Better known for New Weird fantasies (Perdido Street Station, etc.), bestseller Miéville offers an outstanding take on police procedurals with this barely speculative novel. Twin southern European cities Beszel and Ul Qoma coexist in the same physical location, separated by their citizens' determination to see only one city at a time. Inspector Tyador Borlú of the Extreme Crime Squad roams through the intertwined but separate cultures as he investigates the murder of Mahalia Geary, who believed that a third city, Orciny, hides in the blind spots between Beszel and Ul Qoma. As Mahalia's friends disappear and revolution brews, Tyador is forced to consider the idea that someone in unseen Orciny is manipulating the other cities. Through this exaggerated metaphor of segregation, Miéville skillfully examines the illusions people embrace to preserve their preferred social realities. (June)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
The City and the Cityby China Mieville
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE LOS ANGELES TIMES, THE SEATTLE TIMES, AND PUBLISHERS WEEKLY
When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. To investigate, Borlú must travel from the/i>/i>
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE LOS ANGELES TIMES, THE SEATTLE TIMES, AND PUBLISHERS WEEKLY
When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. To investigate, Borlú must travel from the decaying Beszel to its equal, rival, and intimate neighbor, the vibrant city of Ul Qoma. But this is a border crossing like no other, a journey as psychic as it is physical, a seeing of the unseen. With Ul Qoman detective Qussim Dhatt, Borlú is enmeshed in a sordid underworld of nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them more than their lives. What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities.
Miéville (Un Lun Dun; Perdido Street Station) tells vivid stories in the borderlands of literary fantasy, science fiction, and horror, and here he adds noir crime to the mix. Fittingly, his tale is set in the borderlands, creating a mysterious pair of cities somewhere on Europe's eastern edge. Beszel and Ul Qoma share the same ground, but their citizens are not allowed to react to one another, learning to "unsee" the other city and its inhabitants from a young age. Enforcing this division is a mysterious power called Breach. When an archaeology student is found dead, Inspector Tyador BorlAº gets caught up in a case that forces him to navigate precariously between the cities, perhaps into the sinister worlds that straddle them. It's a fascinating premise. Unfortunately, the cities, protagonist, and case remain stubbornly in the haze. For all genre fiction collections because Miéville is a trailblazer with a dedicated following, but this work is more an existential thought piece than a reading pleasure. [Library marketing.]
A blend of near-future science fiction and police procedural, this novel is a successful example of the hybrid genre so popular of late. In a contemporary time period, two fantastical cities somewhere between Europe and Asia exist, not adjacent to one another, but by literally occupying the same area. Forbidden to acknowledge the existence of one another-a discipline imposed by the shadowy and terrifying entity known as Breach-residents in both cities have honed the ability to "unsee" people, places, and events existing in the other realm. This ticklish balance ruptures when Inspector Tyador BorlAº of the Extreme Crime Squad must investigate the murder of a foreign archaeological student. Long after the book's satisfying conclusion, astute readers will have much to ponder, such as the facility with which Authority can manipulate and repress a population and the attendant ills that life in such a society inevitably generate. Add in the novel's highly effective cover art and the result is a book that may appeal as much to a young, new-to-MiA©ville audience as it will to his loyal fans.-Dori DeSpain, formerly at Fairfax County Public Library, VA
"Lots of books dabble in several genres but few manage to weld them together as seamlessly and as originally as The City and The City. In a tale set in a series of cities vertiginously layered in the same space, Miéville offers the detective novel re-envisioned through the prism of the fantastic. The result is a stunning piece of artistry that has both all the satisfactions of a good mystery and all the delight and wonder of the best fantasy.”—Brian Evenson, author of Last Days
