The Cider House Rules: A Screenplay

The Cider House Rules: A Screenplay

by John Irving
     
 
This acadamy-award winning screenplay by John Irving was written over a fourteen year period and is the companion screenplay to the Miramax film, co-starring Michael Caine, who won the Acadmy Award for Best Supporting Actor for his role as Dr.Wilbur Larch.

The Cider House Rules is set in rural Maine in the first half of this century. It tells the story of Homer

Overview

This acadamy-award winning screenplay by John Irving was written over a fourteen year period and is the companion screenplay to the Miramax film, co-starring Michael Caine, who won the Acadmy Award for Best Supporting Actor for his role as Dr.Wilbur Larch.

The Cider House Rules is set in rural Maine in the first half of this century. It tells the story of Homer Wells, an orphan who is raised and mentored by Wilbur Larch, the doctor at the orphanage. Dr. Larch teaches Homer eveything about medicine. Yet though his capacity for kindness is saintly, Larch is also an ether addict. He and Homer come into conflict, which is typical of many father-son relationships, but in this case, their conflict is intensified by their disagreements about abortion. The result is Homer leaves the only family he has ever known.

Homer's new life provides more excitement than he could have imagined, especially when he falls in love for the first time. But, when forced to make decisions that will change the course of his future, Homer finally realizes that he can't escape his past. The Cider House Rules is ultimately about the choices we make and the rules that are meant to be broken.

Editorial Reviews

bn.com
It has been said before, and it shall be said 1,000 times again: John Irving is the American Dickens. Rich in characterization, epic in scope, The Cider House Rules is the heart-wrenching story of orphan Homer Wells and his guardian, Dr. Wilbur Larch. With nods of affection to both David Copperfield and Jane Eyre, Irving's novel follows Homer on his journey from innocence to experience, brilliantly depicting the boy's struggle to find his place in the world. Irving also wrote an Oscar-winning screenplay for the 1999 film adaptation of the novel that starred Michael Caine, Tobey Maguire, and Charlize Theron.

Product Details

ISBN-13:
9780786885237
Publisher:
Miramax Books
Publication date:
12/10/1999
Pages:
192
Product dimensions:
6.10(w) x 9.21(h) x 0.55(d)

Read an Excerpt

Chapter One — The Boy Who Belonged to St. Cloud’s


In the hospital of the orphanage-the boys’ division at St. Cloud’s, Maine-two nurses were in charge of naming the new babies and checking that their little penises were healing from the obligatory circumcision. In those days (in 192_), all boys born at St. Cloud’s were circumcised because the orphanage physician had experienced some difficulty in treating uncircumcised soldiers, for this and for that, in World War I. The doctor, who was also the doctor of the boys’ division, was not a religious man; circumcision was not a rite with him-it was a strictly medical act, performed for hygienic reasons. His name was Wilbur Larch, which, except for the scent of ether that always accompanied him, reminded one of the nurses of the tough, durable wood of the coniferous tree of that name. She hated, however, the ridiculous name of Wilbur, and took offense at the silliness of combining a word like Wilbur with something as substantial as a tree.

The other nurse imagined herself to be in love with Dr. Larch, and when it was her turn to name a baby, she frequently named him John Larch, or John Wilbur (her father’s name was John), or Wilbur Walsh (her mother’s maiden name had been Walsh). Despite her love for Dr. Larch, she could not imagine Larch as anything but a last name-and when she thought of him, she did not think of trees at all. For its flexibility as a first or as a last name, she loved the name of Wilbur-and when she tired of her use of John, or was criticized by her colleague for overusing it, she could rarely come up with anything more original than a Robert Larch or aJack Wilbur (she seemed not to know that Jack was often a nickname for John).

If he had been named by this dull, love-struck nurse, he probably would have been a Larch or a Wilbur of one kind or another; and a John, a Jack, or a Robert-to make matters even duller. Because it was the other nurse’s turn, he was named Homer Wells.

The other nurse’s father was in the business of drilling wells, which was hard, harrowing, honest, precise work-to her thinking her father was composed of these qualities, which lent the word “wells” a certain deep, down-to-earth aura. “Homer” had been the name of one of her family’s umpteen cats.

This other nurse-Nurse Angela, to almost everyone-rarely repeated the names of her babies, whereas poor Nurse Edna had named three John Wilbur Juniors, and two John Larch the Thirds. Nurse Angela knew an inexhaustible number of no-nonsense nouns, which she diligently employed as last names-Maple, Fields, Stone, Hill, Knot, Day, Waters (to list a few)-and a slightly less impressive list of first names borrowed from a family history of many dead but cherished pets (Felix, Fuzzy, Smoky, Sam, Snowy, Joe, Curly, Ed and so forth).

For most of the orphans, of course, these nurse-given names were temporary. The boys’ division had a better record than the girls’ division at placing the orphans in homes when they were babies; too young ever to know the names their good nurses had given them; most of the orphans wouldn’t even remember Nurse Angela or Nurse Edna, the first women in the world to fuss over them. Dr. Larch made it a firm policy that the orphans’ adoptive families not be informed of the names the nurses gave with such zeal. The feeling at St. Cloud’s was that a child, upon leaving the orphanage, should know the thrill of a fresh start-but (especially the boys who were difficult to place and lived at St. Cloud’s the longest) it was hard for Nurse Angela and Nurse Edna, and even for Dr. Larch, not to think of their John Wilburs and John Larches (their Felix Hills, Curly Maples, Joe Knots, Smoky Waterses) as possessing their nurse-given names forever.

The reason Homer Wells kept his name was that he came back to St. Cloud’s so many times, after so many failed foster home, that the orphanage was forced to acknowledge Homer’s intention to make St. Cloud’s his home. It was not easy for anyone to accept, but Nurse Angela and Nurse Edna-and, finally, Dr. Wilbur Larch-were forced to admit that Homer Wells belonged to St. Cloud’s. The determined boy was not put up for adoption anymore.

Nurse Angela, with her love of cats and orphans, once remarked of Homer Wells that the boy must adore the name she gave him because he fought so hard not to lose it.


From the Paperback edition.

Copyright 1997 by John Irving

What People are saying about this

Christopher Lehmann-Haupt
The point {of the novel] which is driven home with the sledgehammer effect that John Irving usually uses -- is that there are always multiple sets of rules for a given society. . . .Actually, this is a sharper point than Mr. Irving has made in any of his previous five novels. . . .[Cider House Rules is] funny and absorbing, and it makes clever use of the plot's seeming predictability. -- The New York Times

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