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The Chronicles of Narnia Movie Tie-in Box Set (Featuring The Voyage of the Dawn Treader)

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Overview

Read The Chronicles of Narnia in its entirety with this seven book box set, containing mass market paperback editions of C. S. Lewis's classic fantasy series. The box features stills from the third Narnia movie, The Voyage of the Dawn Treader, and the books have cover art by Cliff Nielsen.

C. S. Lewis's The Chronicles of Narnia has captivated readers of all ages for over sixty years, enchanting them with a magical realm where worlds come and go at the toss of a ring, where boys ...

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Overview

Read The Chronicles of Narnia in its entirety with this seven book box set, containing mass market paperback editions of C. S. Lewis's classic fantasy series. The box features stills from the third Narnia movie, The Voyage of the Dawn Treader, and the books have cover art by Cliff Nielsen.

C. S. Lewis's The Chronicles of Narnia has captivated readers of all ages for over sixty years, enchanting them with a magical realm where worlds come and go at the toss of a ring, where boys and girls become kings and queens, where there are more talking creatures than people.

This box set includes all seven titles in The Chronicles of NarniaThe Magician's Nephew; The Lion, the Witch and the Wardrobe; The Horse and His Boy; Prince Caspian; The Voyage of the Dawn Treader; The Silver Chair; and The Last Battle—with the original black-and-white interior illustrations by Pauline Baynes.

The journey begins even before the Dawn Treader sets sail and ends long after its voyage, so don't miss out on any part of this definitive fantasy series of our time!

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Editorial Reviews

From Barnes & Noble
The Voyage of the Dawn Treader was the third Narnia book written by Lewis. Chronologically, it takes place between the event discribed in Prince Caspian and The Silver Chair.
School Library Journal
Gr 4-8-In the third book in C.S. Lewis's Chronicles of Narnia (but the fifth installment in Focus on the Family's Radio Theatre production), Edmund and Lucy Pevensy along with their bratty cousin, Eustace, are transported through a painting into Narnia where they join Prince Caspian on a voyage to the west. The children are tested on this voyage, and visit strange lands and encounter unusual creatures. Eustace is turned into a dragon, and then helped to return to human form by Aslan, the lion god. This outstanding full-cast dramatization adheres closely to the book's text. Recorded in London, actor Paul Scofield is the storyteller, and other parts are dramatically read by other British actors. The production features sound effects and background music, which sometimes becomes obtrusive. While adults might find the story a little dated at times and the religious elements somewhat heavy handed, children will not notice and will enjoy the story. This is a more complete version of the story than the excellent BBC production available from Bantam Audiobooks (1998).-Louise Sherman, formerly Anna C. Scott School, Leonia, NJ Copyright 2001 Cahners Business Information.
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Product Details

  • ISBN-13: 9780061992889
  • Publisher: HarperCollins Publishers
  • Publication date: 10/26/2010
  • Series: Chronicles of Narnia Series , #5
  • Pages: 1662
  • Sales rank: 53,942
  • Age range: 9 - 12 Years
  • Product dimensions: 4.30 (w) x 6.14 (h) x 4.30 (d)

Meet the Author

Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include Mere Christianity, Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics The Chronicles of Narnia. To date, the Narnia books have sold over one hundred million copies and have been transformed into three major motion pictures.

Clive Staples Lewis (1898-1963) fue uno de los intelectuales más importantes del siglo veinte y podría decirse que fue el escritor cristiano más influyente de su tiempo. Fue profesor particular de literatura inglesa y miembro de la junta de gobierno en la Universidad Oxford hasta 1954, cuando fue nombrado profesor de literatura medieval y renacentista en la Universidad Cambridge, cargo que desempeñó hasta que se jubiló. Sus contribuciones a la crítica literaria, literatura infantil, literatura fantástica y teología popular le trajeron fama y aclamación a nivel internacional. C. S. Lewis escribió más de treinta libros, lo cual le permitió alcanzar una enorme audiencia, y sus obras aún atraen a miles de nuevos lectores cada año. Sus más distinguidas y populares obras incluyen Las Crónicas de Narnia, Los Cuatro Amores, Cartas del Diablo a Su Sobrino y Mero Cristianismo.