“If Philip K. Dick and Raymond Chandler's love child were raised by Franz Kafka, the writing that emerged might resemble China Mieville's new novel, The City & the City." —Los Angeles Times
“China Mieville has made his name via award-winning, genre-bending titles such as King Rat, Perdido Street Station, The Scar and Iron Council. Now, in The City & the City, he sets out to bend yet another genre, that of the police procedural, and he succeeds brilliantly…. [An] extraordinary, wholly engaging read.” — St. Petersburg Times
“An eye-opening genre-buster. The names of Kafka and Orwell tend to be invoked too easily for anything a bit out of the ordinary, but in this case they are worthy comparisons.” — The Times, London
“Evoking such writers as Franz Kafka and Mikhail Bulgakov, Mr. Miéville asks readers to make conceptual leaps and not to simply take flights of fancy.”—Wall Street Journal
“An outstanding take on police procedurals…. Through this exaggerated metaphor of segregation, Miéville skillfully examines the illusions people embrace to preserve their preferred social realities.” — Publishers Weekly, starred review
“An excellent police procedural and a fascinating urban fantasy, this is essential reading for all mystery and fantasy fans.”—Booklist, starred review
“This spectacularly, intricately paranoid yarn is worth the effort.” — Kirkus, starred review
- Pan Publishing
- Publication date:
Read an Excerpt
I could not see the street or much of the estate. We were enclosed by dirt-coloured blocks, from windows out of which leaned vested men and women with morning hair and mugs of drink, eating breakfast and watching us. This open ground between the buildings had once been sculpted. It pitched like a golf course—a child’s mimicking of geography. Maybe they had been going to wood it and put in a pond. There was a copse but the saplings were dead.
The grass was weedy, threaded with paths footwalked between rubbish, rutted by wheel tracks. There were police at various tasks. I wasn’t the first detective there—I saw Bardo Naustin and a couple of others— but I was the most senior. I followed the sergeant to where most of my colleagues clustered, between a low derelict tower and a skateboard park ringed by big drum-shaped trash bins. Just beyond it we could hear the docks. A bunch of kids sat on a wall before standing officers. The gulls coiled over the gathering.
“Inspector.” I nodded at whomever that was. Someone offered a coffee but I shook my head and looked at the woman I had come to see.
She lay near the skate ramps. Nothing is still like the dead are still. The wind moves their hair, as it moved hers, and they don’t respond at all. She was in an ugly pose, with legs crooked as if about to get up, her arms in a strange bend. Her face was to the ground.
A young woman, brown hair pulled into pigtails poking up like plants. She was almost naked, and it was sad to see her skin smooth that cold morning, unbroken by gooseflesh. She wore only laddered stockings, one high heel on. Seeing me look for it, a sergeant waved at me from a way off, from where she guarded the dropped shoe.
It was a couple of hours since the body had been discovered. I looked her over. I held my breath and bent down toward the dirt, to look at her face, but I could only see one open eye.
“Not here yet, Inspector…”
“Someone call him, tell him to get a move on.” I smacked my watch. I was in charge of what we called the mise-en-crime. No one would move her until Shukman the patho had come, but there were other things to do. I checked sightlines. We were out of the way and the garbage containers obscured us, but I could feel attention on us like insects, from all over the estate. We milled.
There was a wet mattress on its edge between two of the bins, by a spread of rusting iron pieces interwoven with discarded chains. “That was on her.” The constable who spoke was Lizbyet Corwi, a smart young woman I’d worked with a couple of times. “Couldn’t exactly say she was well hidden, but it sort of made her look like a pile of rubbish, I guess.” I could see a rough rectangle of darker earth surrounding the dead woman—the remains of the mattress-sheltered dew. Naustin was squatting by it, staring at the earth.
“The kids who found her tipped it half off,” Corwi said.
“How did they find her?”
Corwi pointed at the earth, at little scuffs of animal paws.
“Stopped her getting mauled. Ran like hell when they saw what it was, made the call. Our lot, when they arrived...” She glanced at two patrolmen I didn’t know.
“They moved it?”
She nodded. “See if she was still alive, they said.”
