Queering Black Atlantic Religions: Transcorporeality in Candomblé, Santería, and Vodou - Roberto Strongman Roberto Strongman
"A critical Bildungsroman, an autoethnography, a biography, and a biomythography, Circuits of the Sacred is seductive in its personal disclosures. Its vulnerability and nakedness lay bare highly personal material that will endear the book to people of color, immigrants, and queer people. Not since the publication of Gloria Anzaldúa and Cherríe Moraga’s This Bridge Called My Back have I read a queer narrative that has broken through established genre conventions with such boldness."
Queering Black Atlantic Religions: Transcorporeality in Candomblé, Santería, and Vodou - Roberto Strongman
"A critical Bildungsroman, an autoethnography, a biography, and a biomythography, Circuits of the Sacred is seductive in its personal disclosures. Its vulnerability and nakedness lay bare highly personal material that will endear the book to people of color, immigrants, and queer people. Not since the publication of Gloria Anzaldúa and Cherríe Moraga’s This Bridge Called My Back have I read a queer narrative that has broken through established genre conventions with such boldness."
Gina Athena Ulysse
“Carlos Ulises Decena’s determination to fè yon rasanblaj situates his prescient body portal in the entrails of methods, practices, and theories confronting blackness as he expertly resensitizes here/there, pain/pleasure, pride/shame, sacred/profane in the Latinx Caribbean. This tour-de-force queer study demands that academics engage with ancestral imperatives-creative, discursive, intellectual, or spiritual. Circuits of the Sacred is both scream and libation, a liturgy for the future, necessary praxis on this long path to liberation.”