlight. The Aedile resolves to place Yama as a clerk with Prefect Corin in Ys, but Yama, finding he can mentally control machines, joins up instead with potboy Pandaras and agrees to assist the warrior Tamora with her commission to track down and capture a spaceman who's jumped ship. Yama defeats the corrupt, powerful spaceman by unexpectedly summoning a feral machine. Eventually, Yama will learn that heþs a Builder, one of a race created to serve the Preservers; but to learn the rest of his own identity and heritage, he must force his way into the jealously guarded Palace of the Memory of the People. Agreeably meaty and complex, challenging and tantalizing: an entry with ample scope for sequels, the one possible drawback being that McAuley's (Pasquale's Angel, 1995, etc.) narrative voice may be too cool tobe entirely satisfying.

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HarperCollins Publishers
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Chapter One

The constable of Aeolis was a shrewd, pragmatic man who did not believe in miracles. In his opinion, everything must have an explanation, and simple explanations were best of all. "The sharpest knife cuts cleanest," he often told his sons. "The more a man talks, the more likely it is he's lying."

But to the end of his days, he could not explain the affair of the white boat.

It happened one midsummer night, when the huge black sky above the Great River was punctuated only by a scattering of dim halo stars and the dull red swirl, no bigger than a man's hand, of the Eye of the Preservers. The heaped lights of the little city of Aeolis and the lights of the carracks riding at anchor outside the harbor entrance were brighter by far than anything in the sky.

The summer heat was oppressive to the people of Aeolis. For most of the day they slept in the relative cool of their seeps and wallows, rising to begin work when the Rim Mountains clawed the setting sun, and retiring again when the sun rose, renewed, above the devouring peaks. In summer, stores and taverns and workshops stayed open from dusk until dawn, fishing boats set out at midnight to trawl the black river for noctilucent polyps and pale shrimp, and the streets of Aeolis were crowded and bustling beneath the flare of cressets and the orange glow of sodium vapor lamps. At night, in summer, the lights of Aeolis shone like a beacon in the midst of the dark shore.

That particular night, the Constable and his two eldest sons were rowing back to Aeolis in their skiff with two vagrant river traders who had been arrested while trying to run bales of cigarettes to the unchanged hilltribes of the wild shore downstream of Aeolis. Part of the traders' contraband cargo, soft bales sealed in plastic wrap and oiled cloth, was stacked in the forward well of the skiff; the traders lay in the stem, tied up like shoats for the slaughter. The skiff's powerful motor had been shot out in the brief skirmish, and the Constable's sons, already as big as their father, sat side by side on the center thwart, rowing steadily against the current. The Constable was perched on a button cushion in the skiff's high stem, steering for the lights of Aeolis.

The Constable was drinking steadily from a cruse of wine. He was a large man with loose gray skin and gross features, like a figure hastily molded from clay and abandoned before it was completed. A pair of tusks protruded like daggers from his meaty upper lip. One tusk had been broken when he had fought and killed his father, and the Constable had had it capped with silver; silver chinked against the neck of the cruse each time he took a swig of wine.

The Constable was not in a good temper. He would make a fair profit from his half of the captured cargo (the other half would go to the Aedile, if he could spare an hour or so from his excavations to pronounce sentence on the traders), but the arrest had not gone smoothly. The river traders had hired a pentad of ruffians as an escort, and they had put up a desperate fight before the Constable and his sons had managed to dispatch them. The Constable's shoulders had taken a bad cut, cleaving through blubber to the muscle beneath, and his back had been scorched by reflection of the pistol bolt, which had damaged the skiff 's motor. Fortunately, the weapon, which had probably predated the foundation of Aeolis, had misfired on the second shot and killed the man using it, but the Constable knew that he could not rely on good luck forever. He was getting old, ponderous and muddled when once he had been quick and strong. He knew that sooner or later one of his sons would challenge him, and he was worried that this night's botched episode was a harbinger of his decline. Like all strong men, he feared his own weakness more than death, for strength was how he measured the worth of his life.

Now and then he turned and looked back at the pyre of the smugglers' boat. It had burnt to the waterline, a flickering dash of light riding its own reflection far out across the river's broad black plain. The Constable's sons had run it aground on a mudbank, so that it would not drift amongst the banyan islands which at this time of year spun in slow circles in the shallow sargasso of the Great River's nearside shoals, tethered only by fine nets of feeder roots.

Of the two river traders, one lay as still as a sated cayman, resigned to his fate, but his mate, a tall, skinny old man naked but for a breechclout and an unraveling turban, was trying to convince the Constable to let him go. Yoked hand to foot, so that his back was bent like a bow, he stared up at the Constable from the well, his insincere frightened smile like a rictus, his eyes so wide that white showed clear around their slitted irises. At first he had tried to gain the Constable's attention with flattery; now he was turning to threats.

"I have many friends, captain, who would be unhappy to see me in your jail," he said. "There are no walls strong enough to withstand the force of their friendship, for I am a generous man. I am known for my generosity across the breadth of the river."

The Constable rapped the top of the trader's turban with the butt of his whip, and for the fourth or fifth time advised him to be quiet. It was clear from the arrowhead tattoos on the man's fingers that he belonged to one of the street gangs which roved the ancient wharves of Ys. Any friends he might have were a hundred leagues upriver, and by dusk

tomorrow he and his companion would be dead... Child Of The River. Copyright � by Paul McAuley. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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