Cimarron Rose (Billy Bob Holland Series #1)

Cimarron Rose (Billy Bob Holland Series #1)

3.8 5
by James Lee Burke
     
 

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Texas attorney and former Texas Ranger Billy Bob Holland has many secrets. Among them is Vernon Smother's son, Lucas, a now-teenaged boy about whom few know the truth -- Lucas is really Billy Bob's illegitimate son. When Lucas is arrested for murder, Billy Bob must confront the past and serve as the boy's criminal attorney.

Billy Bob knows the propensity

Overview

Texas attorney and former Texas Ranger Billy Bob Holland has many secrets. Among them is Vernon Smother's son, Lucas, a now-teenaged boy about whom few know the truth -- Lucas is really Billy Bob's illegitimate son. When Lucas is arrested for murder, Billy Bob must confront the past and serve as the boy's criminal attorney.

Billy Bob knows the propensity of the town, Deaf Smith, Texas, to make scapegoats out of the innocent and to exploit and sexually use the powerless. During Lucas's trial, Billy Bob realizes that he will have to bring injury upon Lucas as well as himself in order to save his son. As a result, Billy Bob incurs enemies that are far more dangerous than any he faced as a Texas Ranger.

With the same electric language and hard-edged style that brought James Lee Burke's Dave Robicheaux novels to the forefront of American crime fiction, Cimarron Rose explodes with a new, evocative setting that will establish Billy Bob Holland as James Lee Burke's next great character.

Editorial Reviews

Library Journal
Burke gives the beloved Dave Robicheaux (e.g., Cadillac Jukebox, LJ 8/96) a vacation and shines his talent on the vast, brooding beauty and inbred violence of rural Texas. Texas Ranger-turned-lawyer Billy Bob Holland must defend his illegitimate son, Lucas Smothers, on a murder rap. Billy Bob knows that backwater Deaf Smith, Texas, will eat Lucas for lunchespecially the East Enders, the town's pocket of elite kids. He mounts his defense with sporadic help from sexy cop/possible federal agent Mary Beth Sweeney. Some uniquely Southern weirdos wind up in Lucas's and Billy Bob's orbit, including newly freed and ax-grinding con Garland T. Moon. Along with an evocative sense of place rendered in the Burke tradition, Billy Bob's humanity suffuses every page with a warm, golden glow. Readers will undoubtedly fall for him as he lassos a child abuser in the center of town and argues with the ghost of his slain Ranger partner. Highly recommended. [Previewed in Prepub Alert, LJ 4/1/97.]Susan A. Zappia, Maricopa Cty. Lib. Dist., Phoenix
Alan Ryan
Burke writes popular fiction that is so well crafted, so well written, and so intelligent that it soars above other fiction of its type and into the realm of high art. -- The Atlanta Journal Constitution
Charles Champlin
James Lee Burke is one of the best writers of crime fiction in America. His prose is an uncommon mixture of taut realism and chaotic eloquence. -- Los Angeles Times
Kirkus Reviews
You can take Burke out of Louisiana's Iberia Parish (Cadillac Jukebox, 1996, etc.), but you can't take Iberia out of Burke, as this tangled tale of Texas murder and memory makes wondrously clear.

Without his résumé in front of you, you could never tell lawyer Billy Bob Holland (ex-Texas Ranger, ex-assistant US attorney) from Iberia's Dave Robicheaux. Billy Bob's passion for justice, like Dave's, is constantly battling the other passions that have engendered an unacknowledged son, Lucas Smothers, and that keep sending him into battle armed with more than his legal briefs. When Lucas is arrested for raping and murdering Roseanne Hazlitt, there's no question but that Billy Bob will defend him; the only question is how far he'll go. Ranged against Lucas are dyslexic, psychopathic Darl Vanzandt, the spoiled son of a wealthy East End millionaire; Garland T. Moon, the rabid jailmate whose off-the-record confession to a California murder Lucas overhears from his neighboring cell; and just about every law enforcement official resident in Deaf Smith, Texas, from smarmy jailer Harley Sweet to Mexican drug agent Felix Ringo. Burke saves Lucas's murder trial for the end, but the real action takes place long beforehand, as Billy Bob goes head to head with Ringo, Moon, the Vanzandts, two sheriffs, and his own defense witnesses. Each confrontation, as in the Dave Robicheaux novels, is engorged by the hero's overwhelming memories of his own family's involvement with evil: his father's violent death; his great- grandfather's spectral romance with Jennie, the outlaw Rose of Cimarron; and his own accidental killing of L.Q. Navarro, the Ranger partner who haunts his daily rounds as if he hadn't been dead 11 years. Other riddles about the past keep the pot boiling so furiously it's a wonder Burke can get it to the table.

