From the Publisher
Praise for Chinatown Beat
“Chang has a cool, measured style that lets in some light . . . on a society that lives by its own rules.”
—The New York Times Book Review
“For readers who relish noir suspense, it doesn’t get much better than this stunning novel.”
“All the expected locales are here—gambling and dance halls, brothels, secret societies—but the author, who grew up in Chinatown, keeps things fresh by inserting Chinese phrases and explicating cultural folkways on nearly every page . . . This is a nasty, terse slice of noir, and Yu is a fellow whose adventures should be worth following.”
—Washington Post Book World
“Chinatown Beat is a classic noir, filled with longing, violence, and that uniquely urban melancholy, but it also brings something new to the table, a loving specificity of a people and place, the multicultures of New York’s Chinatown, that has rarely if ever been encountered in fiction before. A real discovery.”
—Richard Price, author of Lush Life, a New York Times Notably Book of the Year
“Here’s a dark slice of New York’s Chinatown that most of us . . . have probably never seen. Henry Chang takes us on an unforgettable guided tour of its lower depths. In a field awash with pallid noir thrillers, this one is the real thing. A genuine winner.”
—Herbert H. Lieberman, author of City of the Dead and Shadow Dancers
“A dramatic evocation of the exotic . . . More rewarding than a trip to Chinatown.”
—Qiu Xiaolong, author of Death of a Red Herione
“Chang’s debut novel is one of this year’s most impressive. Here, the object isn’t to figure out whodunit . . . The suspense comes from tracking Jack Yu through his investigation, navigating the shifting tides of Chinese turf wars, generational tension, and his own internal struggle with being a ‘standup Chinaman’ and an effective cop. This is a character well worth knowing.”
—January Magazine, Best Crime Fiction of 2006
Chinatown Beat a debut police procedural by Henry Chang, focuses a noir lens on the bewildering warren of streets in downtown Manhattan that waves of immigrants from mainland China, Taiwan and Southeast Asia have made into a culturally exclusive community, and the view he presents is pretty shocking … Chang has a cool, measured style that lets in some light, but not much hope, on a society that lives by its own rules.
The New York Times
All the expected locales are heregambling and dance halls, brothels, secret societiesbut the author, who grew up in Chinatown, keeps things fresh by inserting Chinese phrases and explicating cultural folkways on nearly every page. Chang drops a few stitches as his story knits together, but this is a nasty, terse slice of noir, and Yu is a fellow whose adventures should be worth following.
The Washington Post
At the start of Chang's promising debut, NYPD detective Jack Yu must cope with his father's recent death and investigate the rape of a grade-school girl on the fringes of Chinatown, where he grew up and has just been stationed. Meanwhile, would-be gangster Johnny Wong is carrying on with Mona, the gorgeous mistress of his employer, Uncle Four, head of the local branch of the Hip Ching tong and a powerful underworld figure in both New York and Hong Kong. As Yu digs deeper into his case, suspecting that an illegal Chinese immigrant may be the serial rapist he is seeking, he finds evidence of a connection between the rapist and the local gangsters. Though Chang builds less suspense than more seasoned police procedural authors, he presents a fascinating look at New York's Chinese-American urban community and its subcultures. (Nov.) Copyright 2006 Reed Business Information.
New York police detective Jack Yu, working out of the Fifth Precinct, has come home to Manhattan's Chinatown, where he was raised. His father has just died, and Jack is cleaning out his apartment. He is also working a case involving a serial rapist of young Chinese girls. The politics of being a Chinese American on a police force thought to be racist and corrupt is the dominant theme of Chang's debut. Hard-boiled enough for most die-hard fans, procedurally correct, and on target when Yu is dealing with the remnants of his father's past, this is a great beginning to what should be a worthy series. [See Prepub Mystery, LJ 7/06.] Copyright 2006 Reed Business Information.
Chang's debut sends a cop from New York's Chinatown back into his old neighborhood to solve a case of serial rape and murder. Chinatown is a place where everybody knows everybody's business. Detective Jack Yu assumes that any number of people know something about the man who's assaulting little girls. But except for Ah Por, an ancient fortuneteller who tells Jack, "I see fire, and someone with small ears," nobody's talking, and Jack knows why: They see the problem as something for their local tongs, Hip Ching and Fuk Ching, to deal with in-house. "How does a cop get help from a community that has no faith in officers of the law?" Jack wonders. It's a good question, though one Jack spends more time debating than resolving. In fact, Chang's characters seem to meet mainly for the purpose of making speeches to each other rather than engaging in the give-and-take of action or dialogue. Not even the murder of Uncle Four, a prominent Hip Ching undersecretary, heats up the tale. Instead of emphasizing mystery or momentum, Chang drenches his story in atmosphere, backstories and customs, building up a snapshot of the neighborhood detail by detail, in the manner of James Sallis. The process of patient accretion works against suspense but guarantees Jack plenty to do in the promised series.