“What are their names?”
“Shushkil and Briamiv.”
“And these are the finders?” I nodded at the guarded kids. There were two girls, two guys. Midteens, cold, looking down.
“Early morning pick-you-up?”
“That’s dedication, hm?” she said. “Maybe they’re up for junkies of the month or some shit. They got here a bit before seven. The skate pit’s organised that way, apparently. It’s only been built a couple of years, used to be nothing, but the locals’ve got their shift patterns down. Midnight to nine a.m., chewers only; nine to eleven, local gang plans the day; eleven to midnight, skateboards and rollerblades.”
“One of the boys has a little shiv, but really little. Couldn’t mug a milkrat with it—it’s a toy. And a chew each. That’s it.” She shrugged. “The dope wasn’t on them; we found it by the wall, but”— shrug—“they were the only ones around.”
She motioned over one of our colleagues and opened the bag he carried. Little bundles of resin-slathered grass. Feld is its street name—a tough crossbreed of Catha edulis spiked with tobacco and caffeine and stronger stuff, and fibreglass threads or similar to abrade the gums and get it into the blood. Its name is a trilingual pun: it’s khat where it’s grown, and the animal called “cat” in En- glish is feld in our own language. I sniffed it and it was pretty low-grade stuff. I walked over to where the four teenagers shivered in their puffy jackets.
“’Sup, policeman?” said one boy in a Bes-accented approximation of hip-hop English. He looked up and met my eye, but he was pale. Neither he nor any of his companions looked well. From where they sat they could not have seen the dead woman, but they did not even look in her direction.
They must have known we’d find the feld, and that we’d know it was theirs. They could have said nothing, just run.
“I’m Inspector Borlú,” I said. “Extreme Crime Squad.”
I did not say I’m Tyador. A difficult age to question, this—too old for first names, euphemisms and toys, not yet old enough to be straightforward opponents in interviews, when at least the rules were clear. “What’s your name?” The boy hesitated, considered using whatever slang handle he’d granted himself, did not.
“You found her?” He nodded, and his friends nodded after him. “Tell me.”
“We come here because, ’cause, and…” Vilyem waited, but I said nothing about his drugs. He looked down. “And we seen something under that mattress and we pulled it off.”
“There was some…” His friends looked up as Vilyem hesitated, obviously superstitious.
“Wolves?” I said. They glanced at each other.
“Yeah man, some scabby little pack was nosing around there and…”
“So we thought it…”
“How long after you got here?” I said.
Vilyem shrugged. “Don’t know. Couple hours?”
“Anyone else around?”
“Saw some guys over there a while back.”
“Dealers?” A shrug.
“And there was a van came up on the grass and come over here and went off again after a bit. We didn’t speak to no one.”
“When was the van?”
“It was still dark.” That was one of the girls.
“Okay. Vilyem, you guys, we’re going to get you some breakfast, something to drink, if you want.” I motioned to their guards. “Have we spoken to the parents?” I asked.
“On their way, boss; except hers”—pointing to one of the girls—“we can’t reach.”
“So keep trying. Get them to the centre now.”
The four teens looked at each other. “This is bullshit, man,” the boy who was not Vilyem said, uncertainly. He knew that according to some politics he should oppose my instruction, but he wanted to go with my subordinate. Black tea and bread and paperwork, the boredom and striplights, all so much not like the peeling back of that wet heavy, cumbersome mattress, in the yard, in the dark.
Stepen Shukman and his assistant Hamd Hamzinic had arrived. I looked at my watch. Shukman ignored me. When he bent to the body he wheezed. He certified death. He made observations that Hamzinic wrote down.
“Time?” I said.
“Twelve hours-ish,” Shukman said. He pressed down on one of the woman’s limbs. She rocked. In rigor, and unstable on the ground as she was, she probably assumed the position of her death lying on other contours. “She wasn’t killed here.” I had heard it said many times he was good at his job but had seen no evidence that he was anything but competent.
