The Christian Imagination: Theology and the Origins of Race

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Overview

Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions?  In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity’s highly refined process of socialization has inadvertently created and maintained segregated societies.   A probing study of the cultural fragmentation—social, spatial, and racial—that took root in the Western mind, this book shows how Christianity has consistently forged Christian nations rather than encouraging genuine communion between disparate groups and individuals.

Weaving together the stories of Zurara, the royal chronicler of Prince Henry, the Jesuit theologian Jose de Acosta, the famed Anglican Bishop John William Colenso, and the former slave writer Olaudah Equiano, Jennings narrates a tale of loss, forgetfulness, and missed opportunities for the transformation of Christian communities.  Touching on issues of slavery, geography, Native American history, Jewish-Christian relations, literacy, and translation, he brilliantly exposes how the loss of land and the supersessionist ideas behind the Christian missionary movement are both deeply implicated in the invention of race.

Using his bold, creative, and courageous critique to imagine a truly cosmopolitan citizenship that transcends geopolitical, nationalist, ethnic, and racial boundaries, Jennings charts, with great vision, new ways of imagining ourselves, our communities, and the landscapes we inhabit.

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Editorial Reviews

Publishers Weekly
In one of the first books of its kind, Duke theologian Jennings attempts to put theology in conversation with contemporary discussions of cosmopolitanism and globalization. He contends that the Christian theological imagination was historically woven into the processes of colonial dominance, thus requiring other peoples and ways of life to adapt and even morph into the colonial order of things. Drawing on narratives as diverse as Bishop John William Colenso's in South Africa and the former slave writer Olaudah Equiano's, Jennings seeks to provide both a historical account of where Christian theology faltered in its imagination of society, as well as a theological account of the way in which Christians can better tell and understand the story of the life of Jesus, who took on a human life of joining, belonging, connecting, and knowing others fully. Regrettably, Jennings's important argument gets lost in jargon ("but the analyses of this condition often don't get to the heart of the constellation of generative forces that have rendered people's social performances of the Christian life collectively anemic") and tortured prose; the book too often reads like a dissertation that would have benefited from a wiser editorial hand.
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America

“Sensitively descriptive writing . . . This study lays out realities that must be honestly admitted.”
—Nancy Hawkins, America

— Nancy Hawkins

Englewood Review of Books

"[A] theological masterpiece."--Chris Smith, Englewood Review of Books

— Chris Smith

CHOICE

"Jennings engages broad historical sources and cultural theory in uncommonly exquisite yet accessible prose. . . . This broadly conceived study promised to reconfigure the historical understanding of race, religion, and empire in the Americas and to stimulate theological reflection on Christian-Jew relations."—S. A. Johnson, CHOICE

— S. A. Johnson

Miroslav Volv
"Jennings excavates the major theological issues involved as the old world encountered—violently—the new and engaged in displacement and racialization of the ‘subjugated’ peoples. At stake is a whole way of conceiving the self, the other, and the world of their mutual relations."—Miroslav Volf, Yale University
Walter Mignolo
“There is no study that I know of that traces with such detail, consistency, insight, historical depth and geographic spread, the links between racism, capitalism and Christian theology. A brilliant piece of work.”—Walter Mignolo, Duke University
Cheryl Sanders
“How did Christianity become so closely identified with racial segregation and oppression? Jennings successfully addresses a question that others have taken for granted or left unanswered. This original and important book has the potential to change the way theology is done henceforth in America.”—Cheryl Sanders, Howard University
America - Nancy Hawkins
“Sensitively descriptive writing . . . This study lays out realities that must be honestly admitted.”
—Nancy Hawkins, America
Englewood Review of Books - Chris Smith
"[A] theological masterpiece."--Chris Smith, Englewood Review of Books
CHOICE - S. A. Johnson
"Jennings engages broad historical sources and cultural theory in uncommonly exquisite yet accessible prose. . . . This broadly conceived study promised to reconfigure the historical understanding of race, religion, and empire in the Americas and to stimulate theological reflection on Christian-Jew relations."—S. A. Johnson, CHOICE
Religious Studies Review - Jonathan Tran
“[An] astounding book...Jennings’s genius carries through...A highly textured instance of theology at its best.”—Jonathan Tran, Religious Studies Review
Englewood Review of Books - Chris Smith
"[A] theological masterpiece."—Chris Smith, Englewood Review of Books
Journal of Religion - Edward J. Blum
"Detailing the nooks and crannies of white supremacist Christianity, The Christian Imagination allows not only for greater sophistication when considering race and theology. It also points to possible cures to the disease so elegantly diagnosed."—Edward J. Blum, Journal of Religion
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Product Details

  • ISBN-13: 9780300171365
  • Publisher: Yale University Press
  • Publication date: 4/26/2011
  • Edition description: New Edition
  • Pages: 384
  • Sales rank: 460,246
  • Product dimensions: 5.70 (w) x 8.90 (h) x 0.90 (d)

Meet the Author

Willie James Jennings is Associate Professor of Theology and Black Church Studies at Duke Divinity School, where he previously served as academic dean. He lives in Durham, NC.

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Table of Contents

Acknowledgments ix

Introduction 1

Part I Displacement

1 Zurara's Tears 15

2 Acosta's Laugh 65

Part II Translation

3 Colenso's Heart 119

4 Equiano's Words 169

Part III Intimacy

5 White Space and Literacy 207

6 Those Near Belonging 250

Conclusion 289

Notes 295

Index 357

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