Read an Excerpt
Johnny Wong pulled the black Lincoln over, onto the sidewalk halfway down the narrow street, territory of the Hip Chings. It was nine in the evening and before he could kill the engine they appeared, the stocky mustached man they called Uncle Four and the fragile Hong Kong lady, Mona. They were in the car before he could get out and open the door, the man motioning to him with a jerk of his hand.
“Lotus Blossom Club,” said Uncle Four. The lady was silent as Johnny drove off wondering about her, passing through the nine neon-lit blocks in the rainy Chinatown night.
Uncle Four didn’t say another word until they arrived.
“Come back eleven,” he said. Mona followed him out, then down into the karaoke nightclub, never glancing back. When they were out of view, Johnny slammed the steering wheel hard, pausing for a long moment before urging the car away.
“Dew nei louh mou hei,” he hissed, motherfucker, and soon enough the chopping sound of windshield wipers brought him around to East Broadway, the lower part of town where the radio-car boys gathered and gossiped away the dead ends of their evenings.
They ate, slept, breathed Chinese, these expatriates, and they watched Chinese movies, shopped Chinese supermarkets, got laid in Chinese rub joints.
The laundromat attendant, the bank cashier, the locksmith, the mailman: all spoke Chinese.
The vocabulary of the car boys was limited; every other Chinese phrase rang out motherfucker this, motherfucker that. Whenever they did speak English it was sprinkled in between Chinese sentences, words that sang out: focking got dem, and a lot of cok sooka, molla focka.
Johnny felt superior but comfortable among them. He enjoyed their camaraderie, the spirit they generously shared with him. But he wasn’t like them, and he knew it. They drove their limos because it was an easy enough life to fall into, and they found satisfaction in being their own bosses.
The Taxi and Limousine Commission dealt out franchises for seven thousand dollars, which included the radio hookup and the gypsy plates. Another five hundred dollars for the diamond sticker that allowed them to make pickups from the street. Lease or buy a black sedan. His used Continental had cost ten thousand. A 1990 model. It had eighty thousand miles when he bought it off Jung gor, brother Jung, who got cancer and went to San Francisco to die.
Johnny had labored three hard years for Big Wong’s Construction and Design. Two years as kup yee, the steam presser, in the Rich Fortune sweatshop. Slaving. Saving cash.
All of it went into the car.
The other night drivers had refused to wait tables for long hours sucking up to the white tourists. They disdained the misery of the market workers and the hard labor of the construction cowboy gangs, choosing instead to gamble and borrow, cheat and steal from their extended families. Their destinations were the racetracks and the gaming parlors, karaoke clubs and airport bars, nightclubs and whorehouses, glamorous places and secret hideaways where they chauffeured their shady clients of the night.
They were satisfied with themselves, and scoffed at Johnny’s few foreign phrases. What the fock did they need the gwailo—white devil—English for?
The oldest driver was Gee Mun, sixty-three, a retired steam presser from the Rich Fortune. When he couldn’t survive on Social Security alone, he became the off-driver whenever Johnny slept, which was mostly during the day. For the use of the car, Gee Mun gave Johnny twenty-five percent of his weekly tally. And he kept the Continental’s tank full.
Including the pickups from the street and tips, Johnny was clearing eight hundred a week. Forty thousand a year. Not bad for an ex-Hong Kong waiter with no book smarts, and only fragments of English.
America had taught him to be cunning. With a little luck he figured to double the forty thousand in a year. The tips were always better at night, bigger chaan jee—cash—from men who gambled with their lives. But Johnny looked beyond jockeying the radio car. He believed he was going to make his money and get out, sell the car, invest his cash in other directions. Find a partner, someone with money and connections. A takeout counter in Brooklyn, go in with the Lucky Valley’s third chef. The thirty-minute photo shop idea. The hardware store, the coin laundromat, the produce market. The fish market with the Chow brothers. A bakery franchise. Dreams bantered back and forth among the drivers waiting for calls from the night, in their dark cars.
“Wong Jai,” they called Johnny, Kid Wong. “What’s with this piece of pussy you keep talking about?” they asked. Johnny never elaborated, but he couldn’t keep Mona out of his mind. The others knew this and teased him, knowing he’d only clam up, change the subject.
“Ho sai li,” Gee Mun said, dangerous. The drivers knew why. Women were sly, manipulative creatures by nature, instinctively so because of the weakness of their bodies.
Almost four months now he’d been driving her, since the end of the fierce New York City winter, a petite woman with deep black hair cut in a short bob. Always wore black. High heels. She had oval eyes with a translucent brown luster, set in a face of porcelain skin that threatened to shatter in the cold the only time he ever saw her in daylight. Her lips, cherry- blossom red.
