Circle of Three

“Gaffney's characters are appealing and realistic.... Readers will race through this book.” -New Orleans Times Picayune

“Poignant.... Entertaining.... As good as it gets.” -New York Post

No other author writes about the lives and friendships of women with more warmth and grace than New York Times bestseller Patricia Gaffney.*A true master of women's fiction, with Circle of Three she flourishes the same breathtaking characterization and storytelling skills that made her previous novel, The Saving Graces, a readers' favorite. The story of a woman grieving for her losses and her life, and her relationship with her overbearing mother and precocious young daughter, Circle of Three focuses on three generations of a troubled family, the anger and misunderstanding that separates them...and the love that holds them together. Gaffney does beautifully what Elizabeth Berg, Anne Rivers Siddons, and Anne Tyler also do so well: exploring the tricky bonds of family in novels both heart-soaring and heartbreaking.

1100055492
Circle of Three

“Gaffney's characters are appealing and realistic.... Readers will race through this book.” -New Orleans Times Picayune

“Poignant.... Entertaining.... As good as it gets.” -New York Post

No other author writes about the lives and friendships of women with more warmth and grace than New York Times bestseller Patricia Gaffney.*A true master of women's fiction, with Circle of Three she flourishes the same breathtaking characterization and storytelling skills that made her previous novel, The Saving Graces, a readers' favorite. The story of a woman grieving for her losses and her life, and her relationship with her overbearing mother and precocious young daughter, Circle of Three focuses on three generations of a troubled family, the anger and misunderstanding that separates them...and the love that holds them together. Gaffney does beautifully what Elizabeth Berg, Anne Rivers Siddons, and Anne Tyler also do so well: exploring the tricky bonds of family in novels both heart-soaring and heartbreaking.

19.99 In Stock
Circle of Three

Circle of Three

by Patricia Gaffney

Narrated by Laural Merlington

Unabridged — 13 hours, 40 minutes

Circle of Three

Circle of Three

by Patricia Gaffney

Narrated by Laural Merlington

Unabridged — 13 hours, 40 minutes

Audiobook (Digital)

$19.99
FREE With a B&N Audiobooks Subscription | Cancel Anytime
$0.00

Free with a B&N Audiobooks Subscription | Cancel Anytime

START FREE TRIAL

Already Subscribed? 

Sign in to Your BN.com Account


Listen on the free Barnes & Noble NOOK app


Related collections and offers

FREE

with a B&N Audiobooks Subscription

Or Pay $19.99

Overview

“Gaffney's characters are appealing and realistic.... Readers will race through this book.” -New Orleans Times Picayune

“Poignant.... Entertaining.... As good as it gets.” -New York Post

No other author writes about the lives and friendships of women with more warmth and grace than New York Times bestseller Patricia Gaffney.*A true master of women's fiction, with Circle of Three she flourishes the same breathtaking characterization and storytelling skills that made her previous novel, The Saving Graces, a readers' favorite. The story of a woman grieving for her losses and her life, and her relationship with her overbearing mother and precocious young daughter, Circle of Three focuses on three generations of a troubled family, the anger and misunderstanding that separates them...and the love that holds them together. Gaffney does beautifully what Elizabeth Berg, Anne Rivers Siddons, and Anne Tyler also do so well: exploring the tricky bonds of family in novels both heart-soaring and heartbreaking.


Editorial Reviews

Barnes & Noble Guide to New Fiction

Though good scores came in, there were few write-ups on this "interesting" novel exploring the relationships among three generations in the same family, facing love and loss in a small town.

Jill M. Smith

The complexities of family, relationships and life are wonderfully examined and exposed in Patricia Gaffney's new release Circle of Three. Ms. Gaffney has a true gift for looking into the hearts of women.
Romantic Times

Kirkus Reviews

A conventional take on the well-worn theme of the relationship between mothers and daughters, this time exploring the effects on lives when a husband and father dies suddenly and three generations find the past still shaping their lives. As seems almost obligatory with this increasingly formulaic concept, Gaffney (Saving Graces, 1999) has three women take turns narrating the story: Carrie Van Allen, the recently widowed wife of mathematician Stephen; her 15-year-old daughter Ruth; and Dana Danziger, Carrie's mother, all of whom live in Clayborne, the small Virginia town where Carrie's father and Stephen both taught at the local college. Carrie, an artist, feels especially responsible for Stephen's heart attack—they had been arguing minutes before it occurred—but her guilt has even deeper roots: she realizes she never really loved Stephen and that her heart still belongs to local farmer Jess Deeping, whom she's adored since high school. Ruth, missing her father, and worried about Carrie's depression, finds solace in visiting Jess's farm. Dana, meanwhile, whose family were dirt-poor country folk, is bored with husband George, whom she married because she thought he'd give her social standing; she now wants Carrie to remarry someone of good family and promise—meaning not Jess. Carrie, though, who starts painting again, is newly drawn to Jess and resents all the more her mother's meddling and her earlier role in preventing her from marrying Jess previously. The two become lovers, angering both Ruth and Dana. Shocked by what she thinks is Carrie's disloyalty to Stephen, Ruth runs away to Washington, D.C., in an action that seems moreplotdevice to bring things to a head than nail-biting scare: for, once back home, all three women confess their misgivings and mistakes and are ready to move on. A disappointing second outing marked by a thin story and thinner characters.

