China Style

China Style

3.0 1
by Angelika Taschen, Reto Guntli
     
 
A traditional Chinese temple mingles with a minimalist Shigeru Ban villa, a Shanghai hotel that holds the world record for the tallest hotel, and a luxurious Beijing club in this compact tour of China's most exceptional interiors. Proposing a refreshing blend of antiquity and modernity, these images exude feelings of simplicity, Zen, and wellbeing.

Overview

A traditional Chinese temple mingles with a minimalist Shigeru Ban villa, a Shanghai hotel that holds the world record for the tallest hotel, and a luxurious Beijing club in this compact tour of China's most exceptional interiors. Proposing a refreshing blend of antiquity and modernity, these images exude feelings of simplicity, Zen, and wellbeing.

Product Details

ISBN-13:
9783822849668
Publisher:
Taschen America, LLC
Publication date:
07/02/2006
Series:
Icons Series
Pages:
191
Product dimensions:
5.98(w) x 7.74(h) x 0.52(d)

Meet the Author

Angelika Taschen studied art history and German literature in Heidelberg, gaining her doctorate in 1986. Working for Taschen since 1987, she has published numerous titles on the themes of architecture, photography, design, contemporary art, interiors, and travel.

The photographer: Swiss photographer Reto Guntli, based in Zurich, regularly travels the world taking photos for international magazines. He has published numerous books and contributed to Taschen publications such as Great Escapes Asia and Great Escapes Europe.

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China Style 3 out of 5 based on 0 ratings. 1 reviews.
FeatheredQuillBookReviews More than 1 year ago
The unmistakable traditional Chinese style "seemed set in stone, as unchanging as those of the Great Wall," yet subtly incorporated touches of Western style in the first half of the twentieth century. Shanghai began to incorporate touches of Art Deco in its architecture and furnishings while imposing Russian architectural influences swept into cities like Beijing under the influence of Mao Zedong during the cultural revolution. Early photographs, stark, imposing, and somewhat bleak, introduce us to a China that Mao attempted to eradicate. Yet somehow the tradition remained as did its treasures. One of the photographs gives us a glimpse of Tiananmen gate around the time of the cultural revolution. It is alternately called the "Gate of Heavenly Peace," for its Chinese symbols simply mean heaven, gate, and peace. In this book you will figuratively enter these gates to see for yourself the beauties of a civilization once hidden from the Western world. It was forbidden for anyone to cross its borders and only brief glances could be made from vantage points outside places like Hong Kong. This book gives the reader a visual tour, silently expressing the evolution of Chinese design that has come down through the ages. The student of Chinese architecture knows that The Tiananmen gate was built during the Ming Dynasty in 1420, but the uninitiated can easily see and appreciate the wonders of its ancient design. Even the rigorous, rugged deck of a boat floating through the waters of a canal city shouts a certain unmistakable Chinese style. The rugged mountain fortress, the Great Wall of China, is simply breathtaking as it weaves its way through precipitous mountain passes. A simple photograph speaks volumes of a wall once designed to protect its peoples. The towering pagodas speak of a civilization's connection to their gods, yet the camera swings into the streets to view the simplicity of life. Two men lean over to enjoy their meager lunch while another man quickly peddles past their table, curiously peering into the lens of the camera. The modern day Hong Kong skyline bursts with color, inviting people to cross over into China. Interior views, many from China's luxurious hotels, shout out the unique influence of China's style to those browsing the pages of this book. One photograph's caption simply states, "Blue moon: a round portal leads to the kitchen." I loved the brief tour, but felt the book was not truly representative of the real "China style" that people who are anticipating going to China will find. I would have appreciated captions to the pictures and frankly was quite surprised to see photographs of Hong Kong in the middle of this book as most people consider it to be a separate entity from China even though the British Empire returned it to China in 1997. The photography was beautiful, but if the reader is looking for a true, serious representation of the Chinese influence in everything from jade figurines to architecture, they will be sorely disappointed. If they are looking for a casual tour via art photography, they will be delighted. Quill says: If you are looking for a beautiful, casual tour of snippets of visual China lore as an armchair traveler you will be delighted with the art photography you will find in this charming portrait of China.