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BONUS: This edition contains a The City & The City discussion guide and excerpts from China Miéville's Kraken and Embassytown.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE LOS ANGELES TIMES, THE SEATTLE TIMES, AND PUBLISHERS WEEKLY.
When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. To investigate, Borlú must travel from the decaying Beszel to its equal, rival, and intimate neighbor, the vibrant city of Ul Qoma. But this is a border crossing like no other, a journey as psychic as it is physical, a seeing of the unseen. With Ul Qoman detective Qussim Dhatt, Borlú is enmeshed in a sordid underworld of nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them more than their lives. What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities.
Winner of the 2010 Arthur C. Clarke Award
Winner of the 2010 Hugo Award for Best Novel
Better known for New Weird fantasies (Perdido Street Station, etc.), bestseller Miéville offers an outstanding take on police procedurals with this barely speculative novel. Twin southern European cities Beszel and Ul Qoma coexist in the same physical location, separated by their citizens' determination to see only one city at a time. Inspector Tyador Borlú of the Extreme Crime Squad roams through the intertwined but separate cultures as he investigates the murder of Mahalia Geary, who believed that a third city, Orciny, hides in the blind spots between Beszel and Ul Qoma. As Mahalia's friends disappear and revolution brews, Tyador is forced to consider the idea that someone in unseen Orciny is manipulating the other cities. Through this exaggerated metaphor of segregation, Miéville skillfully examines the illusions people embrace to preserve their preferred social realities. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Miéville (Un Lun Dun; Perdido Street Station) tells vivid stories in the borderlands of literary fantasy, science fiction, and horror, and here he adds noir crime to the mix. Fittingly, his tale is set in the borderlands, creating a mysterious pair of cities somewhere on Europe's eastern edge. Beszel and Ul Qoma share the same ground, but their citizens are not allowed to react to one another, learning to "unsee" the other city and its inhabitants from a young age. Enforcing this division is a mysterious power called Breach. When an archaeology student is found dead, Inspector Tyador BorlAº gets caught up in a case that forces him to navigate precariously between the cities, perhaps into the sinister worlds that straddle them. It's a fascinating premise. Unfortunately, the cities, protagonist, and case remain stubbornly in the haze. For all genre fiction collections because Miéville is a trailblazer with a dedicated following, but this work is more an existential thought piece than a reading pleasure. [Library marketing.]
—Neil Hollands
Adult/High School
A blend of near-future science fiction and police procedural, this novel is a successful example of the hybrid genre so popular of late. In a contemporary time period, two fantastical cities somewhere between Europe and Asia exist, not adjacent to one another, but by literally occupying the same area. Forbidden to acknowledge the existence of one another-a discipline imposed by the shadowy and terrifying entity known as Breach-residents in both cities have honed the ability to "unsee" people, places, and events existing in the other realm. This ticklish balance ruptures when Inspector Tyador BorlAº of the Extreme Crime Squad must investigate the murder of a foreign archaeological student. Long after the book's satisfying conclusion, astute readers will have much to ponder, such as the facility with which Authority can manipulate and repress a population and the attendant ills that life in such a society inevitably generate. Add in the novel's highly effective cover art and the result is a book that may appeal as much to a young, new-to-MiA©ville audience as it will to his loyal fans.-Dori DeSpain, formerly at Fairfax County Public Library, VA
Noted for its sense of radical estrangement and in-your-face bizarreness, the New Weird always faces a couple of hurdles in its conquest of the reader. First, too much oddity begins, paradoxically, to pall and seem stale. When all is fantastic, nothing is. Secondly, each bit of outrageousness demands to be topped, resulting in fiction that gets progressively louder and louder, within each book and from book to book inside the genre.
Interstitial fiction, however, salts naturalism and verisimilitude with a calculated and unpredictable leavening of the unreal, producing a continually oscillating mix of homey and alien that is more subtle and insidious. (But which also risks seeming wan and twee at its worst.)
Luckily for the reader, Miéville's previous experience with the rigorous and exacting brutalism of the New Weird allows him to keep a steady hand on his interstital tiller, so that he steers an undeviating course between the comfortingly familiar and the upsettingly strange.
The City & the City starts out as a Ruritanian police procedural (cue Avram Davidson's The Adventures of Doctor Eszterhazy). Somewhere in Middle Europe lies the city-state of Besźel -- naturally not to be found on any map in your conventional atlas, although Besźel slots neatly into contemporary global affairs. Van Morrison made a tour not long ago, after all, and Canada and the USA send foreign aid and investors.
In these vividly echt-Mitteleuropan streets, we encounter our narrator and protagonist, Inspector Tyador Borlú of the Extreme Crime Squad. His current case: the murder of an unidentified young woman, with the help of his assistant, the spunky and occasionally abrasive and foul-mouthed Lizbyet Corwi. (Curiously enough, the affectionately thorny relationship between the two cops recalls that between Christian Walker and Deena Pilgrim, in Brian Bendis's Powers graphic novels, another interstitial outing.) Borlú 's investigation faces the standard hurdles: uncooperative witnesses; false leads; pigheaded bureaucrats and unsympathetic superiors; dangerous perps; nutcases and flakes; the Inspector's own conflicted emotions. As police procedurals go, Miéville's venture is competent and engaging, but unexceptional.
But gradually, through subtle contextual allusions -- avoiding entirely the dreaded authorial info-dump -- the essential fantastical nature of the venue begins to assume coherent, startling and dominating shape.