All the roiling intensity of the Robicheaux stories. Even the ragged ends make other mystery novels look anemic.

Product Details

ISBN-13:
9780786889303
Publisher:
Hachette Books
Publication date:
02/28/1999
Series:
Billy Bob Holland Series, #1
Pages:
416
Product dimensions:
4.25(w) x 6.75(h) x 0.84(d)

Read an Excerpt

Cimarron Rose


  • CHAPTER

    ONE

    MY GREAT-GRANDFATHER WAS Sam Morgan Holland, a drover who trailed cows up the Chisholm from San Antonio to Kansas. Most of his life Greatgrandpa Sam fought whiskey and Indians and cow thieves and with some regularity watched gully washers or dry lightning spook his herds over half of Oklahoma Territory.

    Whether it was because of busthead whiskey or just the bad luck to have lost everything he ever worked for, he railed at God and the human race for years and shot five or six men in gun duels. Then one morning, cold sober, he hung his chaps and clothes and Navy Colt revolvers on a tree and was baptized by immersion in the Guadalupe River. But Greatgrandpa Sam found no peace. He sat each Sunday on the mourners’ bench at the front of the congregation in a mud-chinked Baptist church, filled with an unrelieved misery he couldn’t explain. One month later he decided to ride to San Antonio and kill his desire for whiskey in the only way he knew, and that was to drink until he murdered all the warring voices inside his head.

    On the trail he met a hollow-eyed preacher whose face had been branded with red-hot horseshoes by ­Comanches north of the Cimarron. The preacher made Sam kneel with him in a brush arbor, then unexpectedly grasped Sam’s head in his hands and ordained him. Without speaking again he propped his Bible against Sam’s rolled slicker and disappeared over a hill into a dust cloud and left no tracks on the other side.

    For the rest of his life, Great-grandpa Sam preached out of the saddle in the same cow camps his herds had trampled into shredded canvas and splintered wagon boards when he was a drover.

    His son, Hackberry, who was also known in our family as Grandpa Big Bud, was a Texas Ranger who chased Pancho Villa into Old Mexico. As a young lawman he locked John Wesley Hardin in the county jail and was still wearing a badge decades later when he stuffed Clyde Barrow headfirst down a trash can in a part of Dallas once known as “The Bog.”

    But Grandpa Big Bud always made sure you knew he was not at Arcadia, Louisiana, when Bonnie Parker and Clyde were trapped inside their car by Texas Rangers and sawed apart with Browning automatic rifles and Thompson .45 submachine guns.

    “You don’t figure they had it coming?” I once asked him.

    “People forget they wasn’t much more than kids. You cain’t take a kid down without shooting him a hundred times, you’re a pisspoor Ranger in my view,” he said.

    My grandfather and his father were both violent men. Their eyes were possessed of a peculiar unfocused light that soldiers call the thousand-yard stare, and the ghosts of the men they had killed visited them in their sleep and stood in attendance by their deathbeds. When I was a young police officer in Houston, I swore their legacy would never be mine.

    But if there are drunkards in your family, the chances are you will drink from the same cup as they. The war that can flare in your breast with each dawn doesn’t always have to come from a charcoal-lined barrel.

    I LIVED ALONE in a three-story late-Victorian house built of purple brick, twenty miles from the little town of Deaf Smith, the county seat. The house had a second-story veranda and a wide, screened-in gallery, the woodwork painted a gleaming white. The front and back yards were enclosed by poplar trees and myrtle bushes and the flower beds planted with red and yellow roses.