It was a private contract. He kept her off the radio so none of the other drivers or dispatchers would know about her. But since he filled the bulk of his prime workday with sporadic pickups, leasing his daylight downtime to Gee Mun, the other drivers all knew he was doing side jobs. One of them had spotted Mona exiting Johnny’s Continental, and word had gotten around, though nobody was sure who she was. Johnny became more careful about the routes he used.
“Secrecy,” she’d said, was the key. He’d be required to keep her identity secret, to not talk about her. Johnny had agreed. “Confidential,” she’d said, with an edge to her Hong Kong Cantonese.
The old man was short, maybe five-five, and stocky. He had a trim mustache, was balding on top and wore large jade rings on his meaty fingers. Everybody knew he was a big shot of the Hip Chings.
Now she was a regular four nights a week, three or four stops a night. The old man always gave the orders, but it was Mona who paid Johnny, cash. Three hundred a week. They hardly spoke the first two months, and never in front of Uncle Four.
Gradually she opened up to him, and now he wished she hadn’t. The money and tips were good, but he didn’t like to get involved with the customers, and what she’d confided in him was like a throbbing in his brain, a dull and bothersome headache.
The month before, after they’d begun to speak regularly, she gave him a fearful look and quietly said some nasty things about Uncle Four. He wished he hadn’t heard it, wished he could do something about it, but knew it was impossible.
She said Uncle Four beat her and raped her, that he did this regularly. What the fock, he thought, she’s his mistress. What the fock does she expect? Why stay with him then?
When he asked her why she didn’t simply leave, she just cried. They didn’t speak for a week after that, but he knew that she had given him part of her pain, and he was suffering along with her. She didn’t have to speak. He saw it in her eyes every time they stole glances at each other, every time she touched his hand, every time she walked away behind the Mustache, never glancing back.
“Focken bitches,” the other drivers said, “play you for a sooka.”
“Don’t let them use you,” they warned.
“Money talks, bullshit walks. That’s what those hei cunts care about.”
Johnny was trying to control the fever slowly warming in his brain. He had two hours before he had to pick her up, until he had to face her eyes asking a hundred questions. He glanced at his wristwatch, tossed his bet money into the pool with the other drivers’. Two hours. He invested forty dollars at Yonkers Raceway. Snappin Dragon in the fourth. Samurai Warrior in the eleventh. What the hell, he thought, and closed his eyes.
But eleven o’clock came around faster than he expected.
The tears welled up quickly in her sloe eyes.
“Men have hurt me tonight, again,” Mona whispered.
Johnny stood quietly and wrapped his arms around her until there were no more words. That’s how it was with Mona. Her words came infrequently, calculated, wrapped in precise phrases full of poignancy and passion, but it was the heartbreak in her face, the tears spilling from her eyes, the quiver of her lips, the shiver of her body when he pulled her close, for him that was her true expression.
There was no escape from these images, Johnny knew. They wrenched his heart, and shredded his toughness. She was making him as vulnerable as he thought she was, and then, the other drivers laughingly warned him, she’d nail him.
He couldn’t say no to anything she desired.
Later, when they lay together in his tenement flat, there was no need for the words he didn’t have, the only sounds coming from the slap and pull of their bodies against each other, the soft clutching groans and whispers leading to hard, fast breathing and the sharp anguished cry of desperate pleasure.
Jack Yu leaned back from his desk in the empty squad room, tilted his head and rolled his neck over his bunched shoulders. He heard the ligaments pop, took a deep breath. There was a rotted wood smell from inside the floorboards that floated out every time it rained. He’d noticed it when he transferred precincts in July, during a week of summer storms. Now the rain that should have come in August arrived in October, cooling down Indian Summer, giving weight to the soggy leaves that blew into piles in the neighborhood parks.
The Fifth Precinct stationhouse, the 0-Five, was the oldest in the city, a four-story Federalist walk-up made of red brick, fronted by matching lanterns of Kelly green. The lanterns glowed in the mist, and rain dripped from the scrollwork around numerals that ran across the top of the building: 1881.
The blue-and-whites parked out front, up and down Elizabeth Alley, and out to Canal Street. Scooters. Vans. Undercover Dodges.
Jack could see them from the squad-room window, rolling out. The night patrols. He checked his watch. It was after ten, at the end of a long week full of bad dreams and sleepless fatigue. He knew he should go home. He had the weekend off and much to do.
He scanned the room, a shabby array of cluttered metal desks bumped up against each other across the creaky wooden floor. There was a color computer monitor but under the light from the dirty fluorescent overheads everything else was gray, worn. A bank of small steel lockers the detectives used. The surplus secretarial chairs. Across the long wall opposite him, sheets of assignment data and faded Wanted posters, covering like wallpaper anything that wasn’t cracked and peeling.
He stroked the thin line of scar tissue that ran across his left brow, a nervous tic. His mind was drifting elsewhere and he clicked off the cheap fluorescent desk lamp, pushed back from the tangle of paperwork and open-case files. He ran his trigger fingers in tight circles around his temples and closed his eyes.