Chuck Close

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Overview

For the past 30 years, American artist Chuck Close (b. 1940) has concentrated on essentially one subject: the human face. This volume, the most comprehensive assessment of Close's work yet published, includes portraits of Robert Rauschenberg, Roy Lichtenstein, Alex Katz, Lucas Samaras, and others. It accompanies a mid-career retrospective opening at The Museum of Modern Art, New York in February 1998.

This is the first monograph on the work of the photorealist whose ...

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1998 Hardcover New 0810961849. Flawless copy, brand new, pristine, never opened--224 pages, 188 illus., (113 in color), 4to.

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More About This Book

Overview

For the past 30 years, American artist Chuck Close (b. 1940) has concentrated on essentially one subject: the human face. This volume, the most comprehensive assessment of Close's work yet published, includes portraits of Robert Rauschenberg, Roy Lichtenstein, Alex Katz, Lucas Samaras, and others. It accompanies a mid-career retrospective opening at The Museum of Modern Art, New York in February 1998.

This is the first monograph on the work of the photorealist whose huge portraits shocked the art world of the 1970's.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Close's enormous, head-on portraits make us acutely aware that objectivity is a pose. Recently, this photo-realist painter has branched out in different directions. His Polaroid photographs of nudesover-lifesize, multipanel assemblagesare anatomically detailed yet erotically neutral. Their relaxed subjects are presented warmly instead of clinically, as we had come to expect of his work; some of them even smile. Gargantuan, multidot paintings reminiscent of Seurat's pointillist style smudge their way toward realism. Close's recent pictures of his daughter and his friends combine a soft, impressionistic surface with an ultrarealist attitude. With some 250 illustrations (50 in color), this monograph consists of two essays, both of which argue that Close has at least as much in common with conceptualism and minimalism as with photo-realism. Lyons is the author of Close Portraits, Storr of Philip Guston. (September 9)
Library Journal
This well-produced, standard-format catalog is appropriately direct in summing up the career of one of America's great contemporary painters. For three decades Close has painted one subject -- the human head -- in a strikingly immediate, deceptively dispassionate manner. In the 27 years since his first museum show, he has struggled to overcome the label of photorealist, and the subtle but constant evolution demonstrated in this retrospective should finally prove that he never really belonged in that particular school. Instead, a man concerned with the vagaries of paint and its application, with the process of seeing, and with the creative process is what emerges from the 60 extremely rich reproductions, the three essays by Museum of Modern Art curators, and the candid interview. Complete end matter closes the volume. A perfect complement to John Guare's more personal account of Close's paralysis, Chuck Close (LJ 2/15/96), this is recommended for all but the smallest libraries. Eric Bryant, Library Journal Danzker, Jo-Anne Birnie.
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Product Details

  • ISBN-13: 9780810961845
  • Publisher: Abrams, Harry N., Inc.
  • Publication date: 4/15/1998
  • Series: Museum of Modern Art Book Ser.
  • Pages: 224
  • Product dimensions: 10.18 (w) x 12.57 (h) x 1.12 (d)

Table of Contents

Foreword 19
Chuck Close: Angles of Refraction 20
Chuck Close Then and Now 60
Changing Expressions: Printmaking 70
Interview with Chuck Close 84
Plates 102
Chronology 202
Bibliography 212
Exhibition History 216
Photograph Credits 221
Acknowledgments 222
Lenders to the Exhibition 223
Trustees of The Museum of Modern Art 224
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