“Done?” he said to one of the scene techs. She took two more shots from different angles and nodded. Shukman rolled the woman over with Hamzinic’s help. She seemed to fight him with her cramped motionlessness. Turned, she was absurd, like someone playing at dead insect, her limbs crooked, rocking on her spine.
She looked up at us from below a fluttering fringe. Her face was set in a startled strain: she was endlessly surprised by herself. She was young. She was heavily made up, and it was smeared across a badly battered face. It was impossible to say what she looked like, what face those who knew her would see if they heard her name. We might know better later, when she relaxed into her death. Blood marked her front, dark as dirt. Flash flash of cameras.
“Well, hello cause of death,” Shukman said to the wounds in her chest.
On her left cheek, curving under the jaw, a long red split. She had been cut half the length of her face.
The wound was smooth for several centimetres, tracking precisely along her flesh like the sweep of a paintbrush. Where it went below her jaw, under the overhang of her mouth, it jagged ugly and ended or began with a deep torn hole in the soft tissue behind her bone. She looked unseeingly at me.
“Take some without the flash, too,” I said.
Like several others I looked away while Shukman murmured—it felt prurient to watch. Uniformed mise-en-crime technical investigators, mectecs in our slang, searched in an expanding circle. They overturned rubbish and foraged among the grooves where vehicles had driven. They lay down reference marks, and photographed.
“Alright then.” Shukman rose. “Let’s get her out of here.” A couple of the men hauled her onto a stretcher.
“Jesus Christ,” I said, “cover her.” Someone found a blanket I don’t know from where, and they started again towards Shukman’s vehicle.
“I’ll get going this afternoon,” he said. “Will I see you?” I wagged my head noncommittally. I walked towards Corwi.
“Naustin,” I called, when I was positioned so that Corwi would be at the edge of our conversation. She glanced up and came slightly closer.
“Inspector,” said Naustin.
“Go through it.”
He sipped his coffee and looked at me nervously.
“Hooker?” he said. “First impressions, Inspector. This area,
beat-?up, naked? And…” He pointed at his face, her exaggerated makeup. “Hooker.”
“Fight with a client?”
“Yeah but…If it was just the body wounds, you know, you’d, then you’re looking at, maybe she won’t do what he wants, whatever. He lashes out. But this.” He touched his cheek again uneasily. “That’s different.”
He shrugged. “Maybe. He cuts her, kills her, dumps her. Cocky bastard too, doesn’t give a shit that we’re going to find her.”
“Cocky or stupid.”
“Or cocky and stupid.”
“So a cocky, stupid sadist,” I said. He raised his eyes, Maybe.
“Alright,” I said. “Could be. Do the rounds of the local girls. Ask a uniform who knows the area. Ask if they’ve had trouble with anyone recently. Let’s get a photo circulated, put a name to Fulana Detail.” I used the generic name for woman-unknown. “First off I want you to question Barichi and his mates, there. Be nice, Bardo, they didn’t have to call this in. I mean that. And get Yaszek in with you.” Ramira Yaszek was an excellent questioner. “Call me this afternoon?” When he was out of earshot I said to Corwi, “A few years ago we’d not have had half as many guys on the murder of a working girl.”
“We’ve come a long way,” she said. She wasn’t much older than the dead woman.
“I doubt Naustin’s delighted to be on streetwalker duty, but you’ll notice he’s not complaining,” I said.
“We’ve come a long way,” she said.
“So?” I raised an eyebrow. Glanced in Naustin’s direction. I waited. I remembered Corwi’s work on the Shulban disappearance, a case considerably more Byzantine than it had initially appeared.
“It’s just, I guess, you know, we should keep in mind other possibilities,” she said.
