Children of the Future

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Editorial Reviews

All Music Guide - Amy Hanson
A psychedelic blues rock-out, 1968's Children of the Future marked Steve Miller's earliest attempt at the ascent that brought him supersonic superstardom. Recorded at Olympic Studios in London with storied producer Glyn Johns at the helm, the set played out as pure West Coast rock inflected with decade-of-love psychedelia but intriguingly cloaked in the misty pathos of the U.K. blues ethic. Though bandmate Boz Scaggs contributed a few songs, the bulk of the material was written by Miller while working as a janitor at a music studio in Texas earlier in the year. The best of his efforts resonate in a side one free-for-all that launches with the keys and swirls of the title ...
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Editorial Reviews

All Music Guide - Amy Hanson
A psychedelic blues rock-out, 1968's Children of the Future marked Steve Miller's earliest attempt at the ascent that brought him supersonic superstardom. Recorded at Olympic Studios in London with storied producer Glyn Johns at the helm, the set played out as pure West Coast rock inflected with decade-of-love psychedelia but intriguingly cloaked in the misty pathos of the U.K. blues ethic. Though bandmate Boz Scaggs contributed a few songs, the bulk of the material was written by Miller while working as a janitor at a music studio in Texas earlier in the year. The best of his efforts resonate in a side one free-for-all that launches with the keys and swirls of the title track and segues smoothly through "Pushed Me Through It" and "In My First Mind," bound for the epic, hazy, lazy, organ-inflected "The Beauty of Time Is That It's Snowing," which ebbs and flows in ways that are continually surprising. The second half of the LP is cast in a different light -- a clutch of songs that groove together but don't have the same sleepy flow. Though it has since attained classic status -- Miller himself was still performing it eight years later -- Scaggs' "Baby's Callin' Me Home" is a sparse, lightly instrumentalized piece of good old '60s San Francisco pop. His "Steppin' Stone," on the other hand, is a raucous, heavy-handed blues freakout with a low-riding bass and guitar breaks that angle out in all directions. And whether the title capitalized at all on the Monkees' similarly titled song, released a year earlier, is anybody's guess. Children of the Future was a brilliant debut. And while it is certainly a product of its era, it's still a vibrant reminder of just how the blues co-opted the mainstream to magnificent success.
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Product Details

  • Release Date: 8/23/1994
  • Label: Capitol
  • UPC: 077779124527
  • Catalog Number: 91245
  • Sales rank: 37,605

Album Credits

Performance Credits
Steve Miller Band Primary Artist, Track Performer
Steve Miller Indexed Contributor, Synthesizer, Guitar, Harmonica, Keyboards, Vocals
Boz Scaggs Guitar, Vocals
Jim Peterman Keyboards
Lonnie Turner Bass, Guitar
Tim Davis Drums, Vocals
Technical Credits
Steve Miller Composer
Steve Miller Band Contributor
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Steve Miller Band's debut lp is a sonic/melodic trip

    After spending a couple of years with the Goldberg/Miller Band, Steve Miller has launched his new musical focus on the blues with a dazzling injection of psychedelia that takes the listener on a trip they will want to take again and again. Backed by old chum, Boz Scaggs, on guitar/vocals; able-fingered bassist, Lonnie Turner; and the very capable Tim Davis on drums, along with Jim Peterman on keyboards; Children of the Future dazzles on every level. The trilogy on side 2 is worth the price of admission alone: starting with a wistful ballad, "Baby's Calling" and segueing into a raucous "Stepping Stone", and ending with the bluesy "Pushed Me to It", these songs grab you and don't let go!! Steve Miller is guitarist/songwriter who's future is certain to be bright. A stunning debut

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