    I made sun tea in big jars on the gallery, grilled steaks for friends under the chinaberry tree in the backyard, and sometimes cane-fished with a bunch of Mexican children in the two-acre tank, or lake, at the back of my farm. But at night my footsteps rang off the oak and mahogany woodwork inside my house like stones dropped down an empty well.

    The ghosts of my ancestors did not visit me. The ghost of another man did. His name was L.Q. Navarro. In life he was the most handsome man I ever knew, with jet black hair and wide shoulders and skin as brown and smooth as newly dyed leather. When he appeared to me he wore the clothes he had died in, a dark pinstriped suit and dusty boots, a floppy gray Stetson, a white shirt that glowed like electrified snow. His hand-tooled gunbelt and holstered revolver hung on his thigh like a silly afterthought. Through the top buttonhole of his shirt he had inserted the stem of a scarlet rose.

    Sometimes he disappeared into sunlight, his form breaking into millions of golden particles. At other times I did pro bono work on hopeless defenses, and my spectral visitor declared a temporary amnesty and waited patiently each night by himself among the mesquite trees and blackjack oaks on a distant hillside.

    The phone rang at 10 A.M. on a Sunday morning in April.

    “They got my boy in the jailhouse. I want him out,” the voice said.

    “Is that you, Vernon?”

    “No, it’s the nigger in the woodpile.”

    Vernon Smothers, the worst business mistake in my life. He farmed seventy acres of my land on shares, and I had reached a point where I was almost willing to pay him not to come to work.

    “What’s he charged with?” I asked.

    I could hear Vernon chewing on something—a piece of hard candy, perhaps. I could almost see the knotted thoughts in his eyes as he looked for the trap he always found in other people’s words.

    “Vernon?”

    “He was drunk again. Down by the river.”

    “Call a bondsman.”

    “They made up some lies . . . They’re saying he raped a girl down there.”

    “Where’s the girl?”

    “At the hospital. She ain’t conscious so she cain’t say who done it. That means they ain’t got no case. Ain’t that right?”

    “I want a promise from you . . . If I get him out, don’t you dare put your hand on him.”

    “How about you just mind your own goddamn business, then?” he said, and hung up.

    THE COUNTY COURTHOUSE was built of sandstone, surrounded by a high-banked green lawn and live-oak trees whose tops touched the third story. The jailer was named Harley Sweet and his mouth always hung partly open while you spoke, as though he were patiently trying to understand your train of thought. But he was not an understanding man. When he was a deputy sheriff, many black and Mexican men in his custody never reached the jail. Nor thereafter did they stay on the same sidewalk as he when they saw him coming in their direction.

    “You want to see Lucas Smothers, do you? We feed at twelve-thirty. Better come back after then,” he said. He slapped a fly on his desk with a horse quirt. He looked at me, slack-jawed, his eyes indolent, waiting God knows for what.

    “If that’s the way you want it, Harley. But from this moment on, he’d better not be questioned unless I’m present.”

    “You’re representing him?”

    “That’s correct.”

    He got up from his desk, opened a door with a frosted glass window in it, and went inside an adjoining office. He came back with a handful of Polaroid pictures and dropped them on his desk.

    “Check out the artwork. That’s what she looked like when he got finished with her. She had semen in her vagina and he had it inside his britches. She had skin under her fingernails and he has scratches on his body. I cain’t imagine what the lab will say. You can really pick your cases, Billy Bob,” he said.

    “Where was she?”

    “Thirty yards from where he was passed out.” He started to drink out of his coffee cup, then set it back down. His silver snap-button cowboy shirt shimmered with light. “Oh hell, you want to spend your Sunday morning with a kid cain’t tell the difference between shit and bean dip, I’ll call upstairs. You know where the elevator’s at.”

