Cinema, Philosophy, Bergman: On Film as Philosophy

Cinema, Philosophy, Bergman: On Film as Philosophy

by Paisley Livingston
     
 

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ISBN-10: 0199655146

ISBN-13: 9780199655144

Pub. Date: 05/18/2012

Publisher: Oxford University Press

The increasingly popular idea that cinematic fictions can "do" philosophy raises some difficult questions. Who is actually doing the philosophizing? Is it the philosophical commentator who reads general arguments or theories into the stories conveyed by a film? Could it be the filmmaker, or a group of collaborating filmmakers, who raise and try to answer

Overview

The increasingly popular idea that cinematic fictions can "do" philosophy raises some difficult questions. Who is actually doing the philosophizing? Is it the philosophical commentator who reads general arguments or theories into the stories conveyed by a film? Could it be the filmmaker, or a group of collaborating filmmakers, who raise and try to answer philosophical questions with a film? Is there something about the experience of films that is especially suited to the stimulation of worthwhile philosophical reflections? In the first part of this book, Paisley Livingston surveys positions and arguments surrounding the cinema's philosophical value. He raises criticisms of bold theses in this area and defends a moderate view of film's possible contributions to philosophy. In the second part of the book he defends an intentionalist approach that focuses on the filmmakers' philosophical background assumptions, sources, and aims. Livingston outlines intentionalist interpretative principles as well as an account of authorship in cinema. The third part of the book exemplifies this intentionalist approach with reference to the work of Ingmar Bergman. Livingston explores the connection between Bergman's work and the Swedish director's primary philosophical source—a treatise in philosophical psychology authored by the Finnish philosopher, Eino Kaila. Bergman proclaimed that reading this book was a tremendous philosophical experience for him and that he "built on this ground." With reference to materials in the newly created Ingmar Bergman archive, Livingston shows how Bergman took up Kaila's topics in his cinematic explorations of motivated irrationality, inauthenticity, and the problem of self-knowledge.

Product Details

ISBN-13:
9780199655144
Publisher:
Oxford University Press
Publication date:
05/18/2012
Pages:
226
Product dimensions:
5.40(w) x 8.50(h) x 0.50(d)

Table of Contents

Introduction
Illustrations
Part One: Surveying cinema as philosophy
1. Theses on cinema as philosophy
2. Arguing over cinema as philosophy
Part Two: An intentionalist approach to film as philosophy
3. Types of authorship in the cinema
4. Partial intentionalism
Part Three: On Ingmar Bergman and philosophy
5. Bergman, Kaila, and the faces of irrationality
6. Value, authenticity, and fantasy in Bergman
Conclusion

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