Besźel is overlaid in enigmatic, never-fully-explicated fashion by a sister-state, Ul Qoma, which possesses a distinctly different cultural and political setup. At some point millennia ago, the two states were one. But then came the inexplicable Cleavage, a climacteric both physical and mental. Ever since, the citizens of each "overlapping magisterium" (to contort Stephen Jay Gould's famous phrase about the separation of science and religion) are prohibited from interacting on a daily basis, even in the slightest fashion. From earliest youth, individuals in Besźel are taught to "unsee" any parallel structures and events and people in Ul Qoma. The citizens of Ul Qoma do likewise. Any accidental or deliberate interaction between the two realms is deemed "breach," and is punished severely by the near-omnipotent agency of that same name.
And as Borlú gets deeper into his investigation, which involves officially sanctioned travel to Ul Qoma, he finds that the woman's death threatens the entire ontological and epistemological underpinnings of the ancient system, and also risks bringing Breach down upon his head. Central to the mystery is an apocryphal third city, Orciny, which mythically lives in the interstices between Besźel and Ul Qoam.
Once the whole apparatus is made sufficiently comprehensible (although surprises continue to erupt right up till the end), Miéville juggles both the police procedural aspects and the fantastical aspects of his hybrid narrative with a deft vigor. Borlú's consciousness, steeped in this odd tradition of irritably tolerated self-hypnosis and self-deception, becomes as intimately familiar to the reader as his own, and serves as our passport to this strange realm. At the same time, the quotidian details of Borlú's work and life serve as a mimetic anchor to the reader.
In evoking this alien yet human mentality through sheer immersion, Miéville follows in the footsteps of such science-fictional greats as Robert Silverberg (A Time of Changes); Gene Wolfe (The Book of the New Sun); Samuel Delany (the Return to Nevèrÿ on quartet); and Jeffrey Ford (the Well-Built City trilogy).
His deliberate employment of the twinned cities as a multivalent allegory for almost any polarity the reader cares to name -- East & West; Muslim & Christian; religion & science; socialism & capitalism; feeling & logic; tradition & modernity -- resonates with such metaphysically surreal and satirical authors as William Burroughs, Zoran Živković and Rupert Thomson, specifically the latter's Divided Kingdom. And Miéville's Phildickian messing with perceptions adds yet another layer to the cake.
To compact all this harmoniously into a single book, eschewing purity of any one genre, is the ambitious gameplan of interstitial fiction in general. Given Miéville's role as a bold and inspirational bellwether in the field, his tacit endorsement of this mode, championed by Delia Sherman et al, is an intriguing move in both his personal career and the development of the field.
But note the harsh lessons for would-be authors of such genre-crossing books conveyed by the subtext. Borlú experiences lack of support and comprehension from everyone around him, battles those who would deny his synthesis or his very right to propose such a merger, and in effect is completely broken down and deracinated before achieving his final transformation.
Whew! That's a heavy cross for any interstial aspirant to carry. But Miéville makes it all look as easy -- and as dangerous -- as committing breach. --Paul DiFilippo
Author of several acclaimed novels and story collections, including Fractal Paisleys, Little Doors, and Neutrino Drag, Paul DiFilippo was nominated for a Sturgeon Award, a Hugo Award, and a World Fantasy Award -- all in a single year. William Gibson has called his work "spooky, haunting, and hilarious." His reviews have appeared in The Washington Post, Science Fiction Weekly, Asimov's Magazine, and The San Francisco Chronicle.
I had wanted to read Mieville for quite awhile, but I probably should have chosen something from his earlier work to start with. While I fully appreciate his idea of two separate cities sharing the same space, the bulk of the book was REALLY mundane and not compelling, whatsoever. It read like an episode of Law and Order, with a slight sci-fi twist. I had to force myself to continue reading, and I only did so because I actually paid for the book and knew I'd never pick it back up if I put it aside for a bit. It turned out to be worth neither my time or $$.
2 out of 3 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.FuriousGeorge
Posted April 20, 2011
Highly recommended reading. I think it's categorized as Sci-Fi, but the Science Fiction aspect of it is not very strong - it's more like mild fantasy. The central conceit of the book (which is the fantasy element) takes a little while to understand, but after that it's completely accessible.
Really interesting, well-written, thoughtful book that I thoroughly enjoyed cover-to-cover. Great characters, a really cool plot, and a wonderfully imagined world make this a no-brainer for me.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.jessicak922
Posted October 20, 2010
When I first started reading this I was afraid it was going to be too confusing. I decided to stick with it and am glad I did! The more you get into the story, the more it makes sense. It's a great crime novel with a hint of fantasy to it. Overall, I really enjoyed reading this book and would recommend it.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This is the kind of book that you have to give a chance to blossom. It seems simple on the surface, but at the same time confusing. The reason for the confusion starts to become clear if you give it a little time, and then you see the great complexity and creativity of the story.
I found it one of the most enjoying books I've read in recent memory.
1 out of 1 people found this review helpful.
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Posted March 29, 2010
Please, lets get our priorities in order here.
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Overview
BONUS: This edition contains a The City & The City discussion guide and excerpts from China Miéville's Kraken and Embassytown.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE LOS ANGELES TIMES, THE SEATTLE TIMES, AND PUBLISHERS WEEKLY.
When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. To investigate, Borlú must travel from the decaying Beszel to its equal, rival, and intimate neighbor, the vibrant city of Ul Qoma. But ...