Biography

C. S. Lewis was famous both as a fiction writer and as a Christian thinker, and his biographers and critics sometimes divide his personality in two: the storyteller and the moral educator, the "dreamer" and the "mentor." Yet a large part of Lewis's appeal, for both his audiences, lay in his ability to fuse imagination with instruction. "Let the pictures tell you their own moral," he once advised writers of children's stories. "But if they don't show you any moral, don't put one in. ... The only moral that is of any value is that which arises inevitably from the whole cast of the author's mind."

Storytelling came naturally to Lewis, who spent the rainy days of his childhood in Ireland writing about an imaginary world he called Boxen. His first published novel, Out of the Silent Planet, tells the story of a journey to Mars; its hero was loosely modeled on his friend and fellow Cambridge scholar J.R.R. Tolkien. Lewis enjoyed some popularity for his Space Trilogy (which continues in Perelandra and That Hideous Strength), but nothing compared to that which greeted his next imaginative journey, to an invented world of fauns, dwarfs, and talking animals -- a world now familiar to millions of readers as Narnia.

The Lion, the Witch and the Wardrobe, the first book of the seven-volume Chronicles of Narnia, began as "a picture of a Faun carrying an umbrella and parcels in a snowy wood," according to Lewis. Years after that image first formed in his mind, others bubbled up to join it, producing what Kate Jackson, writing in Salon, called "a fascinating attempt to compress an almost druidic reverence for wild nature, Arthurian romance, Germanic folklore, the courtly poetry of Renaissance England and the fantastic beasts of Greek and Norse mythology into an entirely reimagined version of what's tritely called 'the greatest story ever told.'"

The Chronicles of Narnia was for decades the world's bestselling fantasy series for children. Although it was eventually superseded by Harry Potter, the series still holds a firm place in children's literature and the culture at large. (Narnia even crops up as a motif in Jonathan Franzen's 2001 novel The Corrections). Its last volume appeared in 1955; in that same year, Lewis published a personal account of his religious conversion in Surprised by Joy. The autobiography joined his other nonfiction books, including Mere Christianity, The Screwtape Letters, and The Great Divorce, as an exploration of faith, joy and the meaning of human existence.

Lewis's final work of fiction, Till We Have Faces, came out in 1956. Its chilly critical reception and poor early sales disappointed Lewis, but the book's reputation has slowly grown; Lionel Adey called it the "wisest and best" of Lewis's stories for adults. Lewis continued to write about Christianity, as well as literature and literary criticism, for several more years. After his death in 1963, The New Yorker opined, "If wit and wisdom, style and scholarship are requisites to passage through the pearly gates, Mr. Lewis will be among the angels."

Good To Know

The imposing wardrobe Lewis and his brother played in as children is now in Wheaton, Illinois, at the Wade Center of Wheaton College, which also houses the world's largest collection of Lewis-related documents, according to The Christian Science Monitor.

The 1994 movie, Shadowlands, based on the play of the same name, cast Anthony Hopkins as Lewis. It tells the story of his friendship with, and then marriage to, an American divorcee named Joy Davidman (played by Debra Winger), who died of cancer four years after their marriage. Lewis's own book about coping with that loss, A Grief Observed, was initially published under the pseudonym N. W. Clerk.

Several poems, stories, and a novel fragment published after Lewis's death have come under scrutiny as possible forgeries. On one side of the controversy is Walter Hooper, a trustee of Lewis's estate and editor of most of his posthumous works; on the other is Kathryn Lindskoog, a Lewis scholar who began publicizing her suspicions in 1988. Scandal or kooky conspiracy theory? The verdict's still out among readers.

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    1. Also Known As:
      Clive Staples Lewis (real name); Clive Hamilton, N.W. Clerk, Nat Whilk; called "Jack" by his friends
    1. Date of Birth:
      November 29, 1898
    2. Place of Birth:
      Belfast, Nothern Ireland
    1. Date of Death:
      November 22, 1963
    2. Place of Death:
      Headington, England

Read an Excerpt

Chapter Eight

Two Narrow Escapes

Everyone was cheerful as the Dawn Treader sailed from Dragon Island. They had fair winds as soon as they were out of the bay and came early the next morning to the unknown land which some of them had seen when flying over the mountains while Eustace was still a dragon. It was a low green island inhabited by nothing but rabbits and a few goats, but from the ruins of stone huts, and from blackened places where fires had been, they judged that it had been peopled not long before. There were also some bones and broken weapons.