“Her makeup,” she said. “It’s all, you know, earths and browns. It’s been put on thick, but it’s not—” She vamp-pouted. “And did you notice her hair?” I had. “Not dyed. Take a drive with me up GunterStrász, around by the arena, any of the girls’ hangouts. Two-thirds blonde, I reckon. And the rest are black or bloodred or some shit. And…” She fingered the air as if it were hair. “It’s dirty, but it’s a lot better than mine.” She ran her hand through her own split ends.
For many of the streetwalkers in Bes´zel, especially in areas like this, food and clothes for their kids came first; feld or crack for themselves; food for themselves; then sundries, in which list conditioner would come low. I glanced at the rest of the officers, at Naustin gathering himself to go.
“Okay,” I said. “Do you know this area?”
“Well,” she said, “it’s a bit off the track, you know? This is hardly even Bes´zel, really. My beat’s Lestov. They called a few of us in when they got the bell. But I did a tour here a couple years ago—I know it a bit.”
Lestov itself was already almost a suburb, six or so k out of the city centre, and we were south of that, over the Yovic Bridge on a bit of land between Bulkya Sound and, nearly, the mouth where the river joined the sea. Technically an island, though so close and conjoined to the mainland by ruins of industry you would never think of it as such, Kordvenna was estates, warehouses, low-rent bodegas scribble-linked by endless graffiti. It was far enough from Bes ´zel’s heart that it was easy to forget, unlike more inner-city slums.
“How long were you here?” I said.
“Six months, standard. What you’d expect: street theft, high kids smacking shit out of each other, drugs, hooking.”
“Two or three in my time. Drugs stuff. Mostly stops short of that, though: the gangs are pretty smart at punishing each other without bringing in ECS.”
“Someone’s fucked up then.”
“Yeah. Or doesn’t care.”
“Okay,” I said. “I want you on this. What are you doing at the moment?”
“Nothing that can’t wait.”
“I want you to relocate for a bit. Got any contacts here still?” She pursed her lips. “Track them down if you can; if not, have a word with some of the local guys, see who their singers are. I want you on the ground. Listen out, go round the estate—what’s this place called again?”
Meet the Author
China Miéville is the author of King Rat; Perdido Street Station, winner of the Arthur C. Clarke Award and the British Fantasy Award; The Scar, winner of the Locus Award and the British Fantasy Award; Iron Council, winner of the Locus Award and the Arthur C. Clarke Award; Looking for Jake, a collection of short stories; and Un Lun Dun, his New York Times bestselling book for younger readers. He lives and works in London.
Most Helpful Customer Reviews
See all customer reviews
I will not recap the plot as it is done admirably in other reviews. I will say that I was captivated by how cunningly the thread of surreality is interwoven into the gritty realistic crime story. The twists caught me by surprise (which I love,) and added a very interesting dimension that became as important to me as the "main" plotline. I really enjoyed the book, and highly recommend it with one caveat: there had better be another one coming. There are simply too many tantalizing clues and pressing unanswered questions left hanging. I don't know if he is planning another volume to make this a series, but I am reminded of Stephen King's Dark Tower series in that I am breathlessly waiting to find out, can China Mieville pull this all together? I will definitely read the next one when and if it comes out. As a stand alone, it was intriguing and enjoyable but I am left wanting more.
This is the kind of book that you have to give a chance to blossom. It seems simple on the surface, but at the same time confusing. The reason for the confusion starts to become clear if you give it a little time, and then you see the great complexity and creativity of the story. I found it one of the most enjoying books I've read in recent memory.
I had wanted to read Mieville for quite awhile, but I probably should have chosen something from his earlier work to start with. While I fully appreciate his idea of two separate cities sharing the same space, the bulk of the book was REALLY mundane and not compelling, whatsoever. It read like an episode of Law and Order, with a slight sci-fi twist. I had to force myself to continue reading, and I only did so because I actually paid for the book and knew I'd never pick it back up if I put it aside for a bit. It turned out to be worth neither my time or $$.
