Children of the Mind (Ender Quintet Series #4)
  • Children of the Mind (Ender Quintet Series #4)
  • Children of the Mind (Ender Quintet Series #4)

Children of the Mind (Ender Quintet Series #4)

4.1 246
by Orson Scott Card

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The planet Lusitania is home to three sentient species: the Pequeninos; a large colony of humans; and the Hive Queen, brought there by Ender. But once against the human race has grown fearful; the Starways Congress has gathered a fleet to destroy Lusitania.

Jane, the evolved computer intelligence, can save the three sentient races of Lusitania. She has

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The planet Lusitania is home to three sentient species: the Pequeninos; a large colony of humans; and the Hive Queen, brought there by Ender. But once against the human race has grown fearful; the Starways Congress has gathered a fleet to destroy Lusitania.

Jane, the evolved computer intelligence, can save the three sentient races of Lusitania. She has learned how to move ships outside the universe, and then instantly back to a different world, abolishing the light-speed limit. But it takes all the processing power available to her, and the Starways Congress is shutting down the Net, world by world.

Soon Jane will not be able to move the ships. Ender's children must save her if they are to save themselves.

Children of the Mind is the fourth book in Orson Scott Card's Ender Quintet.

Editorial Reviews


This is a worthy ending to what might be styled a saga of the ethical evolution of humanity, a concept seldom attempted before and never realized with the success Card achieved here.
Publishers Weekly - Publisher's Weekly
The first two volumes of Card's Ender saga, Ender's Game and Speaker for the Dead, each won the Hugo and Nebula awards for best novel. This adept fifth volume in the series (after Xenocide, 1991) continues the story of Ender Wiggin, hero, social conscience and unwitting mass murderer. Here, however, Ender, feeling the weight of his years, plays only a limited role in the desperate attempt to avert the destruction by the Starways Congress of the planet Lusitania and its three intelligent races. Foremost among those at center stage are Peter and Young Valentine, Ender's children of the mind, copies of his brother and sister whom he accidentally created on his trip Outside the universe in Xenocide. Also central is Jane, the prickly Artificial Intelligence whose unique ability to use the Outside to transcend the light-speed barrier is key to all attempts to save Ender's adopted world. Peter, Val, Jane and their companions must crisscross the galaxy to find new planets for Lusitania's refugees while trying to influence the politicians and philosophers who have the power to stop the Congress's approaching war fleet. Readers unfamiliar with earlier Ender novels may have trouble picking up some plot threads. But Card's prose is powerful here, as is his consideration of mystical and quasi-religious themes. Though billed as the final Ender novel, this story leaves enough mysteries unexplored to justify another entry; and Card fans should find that possibility, like this novel, very welcome indeed. Major ad/promo; 200-copy limited leather-bound edition, $200, ISBN 0-312-86191-5. (Aug.)
Publishers Weekly
Nothing mars this straightforward, solid production of the final book in Card's Ender series. Every narrator conveys his or her character's personality with nuance and realism. The fleet sent to destroy Lusitania is about to arrive and all the planet's denizens are scrambling. They rush to colonize new worlds, to save two intelligent species from extinction, to try to stop the fleet, to find the creators of the Descolada virus (a threat to all living things) and to find a way for the computer entity Jane whose faster-than-light travel makes all the other goals possible to survive shutting down the network that sustains her. Children is philosophical about the purpose and meaning of intelligent life, the interconnectedness of all things and the power of love. These weighty topics could easily sound corny in less skilled hands, but the text is saved by the honest and emotional narration by Gabrielle De Cuir, John Rubinstein, Stefan Rudnicki, Scott Brick, Amanda Karr and David Birney. Light touches of music and special effects for the aliens blend seamlessly into the flow of the production. High quality work all around. (Reviews, July 22, 1996) (July) Copyright 2006 Reed Business Information.
VOYA - Vicky E. Burkholder
This is the fourth and final book in the Ender's saga [others are Ender's Game (Tor, 1985), Speaker for the Dead (Tor, 1986), and Xenocide (Tor, 1991)]. Ender is found on Lusitania with his wife, Novinha, while his two other selves, in the shapes of Peter and young Val, are desperately searching worlds for the origin of the descolada virus and a way to stop the fleet from destroying Lusitania. Whew! They enlist the help of the hive queen and the father trees to save Jane, the computer entity that is responsible for faster-than-light space travel and is about to be shut down by Congress. They finally manage to import Jane's aiua (spirit) into young Val's body, and move Val's and Ender's aiuas into Peter's body. Unfortunately, Ender as he is now must die, but his essence lives on in Peter. They also manage to convince Congress that genocide is wrong, and that alternative solutions to their problems can be found. If you have the other Ender books, then this is a must-buy, as it ties together everything from the previous books. It is not a stand-alone; it should be read in conjunction with the other books in the series, or too much of the back story is lost. VOYA Codes: 4Q 2P S (Better than most, marred only by occasional lapses, For the YA with a special interest in the subject, Senior High-defined as grades 10 to 12).
Kirkus Reviews
Fourth in the series about former child warrior Ender Wiggin (Xenocide, 1991, etc.) and his long search for redemption. Series readers will recall—or perhaps not—that Jane, the computer intelligence born of a multi-planet computer network connected by instantaneous ansible communicators, has discovered how to move ships and people instantly through hyperspace. But now the Starways Congress, unaware of Jane's existence and wary of rogue programs, intends to shut down the net, thus killing Jane. Also, a decision has been taken to blast planet Lusitania, home to Ender Wiggin, a human colony, the piglike alien pequeninos and their sentient trees, and the social insectlike alien hive queens, because Starways fears the deadly endemic DNA-wrecking descolada virus. Just coming on the scene are young, re-created versions of Ender's siblings of 3,000 years ago, Peter and Valentine (don't ask). With young Chinese genius Wang-mu, Peter must unravel and then halt the philosophical impetus behind the decision to destroy Lusitania. Meanwhile, various scientists, together with assorted mystics, tackle the problem of Jane's survival once the computer net goes down. Yet another group of scientists are tracking the descolada virus—an alien artifact, part probe, part message—back to its source planet, where they will find an alien civilization as enigmatic as any yet encountered.

