Chris Thompson

Editorial Reviews

All Music Guide - J. Allen
The tiny British label Village Thing put out some of the finest U.K. folk releases of the early '70s, with a roster including Wizz Jones, Steve Tilston, and Ian A. Anderson not to be confused with the Jethro Tull frontman. But even for Village Thing, whose initial runs were only a couple of thousand copies per album, Chris Thompson's debut album was a little-seen obscurity. It's been estimated that only about 1,000 copies of the 1973 recording were made, and that all but 100 were destroyed as part of some kind of tax scam. This was unfortunate both for Thompson, a New Zealander whose guitar talents had made him a favorite on the London folk scene, and for fans of the music. ...
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Editorial Reviews

All Music Guide - J. Allen
The tiny British label Village Thing put out some of the finest U.K. folk releases of the early '70s, with a roster including Wizz Jones, Steve Tilston, and Ian A. Anderson not to be confused with the Jethro Tull frontman. But even for Village Thing, whose initial runs were only a couple of thousand copies per album, Chris Thompson's debut album was a little-seen obscurity. It's been estimated that only about 1,000 copies of the 1973 recording were made, and that all but 100 were destroyed as part of some kind of tax scam. This was unfortunate both for Thompson, a New Zealander whose guitar talents had made him a favorite on the London folk scene, and for fans of the music. Fortunately, the album was subsequently reissued on CD on the U.S. label Scenescof, but the later repackaging on Sunbeam went a step further by pairing the original album with a whole extra disc of bonus material. Early-'70s London was not exactly lacking for phenomenal folk guitarists, but even amid the likes of Bert Jansch, Nick Drake, et al, Thompson must have stood out. His fretboard expertise is the most immediately striking aspect of the album: his fingerpicking technique rivals that of anyone on the scene at the time, and on stand-out tracks like "Her Hair Was Long" which was wisely repurposed a couple of years later on Thompson's major-label debut, the New Zealander achieves an intensity of tone that only an artist like Jansch could match. Thompson is sometimes tossed under the psych-folk umbrella, and the striking opening cut, the instrumental "Hugo Spellman," certainly falls into that category, taking on a raga feel with help from members of Magic Carpet on Indian instruments. But for the most part, this is a relatively straightforward outing typical of the Village Thing catalog, incorporating some traditional blues and folk influences but mostly striking a distinctly '70s singer/songwriter tone. And despite the focus on Thompson's fleet-fingered instrumental capabilities, he comes off as a skilled songwriter as well, with more lyrically oriented tunes like "Don't Be Afraid" and "Dream" comparing favorably with the work of any of his aforementioned peers.
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Product Details

  • Release Date: 12/7/2010
  • Label: Sunbeam Records
  • EAN: 5051125507818
  • Catalog Number: 5078

Tracks

Disc 1
  1. 1 Hugo Spellman (4:13)
  2. 2 The Song of Wandering Aengus (4:29)
  3. 3 De Debil Take De Blue-Tail Fly! (3:36)
  4. 4 The River Song (2:38)
  5. 5 London Blues (3:45)
  6. 6 Her Hair Was Long (6:44)
  7. 7 Young Lust (3:02)
  8. 8 Love (1:50)
  9. 9 The River Song (3:49)
  10. 10 The River Song (6:27)
  11. 11 Love (3:44)
  12. 12 Dream (2:49)
  13. 13 Don't Be Afraid (2:05)
  14. 14 Back In The City
  15. 15 Hamilton
  16. 16 Vox Populi
  17. 17 Heart Attack Blues
  18. 18 Barcelona
  19. 19 Sunday Lunch
  20. 20 The Terror of the Spanish Main
  21. 21 When I Am Dead
  22. 22 Chop Suey Blues (the Opium Song)
  23. 23 Little Ballerina
  24. 24 We Need Oil
Disc 2
  1. 1 As I Walked Out (1:40)
  2. 2 Where Is My Wild Rose? (2:48)
  3. 3 Hamilton (3:09)
  4. 4 Vox Populi (3:24)
  5. 5 Heart Attack Blues (2:18)
  6. 6 Barcelona (5:11)
  7. 7 Sunday Lunch (2:56)
  8. 8 The Terror of the Spanish Main (2:17)
  9. 9 When I Am Dead (2:04)
  10. 10 Chop Suey Blues (The Opium Song) (3:03)
  11. 11 Little Ballerina (1:58)
  12. 12 We Need Oil (2:22)
  13. 13 [Untitled] (2:02)
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Album Credits

Performance Credits
Chris Thompson Primary Artist, Guitar, Vocals
Brian Dunning Flute
Brendan Power Harmonica
Ed Deane Guitar
Clem Alford Tamboura
Keshav Sathe Tabla
Lynne Thompson Flute
Niall Toner Guitar, Vocals
Lora Thompson Bass
E-Man Hand Drums
Keith McMillan Mandolin
Chris Priestley Vocal Harmony
Julie Grace Fiddle
E. J. Peters Vocals
Vince McGurran Percussion
Technical Credits
Dave Mason Back Cover Photo
Bill Leader Engineer
John Weir Engineer
Henry Wadsworth Longfellow Composer
Christina Rossetti Composer
Terry Brace Original Graphics
Chris Thompson Composer, Engineer
Steven Carr Executive Producer
Richard Whitaker Mastering
Ian A. Anderson Engineer
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