Highly recommended reading. I think it's categorized as Sci-Fi, but the Science Fiction aspect of it is not very strong - it's more like mild fantasy. The central conceit of the book (which is the fantasy element) takes a little while to understand, but after that it's completely accessible. Really interesting, well-written, thoughtful book that I thoroughly enjoyed cover-to-cover. Great characters, a really cool plot, and a wonderfully imagined world make this a no-brainer for me.
When I first started reading this I was afraid it was going to be too confusing. I decided to stick with it and am glad I did! The more you get into the story, the more it makes sense. It's a great crime novel with a hint of fantasy to it. Overall, I really enjoyed reading this book and would recommend it.
The corpse was found near a skating rink ramp in somewhat seedy Beszell. All the curious spectators knew she was murdered just by looking at the award angles of her body. Extreme Crime Inspector Tyador Borlu leads the investigation that he assumes is a simple homicide. ----------- He soon learns the victim is Mahalia Geary, which makes him reconsider the simplicity of her murder. She was the leading proponent of a theory that a third unseen city she called Orciny co-exists in the same physical space as that of Beszell and affluent Ul-Oomaof. Her belief and that of her supporters was this other locale filled the vacant blind spots between the co-located "twin" cities. As Geary's cohorts mysteriously begin to vanish, Borlu reexamines Geary's theory because increasingly the evidence points towards a third party conspiracy cleverly manipulating the biases of the two known urban centers.--------- THE CITY AND THE CITY is a fantastic police procedural parable as brilliant fantasist China Mieville makes a strong case as to how far groups will go to keep the comfort zone of their social order. The story line is fast-paced with the audience accepting the existence of two "cities" intermingled but separate; sort of like the Bronx in the 1970s where a bus line would go from the burned out slums of the south to the affluent estates of the north. .Readers will appreciate this hyperbole as maintaining the illusion of belonging is more critical than economic and social realities. A tale of two cities and perhaps a third too, this is a great whodunit that will have readers pondering what psychological devices we employ to "protect" our places in society.---------- Harriet Klausner
An interesting crime fiction novel. This story is a fascinating, complicated murder mystery. The doppelganger cities principle makes it even more interesting.
Great and memorable
I was looking for a good book that mixed noir and Sci Fi and this kept coming up as a good choice. This was a good book, but wasn't quit what I was expecting. This is more noir in a made up city with fantasy elements then Sci Fi. Still a cool read and worth checking out.
In Bes¿el, Inspector Tyador Borlú is investigating a murder with some unique complications. As with most Miéville books, there is an active political element to the story. With the divided cities of Bes¿el and Ul Qoma, the politics are brought down to a local, tangible level. These things are happening for a reason, and it could be that this unfortunate young woman was brought into the crossfire. Between Bes¿el and Ul Qoma is Breach, the area that drives the story. Breach is known by many names, and it has its own secret shadowy police force, themselves simply known as “Breach.” Borlú is forced to go around Breach – both the physical place and the investigating force – to investigate the woman’s murder. Borlú’s work is his life, and this case demonstrates that. He and Corwi, the young subordinate he drafts in to help, work together to determine who this woman was, and come to some astonishing conclusions. To take those conclusions to their next logical step, Borlú must go to Ul Qoma. Together with Senior Detective Quatt of Ul Qoma, Borlú reaches some incredible conclusions. Who is Breach? What is the nature of (a) Breach? What, when it comes down to it, is between the city and the city? As a commentary on the nature of the cities, it is interesting to note that there is very little visible light in this book. There are no sunny days; there is no really pleasant weather to discuss. In fact, “Holy Light!” is used as an expletive. It wasn’t something I noticed on the first reading, but on the second, it seemed an apt summation of the state of the cities and the people in them. What drew me to a re-read on The City & The City is that the story works on so many levels. It works as a police procedural. It works as an examination of class distinctions. It works as a biting statement on the things that we, as a society, choose to see and to unsee on a daily basis.