A bizarre and poorly planned mixture of dazzling ideas and preachy philosophizing: At present Card simply is juggling too many projects at once, and here he's just overextended himself.

USA Today

The novels of Orson Scott Card's Ender series are an intriguing combination of action, military and political strategy, elaborate war games and psychology.

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Product Details

Tom Doherty Associates
Publication date:
Ender Quintet Series, #4
Edition description:
Sales rank:
Product dimensions:
4.28(w) x 6.74(h) x 1.00(d)
860L (what's this?)
Age Range:
14 - 18 Years

Read an Excerpt

Children of the Mind

By Orson Scott Card

Tom Doherty Associates

Copyright © 1996 Orson Scott Card
All rights reserved.
ISBN: 978-1-4299-6392-3




"Mother. Father. Did I do it right?"

The last words of Han Qing-jao, from The God Whispers of Han Qing-jao

Si Wang-mu stepped forward. The young man named Peter took her hand and led her into the starship. The door closed behind them.

Wang-mu sat down on one of the swiveling chairs inside the small metal-walled room. She looked around, expecting to see something strange and new. Except for the metal walls, it could have been any office on the world of Path. Clean, but not fastidiously so. Furnished, in a utilitarian way. She had seen holos of ships in flight: the smoothly streamlined fighters and shuttles that dipped into and out of the atmosphere; the vast rounded structures of the starships that accelerated as near to the speed of light as matter could get. On the one hand, the sharp power of a needle; on the other, the massive power of a sledgehammer. But here in this room, no power at all. Just a room.

Where was the pilot? There must be a pilot, for the young man who sat across the room from her, murmuring to his computer, could hardly be controlling a starship capable of the feat of traveling faster than light.