Product Details

BN ID: 2940169758474
Publisher: Brilliance Audio
Publication date: 12/25/2005
Edition description: Unabridged

Read an Excerpt

Chapter One

Nature's Way

It's natural to feel guilty after the death of a loved one. Guilt and grief go together — that's what they say. Because you're still alive, I suppose. Well, lots of things are "natural," including infanticide in some cultures. My teenage daughter's extremely odd friend Raven recently shared with me that the female coot pecks to death all but two of her baby chicks because feeding them just gets to be too big a hassle. It's nature's way.

The presumption behind the guilt-is-natural bromide is that one hasn't actually done anything to precipitate the loved one's death. And there's the rub. I provoked my husband into an argument five minutes before he smashed the car into a tree and killed himself (That wasn't the only thing I did, but it's the showiest.) An incredibly stupid argument: why couldn't he drive Ruth to her soccer tournament the next day, why did I always have to do it? When was the last time he'd gone to a parent-teacher conference, a science fair, anything? In six years Ruth would be twenty-one and out of his life; did he really want to spend the rest of his only child's adolescence shut up in his office grading papers and writing — yes, I said this — obscure articles on mathematical minutiae that even more obscure journals only published once in a blue moon?

It was eleven o'clock, a Friday night. We were driving home after dinner with my parents, a dinner Stephen hadn't wanted to go to in the first place — but then he never did, so I don't take that so much to heart; I forgive myself for that. He said he was tired, but I thought nothing of it. Ruth, thank God,thank God, wasn't with us; she'd gone to a birthday sleepover at a girlfriend's. I'd spent the evening keeping a tense peace, smoothing over this, rephrasing that. My mother always liked Stephen, I'm not sure why, but he never liked her, and to this day she doesn't know it. That's my doing. For eighteen years, the length of our marriage, I constantly respun and reinterpreted his rudeness to her, at times his outright contempt. "He's thinking higher thoughts," I'd joke when he couldn't bother to come out of his study when Mama made one of her (admittedly irritating) unannounced drop-ins. And she's so easily intimidated by what she takes for intellectual superiority — except, interestingly, where my father's concerned — so it was never hard to make her believe that Stephen wasn't cold and disdainful, no, he was a genius. Geniuses are eccentric and brusque, they keep to themselves, they don't have time to be ingratiating to their mothers-in-law.

What triggered the argument in the car was fear. I had seen something that night that scared me: a sickening similarity between my husband and my father. Getting angry at Stephen, trying to get a rise out of him, trying to make him yell at me — that would've been ideal — was a way to convince myself I'd seen no such thing.

My father, George Danziger, taught English literature at Remington College for forty years. He recently retired, to write a book with a colleague on some minor eighteenth-century poet whose name I've forgotten. My father is a short, heavyset man, balding, slope-shouldered; he has a paunch; he slouches; pipe ash usually litters his vest or his coat sleeve. He frequently wears a vacant expression, and I suppose he's as close to the cliché of the absentminded professor as a human, as opposed to a cartoon, can be. But there's still a rumpled dignity in his sagging face and his gentle, phlegmatic movements, at least to me. Stephen was his physical opposite. Medium tall with a hard, compact, runner's body, he had handsome, sharp-pointed features — like Ruth's — and a full head of crisp, curling, sandy-gray hair. Quick, economical gestures. And always a restlessness about him, an impatience with his surroundings that could be insulting if you took it personally.

Mama and I did the dishes while the men went outside so Pop could smoke his pipe, a forbidden pleasure in my mother's house. I watched them idly through the kitchen windowstanding beside the wrought iron table in the late-August hush, their shoulders hunched, chins pulled into the collars of their short-sleeved shirts. They didn't have much to say to each other, but then, they never did. The college was all they had in common, and Stephen still, after three years, secretly resented Pop for his help, such as it was, in getting him his teaching appointment. They kept a manly distance apart, and even when they spoke they never looked at each other. They shuffled from foot to foot, hands jammed in their pockets, and squinted up at the night sky over the roof as if they were watching a movie. Just in that moment, as different as they were, they looked the same to me. Identical. I had my hands in hot water, but I remember the coldness that came into me, like the flat of a blade on bare skin. The chill thought crept in that they were the same.

Impossible — Stephen had stubbornness in him, a temper, a mean streak, Stephen was alive. I thought of my mother's discontent and disappointment, what they've turned her into and who she blames them on, and I thought, What if, by marrying a man as absent and unreachable as Pop, I've made the same mistake she made? Not a similar mistake, the exact same mistake.

So I started a fight. Unlike my father, Stephen could give as good as he got — better. His trusty weapon, cold, withering logic, always trounced my teary, incoherent furies, no contest, a sword fight with a balloon. But that night I didn't care, I wanted noise, racket, action. I waited until we were driving home on Clay Boulevard, a straight, well-lit stretch of four-lane highway, no distractions...

From the B&N Reads Blog

Customer Reviews