Christian Petzold
In eleven feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany. The best-known and most influential member of the Berlin School, Petzold's career reflects the trajectory of German film from 1970s New German Cinema to more popular fare in the 1990s and back again to critically engaged and politically committed filmmaking.

In the first book-length study on Petzold in English, Jaimey Fisher frames Petzold's cinema at the intersection of international art cinema and sophisticated genre cinema. This approach places his work in the context of global cinema and invites comparisons to the work of directors like Pedro Almodovar and Rainer Werner Fassbinder, who repeatedly deploy and reconfigure genre cinema to their own ends. These generic aspects constitute a cosmopolitan gesture in Petzold's work as he interprets and elaborates on cult genre films and popular genres, including horror, film noir, and melodrama. Fisher explores these popular genres while injecting them with themes like terrorism, globalization, and immigration, central issues for European art cinema. The volume also includes an extended original interview with the director about his work.
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Christian Petzold
In eleven feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany. The best-known and most influential member of the Berlin School, Petzold's career reflects the trajectory of German film from 1970s New German Cinema to more popular fare in the 1990s and back again to critically engaged and politically committed filmmaking.

In the first book-length study on Petzold in English, Jaimey Fisher frames Petzold's cinema at the intersection of international art cinema and sophisticated genre cinema. This approach places his work in the context of global cinema and invites comparisons to the work of directors like Pedro Almodovar and Rainer Werner Fassbinder, who repeatedly deploy and reconfigure genre cinema to their own ends. These generic aspects constitute a cosmopolitan gesture in Petzold's work as he interprets and elaborates on cult genre films and popular genres, including horror, film noir, and melodrama. Fisher explores these popular genres while injecting them with themes like terrorism, globalization, and immigration, central issues for European art cinema. The volume also includes an extended original interview with the director about his work.
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Christian Petzold

Christian Petzold

by Jaimey Fisher
Christian Petzold

Christian Petzold

by Jaimey Fisher

Paperback(1st Edition)

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Overview

In eleven feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany. The best-known and most influential member of the Berlin School, Petzold's career reflects the trajectory of German film from 1970s New German Cinema to more popular fare in the 1990s and back again to critically engaged and politically committed filmmaking.

In the first book-length study on Petzold in English, Jaimey Fisher frames Petzold's cinema at the intersection of international art cinema and sophisticated genre cinema. This approach places his work in the context of global cinema and invites comparisons to the work of directors like Pedro Almodovar and Rainer Werner Fassbinder, who repeatedly deploy and reconfigure genre cinema to their own ends. These generic aspects constitute a cosmopolitan gesture in Petzold's work as he interprets and elaborates on cult genre films and popular genres, including horror, film noir, and melodrama. Fisher explores these popular genres while injecting them with themes like terrorism, globalization, and immigration, central issues for European art cinema. The volume also includes an extended original interview with the director about his work.

Product Details

ISBN-13: 9780252079504
Publisher: University of Illinois Press
Publication date: 11/08/2013
Series: Contemporary Film Directors
Edition description: 1st Edition
Pages: 208
Product dimensions: 5.50(w) x 8.20(h) x 0.70(d)

About the Author

Jaimey Fisher is an associate professor of German and Cinema and Technocultural Studies at the University of California, Davis. He is the author of Disciplining Germany: Youth, Reeducation, and Reconstruction After the Second World War and the coeditor of Collapse of the Conventional: German Film and Its Politics at the Turn of the Twenty-First Century.

Table of Contents

Acknowledgments xi

A Ghostly Archeology: The Art-House Genre Cinema of Christian Petzold 1

Contexts 1 Biographical-Historical 6

Contexts 2 1990s and Post-2000 German Cinema 9

Petzold's Ghostly Archeology of Genre 11

Pilots (Pilotinnen) 20

Cuba Libre 28

The Sex Thief (Die Beischlafdiebin) 32

The State I Am In (Die innere Sicherheit) 38

Something to Remind Me (Toter Mann) 60

Wolfsburg 67

Ghosts (Gespenster) 78

Yella 97

Jerichow 118

Dreileben: Beats Being Dead (Dreileben: Etwas Besseres als den Tod) 131

Barbara 138

An Interview with Christian Petzold 147

Filmography 169

Bibliography 177

Index 189

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