And yet that must have been precisely what he was doing, for there were no other doors that might lead to other rooms. The starship had looked small from the outside; this room obviously used all the space that it contained. There in the corner were the batteries that stored energy from the solar collectors on the top of the ship. In that chest, which seemed to be insulated like a refrigerator, there might be food and drink. So much for life support. Where was the romance in starflight now, if this was all it took? A mere room.

With nothing else to watch, she watched the young man at the computer terminal. Peter Wiggin, he said his name was. The name of the ancient Hegemon, the one who first united all the human race under his control, back when people lived on only one world, all the nations and races and religions and philosophies crushed together elbow to elbow, with nowhere to go but into each other's lands, for the sky was a ceiling then, and space was a vast chasm that could not be bridged. Peter Wiggin, the man who ruled the human race. This was not him, of course, and he had admitted as much. Andrew Wiggin sent him; Wang-mu remembered, from things that Master Han had told her, that Andrew Wiggin had somehow made him. Did this make the great Speaker of the Dead Peter's father? Or was he somehow Ender's brother, not just named for but actually embodying the Hegemon who had died three thousand years before?

Peter stopped murmuring, leaned back in his chair, and sighed. He rubbed his eyes, then stretched and groaned. It was a very indelicate thing to do in company. The sort of thing one might expect from a coarse fieldworker.

He seemed to sense her disapproval. Or perhaps he had forgotten her and now suddenly remembered that he had company. Without straightening himself in his chair, he turned his head and looked at her.

"Sorry," he said. "I forgot I was not alone."

Wang-mu longed to speak boldly to him, despite a lifetime retreating from bold speech. After all, he had spoken to her with offensive boldness, when his starship appeared like a fresh-sprouted mushroom on the lawn by the river and he emerged with a single vial of a disease that would cure her home world, Path, of its genetic illness. He had looked her in the eye not fifteen minutes ago and said, "Come with me and you'll be part of changing history. Making history." And despite her fear, she had said yes.

Had said yes, and now sat in a swivel chair watching him behave crudely, stretching like a tiger in front of her. Was that his beast-of-the-heart, the tiger? Wang-mu had read the Hegemon. She could believe that there was a tiger in that great and terrible man. But this one? This boy? Older than Wang-mu, but she was not too young to know immaturity when she saw it. He was going to change the course of history! Clean out the corruption in the Congress. Stop the Lusitania Fleet. Make all colony planets equal members of the Hundred Worlds. This boy who stretched like a jungle cat.

"I don't have your approval," he said. He sounded annoyed and amused, both at once. But then she might not be good at understanding the inflections of one such as this. Certainly it was hard to read the grimaces of such a round-eyed man. Both his face and his voice contained hidden languages that she could not understand.

"You must understand," he said. "I'm not myself."

Wang-mu spoke the common language well enough at least to understand the idiom. "You are unwell today?" But she knew even as she said it that he had not meant the expression idiomatically at all.

"I'm not myself," he said again. "I'm not really Peter Wiggin."

"I hope not," said Wang-mu. "I read about his funeral in school."

"I do look like him, though, don't I?" He brought up a hologram into the air over his computer terminal. The hologram rotated to look at Wang-mu; Peter sat up and assumed the same pose, facing her.

"There is a resemblance," she said.

"Of course, I'm younger," said Peter. "Because Ender didn't see me again after he left Earth when he was — what, five years old? A little runt, anyway. I was still a boy. That's what he remembered, when he conjured me out of thin air."

"Not air at all," she said. "Out of nothing."

"Not nothing, either," he said. "Conjured me, all the same." He smiled wickedly. "I can call spirits from the vasty deep."

These words meant something to him, but not to her. In the world of Path she had been expected to be a servant and so was educated very little. Later, in the house of Han Fei-tzu, her abilities had been recognized, first by her former mistress, Han Qing-jao, and later by the master himself. From both she had acquired some bits of education, in a haphazard way. What teaching there had been was mostly technical, and the literature she learned was of the Middle Kingdom, or of Path itself. She could have quoted endlessly from the great poet Li Qing-jao, for whom her one time mistress had been named. But of the poet he was quoting, she knew nothing.