"Pirates' work," said Caspian.

"Or the dragon's," said Edmund.

The only other thing they found there was a little skin boat, or coracle, on the sands. It was made of hide stretched over a wicker framework. It was a tiny boat, barely four feet long, and the paddle which still lay in it was in proportion. They thought that either it had been made for a child or else that the people of that country had been dwarfs. Reepicheep decided to keep it, as it was just the right size for him; so it was taken on board. They called that land Burnt Island, and sailed away before the noon.

For some five days they ran before a south-south-east wind, out of sight of all lands and seeing neither fish nor gull. Then they had a day when it rained hard till the afternoon. Eustace lost two games of chess to Reepicheep and began to get like his old and disagreeable self again, and Edmund said he wished they could have gone to America with Susan. Then Lucy looked out of the stern windows and said:

"Hullo! I do believe it's stopping. And what's that?"

They all tumbled up to the poop atthis and found that the rain had stopped and that Drinian, who was on watch, was also staring hard at something astern. Or rather, at several things. They looked a little like smooth rounded rocks, a whole line of them with intervals of about forty feet in between.

"But they can't be rocks," Drinian was saying, "because they weren't there five minutes ago."

"And one's just disappeared," said Lucy.

"Yes, and there's another one coming up," said Edmund.

"And nearer," said Eustace.

"Hang it!" said Caspian. "The whole thing is moving this way."

"And moving a great deal quicker than we can sail, Sire," said Drinian. "It'll be up with us in a minute."

They all held their breath, for it is not at all nice to be pursued by an unknown something either on land or sea. But what it turned out to be was far worse than anyone had suspected. Suddenly, only about the length of a cricket pitch from their port side, an appalling head reared itself out of the sea. It was all greens and vermilions with purple blotches — except where shellfish clung to it — and shaped rather like a horse's, though without ears. It had enormous eyes, eyes made for staring through the dark depths of the ocean, and a gaping mouth filled with double rows of sharp fish-like teeth. It came up on what they first took to be a huge neck, but as more and more of it emerged, everyone knew that this was not its neck but its body and that at last they were seeing what so many people have foolishly wanted to see — the great Sea Serpent. The folds of its gigantic tail could be seen far away, rising at intervals from the surface. And now its head was towering up higher than the mast.

Every man rushed to his weapon, but there was nothing to be done, the monster was out of reach. "Shoot! Shoot!" cried the Master Bowman, and several obeyed, but the arrows glanced off the Sea Serpent's hide as if it were iron-plated. Then, for a dreadful minute, everyone was still, staring up at its eyes and mouth and wondering where it would pounce.

But it didn't pounce. It shot its head forward across the ship on a level with the yard of the mast. Now its head was just beside the fighting top. Still it stretched and stretched till its head was over the starboard bulwark. Then down it began to come — not onto the crowded deck but into the water, so that the whole ship was under an arch of serpent. And almost at once that arch began to get smaller — indeed on the starboard the Sea Serpent was now almost touching the Dawn Treader's side.

Eustace (who had really been trying very hard to behave well, till the rain and the chess put him back) now did the first brave thing he had ever done. He was wearing a sword that Caspian had lent him. As soon as the serpent's body was near enough on the starboard side he jumped onto the bulwark and began hacking at it with all his might. It is true that he accomplished nothing beyond breaking Caspian's second-best sword into bits, but it was a fine thing for a beginner to have done.

Others would have joined him if at that moment Reepicheep had not called out, "Don't fight! Push!" It was so unusual for the Mouse to advise anyone not to fight that, even in that terrible moment, every eye turned to him. And when he jumped up onto the bulwark, forward of the snake, and set his little furry back against its huge scaly, slimy back, and began pushing as hard as he could, quite a number of people saw what he meant and rushed to both sides of the ship to do the same. And when, a moment later, the Sea Serpent's head appeared again, this time on the port side, and this time with its back to them, then everyone understood.

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