    WHEN OTHER BOYS in high school played baseball or ran track, Lucas Smothers played the guitar. Then the mandolin, banjo, and Dobro. He hung in black nightclubs, went to camp meetings just for the music, and ran away from home to hear Bill Monroe in Wichita, Kansas. He could tell you almost any detail about the careers of country musicians whose names belonged to a working-class era in America’s musical history that had disappeared with five-cent Wurlitzer jukeboxes—Hank and Lefty, Kitty Wells, Bob Wills, the Light Crust Dough Boys, Rose Maddox, Patsy Montana, Moon Mullican, Texas Ruby.

    His hands were a miracle to watch on a stringed instrument. But in his father’s eyes, they, like Lucas himself, were not good for anything of value.

    When he was sixteen Vernon caught him playing triple-neck steel in a beer joint in Lampasas and beat him so unmercifully with a razor strop in the front yard that a passing truck driver climbed out of his cab and pinned Vernon’s arms to his sides until the boy could run next door.

    Lucas sat shirtless in blue jeans and a pair of scuffed cowboy boots on the edge of a bunk in a narrow cell layered with jailhouse graffiti. His face was gray with hangover and fear, his reddish blond hair spongy with sweat. His snap-button western shirt lay at his feet. It had blue-and-white checks in it, and white cloth in the shoulders with tiny gold trumpets stitched in it. He had paid forty dollars for the shirt when he had first joined the band at Shorty’s.

    “How you feel?” I asked, after the turnkey locked the solid iron door behind me.

    “Not too good.” His wrists were thick, his wide hands cupped on top of his knees. “They tell you about the girl . . . I mean, like how’s she doing?”

    “She’s in bad shape, Lucas. What happened?”

    “I don’t know. We left Shorty’s, you know, that joint on the river. We was kind of making out in my truck . . . I remember taking off my britches, then I don’t remember nothing else.”

    I sat down next to him on the bunk. It was made of cast iron and suspended from the wall by chains. A thin mattress covered with brown and yellow stains fit inside the rectangular rim. I picked up his hands in mine and turned them over, then pressed my thumb along his finger joints, all the time watching for a flinch in his face.

    “A lady’s going to come here this afternoon to photograph your hands. In the meantime don’t you do anything to bruise them,” I said. “Who’s the girl?”

    “Her name’s Roseanne. That’s all she told me. She come in with a mess of other people. They run off and left her and then her and me got to knocking back shots. I wouldn’t rape nobody, Mr. Holland. I wouldn’t beat up a girl, either,” he said.

    “How do you know?”

    “Sir?”

    “You don’t remember what you did, Lucas . . . Look at me. Don’t sign anything, don’t answer any of their questions, don’t make a statement, no matter what they promise you. You with me?”

    “My father got you to come down here?”

    “Not exactly.”

    His blue eyes lingered on mine. They were bloodshot and full of pain, but I could see them trying to reach inside my mind.

    “You need a friend. We all do at one time or another,” I said.

    “I ain’t smart but I ain’t stupid, either, Mr. Holland. I know about you and my mother. I don’t study on it. It ain’t no big deal to me.”

    I stood up from the bunk and looked out the window. Down the street people were coming out of a brick church with a white steeple, and seeds from cottonwood trees were blowing in the wind and I could smell chicken frying in the back of a restaurant.

    “You want me to represent you?” I said.

    “Yes, sir, I’d sure appreciate it.”

    He stared emptily at the floor and didn’t look up again.

    I STOPPED AT Harley’s office downstairs.

    “I’ll be back for his arraignment,” I said.

    “Why’d he have to beat the shit out of her?”

    “He didn’t.”

    “I guess he didn’t top her, either. She probably artificially inseminated herself.”

    “Why don’t you shut up, Harley?”

    He rubbed his chin with the ball of his thumb, a smile at the corner of his mouth, his eyes wandering indolently over my face.

    Outside, as I got into my Avalon, I saw him crossing the courthouse lawn toward me, the sunlight through the trees freckling on his face. I closed my car door and waited. He leaned one arm on the roof, a dark loop of sweat under his armpit, and smiled down at me, his words gathering in his mouth.

    “You sure know how to stick it up a fellow’s snout, Billy Bob. I’ll surely give you that, yessir. But at least I ain’t killed my best friend and I don’t know anybody else who has. Have a good day,” he said.