"I can call spirits from the vasty deep," he said again. And then, changing his voice and manner a little, he answered himself. "Why so can I, or so can any man. But will they come when you do call for them?"

"Shakespeare?" she guessed.

He grinned at her. She thought of the way a cat smiles at the creature it is toying with. "That's always the best guess when a European is doing the quoting," he said.

"The quotation is funny," she said. "A man brags that he can summon the dead. But the other man says that the trick is not calling, but rather getting them to come."

He laughed. "What a way you have with humor."

"This quotation means something to you, because Ender called you forth from the dead."

He looked startled. "How did you know?"

She felt a thrill of fear. Was it possible? "I did not know, I was making a joke."

"Well, it's not true. Not literally. He didn't raise the dead. Though he no doubt thinks he could, if the need arose." Peter sighed. "I'm being nasty. The words just come to my mind. I don't mean them. They just come."

"It is possible to have words come to your mind, and still refrain from speaking them aloud."

He rolled his eyes. "I wasn't trained for servility, the way you were."

So this was the attitude of one who came from a world of free people — to sneer at one who had been a servant through no fault of her own. "I was trained to keep unpleasant words to myself as a matter of courtesy," she said. "But perhaps to you, that is just another form of servility."

"As I said, Royal Mother of the West, nastiness comes unbidden to my mouth."

"I am not the Royal Mother," said Wang-mu. "The name was a cruel joke —"

"And only a very nasty person would mock you for it." Peter grinned. "But I'm named for the Hegemon. I thought perhaps bearing ludicrously overwrought names was something we might have in common."

She sat silently, entertaining the possibility that he might have been trying to make friends.

"I came into existence," he said, "only a short while ago. A matter of weeks. I thought you should know that about me."

She didn't understand.

"You know how this starship works?" he said.

Now he was leaping from subject to subject. Testing her. Well, she had had enough of being tested. "Apparently one sits within it and is examined by rude strangers," she said.

He smiled and nodded. "Give as good as you get. Ender told me you were nobody's servant."

"I was the true and faithful servant of Qing-jao. I hope Ender did not lie to you about that."

He brushed away her literalism. "A mind of your own." Again his eyes sized her up; again she felt utterly comprehended by his lingering glance, as she had felt when he first looked at her beside the river. "Wang-mu, I am not speaking metaphorically when I tell you I was only just made. Made, you understand, not born. And the way I was made has much to do with how this starship works. I don't want to bore you by explaining things you already understand, but you must know what — not who — I am in order to understand why I need you with me. So I ask again — do you know how this starship works?"

She nodded. "I think so. Jane, the being who dwells in computers, she holds in her mind as perfect a picture as she can of the starship and all who are within it. The people also hold their own picture of themselves and who they are and so on. Then she moves everything from the real world to a place of nothingness, which takes no time at all, and then brings it back into reality in whatever place she chooses. Which also takes no time. So instead of starships taking years to get from world to world, it happens in an instant."

Peter nodded. "Very good. Except what you have to understand is that during the time that the starship is Outside, it isn't surrounded by nothingness. Instead it's surrounded by uncountable numbers of aiúas."

She turned away her face from him.

"You don't understand aiúas?"

"To say that all people have always existed. That we are older than the oldest gods. ..."

"Well, sort of," said Peter. "Only aiúas on the Outside, they can't be said to exist, or at least not any kind of meaningful existence. They're just ... there. Not even that, because there's no sense of location, no there where they might be. They just are. Until some intelligence calls them, names them, puts them into some kind of order, gives them shape and form."

"The clay can become a bear," she said, "but not as long as it rests cold and wet in the riverbank."

"Exactly. So there was Ender Wiggin and several other people who, with luck, you'll never need to meet, taking the first voyage Outside. They weren't going anywhere, really. The point of that first voyage was to get Outside long enough that one of them, a rather talented genetic scientist, could create a new molecule, an extremely complex one, by the image she held of it in her mind. Or rather her image of the modifications she needed to make in an existing ... well, you don't have the biology for it. Anyway, she did what she was supposed to do, she created the new molecule, calloo callay, only the thing is, she wasn't the only person doing any creating that day."

