- The Circus
- In a Dream
- The Moon and St. Christopher
- Wonder Child
- All That Hammering
- Donegal Breeze
- A Stone's Throw from the Soul
- Free as Stone
- Roison
- Into the Blue
- Gabriel
- Raven in the Storm
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0715187783225
Eleanor McEvoy Keyboards,Vocals (Background)
Frank Gallagher Viola,Conductor,Synthesizer,Vocal Harmony,Whistle (Human)
Noel Bridgeman Percussion,Vocal Harmony
Carl Geraghty Saxophone,Sax (Tenor),Sax (Soprano),Sax (Baritone)
Declan Sinnott Sitar,Slide Guitar,Vocal Harmony,Guitar (Acoustic),Guitar (Electric)
Dave Early Drums,Percussion
Garvan Gallagher Double Bass,Guitar (Bass),Vocal Harmony
Pat Crowley Piano,Accordion,Keyboards,Vocal Harmony
Stephen McDonnell Trumpet,Flugelhorn
Billy Robinson Assistant Producer,Mixing,Engineer
Shane Howard Composer
Jimmy MacCarthy Composer
Kevin Doherty Composer
Geoff Bartley Composer
Frank Gallagher Arranger
Joe South Composer
John Gorka Composer
Mary Black Assistant Producer
Carl Geraghty Brass Arrangement
Alastair McMillan Assistant Engineer
Declan Sinnott Producer
Rob Kirwan Assistant Engineer
Mary Chapin Carpenter Composer
Noel Brazil Composer
Conan Doyle Assistant Engineer
Mike Bunn Photography
Stephen McDonnell Brass Arrangement


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Overview
On Mary Black's seventh solo album, CIRCUS, the usually upbeat singer explores the complex themes of isolation and loneliness within relationships. Still sticking to her Celtic roots, but with a decidedly modern twist, she opens up vocally in a deeper way than previously, making the album an empathetic experience for anyone who has ever felt the pain of life and love.
The title song, written by long-time collaborator Noel Brazil, makes good use of the circus metaphor to show how its underside can still contain a well of emptiness. Mary Chapin Carpenter's wistful "The Moon and St. Christopher," where an older woman looks back at her younger stubbornness and how she may have run from love, is interpreted with a air of sadness; in "All That Hammering," Black sings how she never trusts happiness and always prepares for the worst. Song after song sheds light on the desperation of a lover leaving or a couple deciding that it is time to part. There is something so personal about each of the songs here that, at times, Black's hushed, fragile tones sound more like a friend's whispered confidences.
Product Details
Release Date: | 09/17/1996 |
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Label: | Curb |
UPC: | 0715187783225 |
Tracks
Album Credits
Performance Credits
Mary Black Primary Artist,Tambourine,Vocal HarmonyEleanor McEvoy Keyboards,Vocals (Background)
Frank Gallagher Viola,Conductor,Synthesizer,Vocal Harmony,Whistle (Human)
Noel Bridgeman Percussion,Vocal Harmony
Carl Geraghty Saxophone,Sax (Tenor),Sax (Soprano),Sax (Baritone)
Declan Sinnott Sitar,Slide Guitar,Vocal Harmony,Guitar (Acoustic),Guitar (Electric)
Dave Early Drums,Percussion
Garvan Gallagher Double Bass,Guitar (Bass),Vocal Harmony
Pat Crowley Piano,Accordion,Keyboards,Vocal Harmony
Stephen McDonnell Trumpet,Flugelhorn
Technical Credits
Marie Reilly Color TintingBilly Robinson Assistant Producer,Mixing,Engineer
Shane Howard Composer
Jimmy MacCarthy Composer
Kevin Doherty Composer
Geoff Bartley Composer
Frank Gallagher Arranger
Joe South Composer
John Gorka Composer
Mary Black Assistant Producer
Carl Geraghty Brass Arrangement
Alastair McMillan Assistant Engineer
Declan Sinnott Producer
Rob Kirwan Assistant Engineer
Mary Chapin Carpenter Composer
Noel Brazil Composer
Conan Doyle Assistant Engineer
Mike Bunn Photography
Stephen McDonnell Brass Arrangement
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