  • Meet the Author

    James Lee Burke, a rare winner of two Edgar Awards, and named Grand Master by the Mystery Writers of America, is the author of more than thirty previous novels and two collections of short stories, including such New York Times bestsellers as Light of the World, Creole Belle, Swan Peak, The Tin Roof Blowdown, and Feast Day of Fools. He lives in Missoula, Montana.

    Brief Biography

    Hometown:
    New Iberia, Louisiana and Missoula, Montana
    Date of Birth:
    December 5, 1936
    Place of Birth:
    Houston, Texas
    Education:
    B.A., University of Missouri, 1959; M.A., University of Missouri, 1960
    Website:
    http://www.jamesleeburke.com/

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    Cimarron Rose (Billy Bob Holland Series #1) 3.8 out of 5 based on 0 ratings. 5 reviews.
    Guest More than 1 year ago
    Cimarron Rose is a typically offbeat James Lee Burke tale, set in the small town of Deaf Smith, Texas. Defense attorney, Billy Bob Holland, is asked to take on the cases of two young men, and soon finds himself in the middle of a complex set of corrupt relationships that will not be sorted out unless he does it. The book has a fascinating story within a story delivered in the form of a journal inherited from his Great-grandpa Sam that Billy Bob reads almost daily while pursuing the case. The book has fascinating characters whose evil, blindness, and carelessness make the story develop in unexpected ways. Although the book has much violence in it, there is a genuine attempt to keep the violence within some sort of limits that makes the book more appealing. I like books that feature significant character development, and this one does an exemplary job with Billy Bob and Lucas Smothers, who is accused of a rape and murder. These two men are very complicated but in a way that will draw you in, and cause you to root for them to keep following their ideals and dreams. The backdrop is a crooked town, in a corrupt county, with lots of bent government types running around. Although probably no worse than a lot of other places, this book is about a sort of Texas Sodom and Gomorrah. There is a need for someone to do more than what is required, and Billy Bob takes on that role. You will find those who are satisfied with their wealthy lives just as culpable as those who are totally corrupt. Fans of the Dave Robicheaux novels will find this one follows the general approach of those rich, complex stories. Clearly, Billy Bob is a fellow who operates well outside the law, a sort of modern day Lone Ranger. At the same time, he can barely keep himself from going off the deep end mentally. As a result, he is sort of like a ticking time bomb, and you keep expecting him to go off. And he does. The plot culminates in a trial that presents the kind of unexpected developments that you will recognize from Perry Mason stories. After you finish reading this novel, you should think about when you should follow God's law, when men's laws, and when your own conscience. How would you have handled the dilemmas presented here for Billy Bob and Lucas? How could they have handled them better? Live in the present and make a pathway for good! Donald Mitchell, co-author of The Irresistible Growth Enterprise and The 2,000 Percent Solution
    Anonymous More than 1 year ago
    In my opinion not u p to Burke's usual Dave Robicheau stories. His "Holland" series is better but Robicheau is the best. All of his characters share certain pasts. They are alcoholic, have made mistakes and are haunted by ghosts. Plays well in Robicheau but becomes a little self-plagerous on the others.
    Anonymous More than 1 year ago
    Disappointing I didn't like the over detailed description of the environment and the dialogue was too red neck, which is a shame because the author has created some interesting characters.
    Guest More than 1 year ago
    Once I started this story and never having become familiar with Mr. Burke's work. I found myself indulging in the atmosphere he so artistically lays out of the south. His characters are real and vivid. I never new what course the story was going to take. Some of the twist caught me off guard although in a pleasant sort of way. He is a maste at setting the tone of a richly detailed crime story of the south. This story is fully rewarding of the award it recieved and Mr. Burke is one the best in the history of this genre.
    Anonymous More than 1 year ago
    All I can say, is I've read the first 14 of the Dave Robicheaux series, and just started the Billy Bob Holland series....no matter how large the character or how small - Burke writes each character with such intensity - and so human. I honestly couldn't wait to get home from work this evening to finish the book....