"Ender's mind created you?" asked Wang-mu.

"Inadvertently. I was, shall we say, a tragic accident. An unhappy side effect. Let's just say that everybody there, everything there, was creating like crazy. The aiúas Outside are frantic to be made into something, you see. There were shadow starships being created all around us. All kinds of weak, faint, fragmented, fragile, ephemeral structures rising and falling in each instant. Only four had any solidity. One was that genetic molecule that Elanora Ribeira had come to create."

"One was you?"

"The least interesting one, I fear. The least loved and valued. One of the people on the ship was a fellow named Miro, who through a tragic accident some years ago had been left somewhat crippled. Neurologically damaged. Thick of speech, clumsy with his hands, lame when he walked. He held within his mind the powerful, treasured image of himself as he used to be. So — with that perfect self-image, a vast number of aiúas assembled themselves into an exact copy, not of how he was, but of how he once was and longed to be again. Complete with all his memories — a perfect replication of him. So perfect that it had the same utter loathing for his crippled body that he himself had. So ... the new, improved Miro — or rather the copy of the old, undamaged Miro — whatever — he stood there as the ultimate rebuke of the crippled one. And before their very eyes, that old rejected body crumbled away into nothing."

Wang-mu gasped, imagining it. "He died!"

"No, that's the point, don't you see? He lived. It was Miro. His own aiúa — not the trillions of aiúas making up the atoms and molecules of his body, but the one that controlled them all, the one that was himself, his will — his aiúa simply moved to the new and perfect body. That was his true self. And the old one ..."

"Had no use."

"Had nothing to give it shape. You see, I think our bodies are held together by love. The love of the master aiúa for the glorious powerful body that obeys it, that gives the self all its experience of the world. Even Miro, even with all his self-loathing when he was crippled, even he must have loved whatever pathetic remnant of his body was left to him. Until the moment that he had a new one."

"And then he moved."

"Without even knowing that he had done so," said Peter. "He followed his love."

Wang-mu heard this fanciful tale and knew that it must be true, for she had overheard many a mention of aiúas in the conversations between Han Fei-tzu and Jane, and now with Peter Wiggin's story, it made sense. It had to be true, if only because this starship really had appeared as if from nowhere on the bank of the river behind Han Fei-tzu's house.

"But now you must wonder," said Peter, "how I, unloved and unlovable as I know I am, came into existence."

"You already said. Ender's mind."

"Miro's most intensely held image was of his own younger, healthier, stronger self. But Ender, the images that mattered most in his mind were of his older sister Valentine and his older brother Peter. Not as they became, though, for his real older brother Peter was long dead, and Valentine — she has accompanied or followed Ender on all his hops through space, so she is still alive, but aged as he has aged. Mature. A real person. Yet on that starship, during that time Outside, he conjured up a copy of her youthful self. Young Valentine. Poor Old Valentine! She didn't know she was so old until she saw this younger self, this perfect being, this angel that had dwelt in Ender's twisted little mind from childhood on. I must say, she's the most put-upon victim in all this little drama. To know that your brother carries around such an image of you, instead of loving you as you really are — well, one can see that Old Valentine — she hates it, but that's how everyone thinks of her now, including, poor thing, herself — one can see that Old Valentine is really having her patience tried."

"But if the original Valentine is still alive," said Wang-mu, puzzled, "then who is the young Valentine? Who is she really? You can be Peter because he's dead and no one is using his name, but ..."

"Quite puzzling, isn't it?" said Peter. "But my point is that whether he's dead or not, I'm not Peter Wiggin. As I said before, I'm not myself."

He leaned back in his chair and looked up at the ceiling. The hologram above the terminal turned to look at him. He had not touched the controls.

"Jane is with us," said Wang-mu.

"Jane is always with us," said Peter. "Ender's spy."

The hologram spoke. "Ender doesn't need a spy. He needs friends, if he can get them. Allies at least."


Excerpted from Children of the Mind by Orson Scott Card. Copyright © 1996 Orson Scott Card. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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