City of Bones (Harry Bosch Series #8)

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Overview

On New Year's Day, a dog finds a bone in the Hollywood Hills—and unearths a murder committed more than twenty years earlier. It's a cold case, but for Detective Harry Bosch, it stirs up memories of his childhood as an orphan. He can't let it go. As the investigation takes Bosch deeper into the past, a beautiful rookie cop brings him alive in the present. No official warning can break them apart—or prepare Bosch for the explosions when the case takes a few hard turns. Suddenly all of L.A. is in an uproar, and Bosch, fighting to keep control, is driven to the brink of an unimaginable decision.

Editorial Reviews

From Barnes & Noble

The Barnes & Noble Review
In A Darkness More than Night, Michael Connelly's complex hero Harry Bosch shared center stage with another Connelly protagonist (Terry McCaleb of Blood Work) in a convoluted homicide case in which Bosch himself became a primary suspect. In City of Bones, Bosch takes the lead in the high-profile investigation of a murder committed more than 20 years in the past.

The investigation begins when a family pet unearths a cache of bones buried in a shallow grave in the hills above Laurel Canyon. Forensic evidence indicates that the bones are those of an adolescent boy who endured an extensive history of physical abuse. Bosch, who experienced his own share of adolescent trauma, takes the case to heart, pursuing every lead in the killing with typically obsessive zeal. Eventually, a phone call from a Los Angeles woman whose brother disappeared in 1980 sets Bosch on the proper path, and he identifies the dead boy as Arthur Delacroix. Locating Arthur's killer, however, turns out to be a difficult -- and hazardous -- business. Bosch's investigation leads to a number of dead ends and false conclusions before arriving at the sad, tawdry truth. Along the way, that same investigation claims two new victims: a solitary, rather pathetic set decorator who was once convicted of pedophilia, and an overzealous rookie policewoman with a lifelong penchant for high-risk activities.

Though some of the characters are not as well developed or convincing as they are in Connelly's finest novels, such as The Black Echo and The Concrete Blonde, the central mystery in City of Bones is both compelling and affecting, and Connelly's portrayal of life in the inner circles of the LAPD is as credible as ever. Bosch himself -- that vulnerable, obsessive, sometimes self-destructive figure -- remains one of modern crime fiction's more durable creations. By the end of this particular investigation, Bosch has reached a turning point in his problematic 25-year career and faces a potentially life-altering decision. To be continued... (Bill Sheehan)

Orlando Sentinel
...Bosch and Connelly are at their finest...a cracking pace...the investigation [is] tightly focused and credible...
Publishers Weekly
Harry Bosch is at the top of his form which is great news for Connelly fans who might have been wondering how much life the dour, haunted LAPD veteran had left in him. His latest adventure is as dark and angst-ridden as any of Bosch's past outings, but it also crackles with energy especially in the details of police procedure and internal politics that animate virtually every page. What other crime writer could make such dramatic use of the fact that the front door of a house trailer swings out rather than in, creating problems for a two-man team of detectives? Who else would create to such credible narrative effect an egotistic celebrity coroner who jeopardizes an investigation because she lets a TV camera crew from Court TV follow her around, or an overage female rookie cop so in love with danger that she commits an unthinkable act? When the bones of an abused 12-year-old boy who disappeared in 1980 turn up in the woods above Hollywood (near a street named Wonderland, where former governor Jerry Brown used to live), the case stirs up Bosch's memories of his own troubled childhood. Also, as his captain so aptly points out, Harry is the LAPD's prime "shit magnet," an investigator who attracts muck and trouble wherever he goes. So it's no great surprise when the investigation takes a couple of nasty turns, right up through the last chapter. Connelly is such a careful, quiet writer that he can slow down the story to sketch in some relatively minor characters a retired doctor, a couple who lived through their foster children without missing a beat. (One-day laydown Apr. 16) Forecast: Connelly doesn't need much help in hitting the charts, but Little, Brown is going all out anyway, with a massive television, radio and print ad campaign, transit ads in New York and a 10-city author tour. Expect blockbuster sales and blockbuster satisfaction. Copyright 2001 Cahners Business Information.
Library Journal
Detective Harry Bosch is back on the homicide scene in Hollywood when the body of a 12-year-old boy, who was the victim of repeated physical abuse, is discovered. To make the case more difficult, the murder trail is cold, being more than 20 years old. Harry's investigations uncover secrets-some better left undisturbed: family violence, desertion, past sins, the seamy side of a seemingly normal neighborhood. Harry, unable to leave the case unsolved, worries about the problem until he identifies a suspect. When his partner "clears" the case, with fatal consequences, Harry decides to hang up his gun. Well read by Peter Jay Fernandez, Connelly's latest thriller provides plenty of red herrings, plot twists, and romantic interest that will keep listeners guessing for a long time.-Joanna M. Burkhardt, Coll. of Continuing Education Lib., Univ. of Rhode Island, Providence Copyright 2003 Reed Business Information.
Kirkus Reviews
Connelly takes his customary edge off Harry Bosch's latest case: the murder of a 12-year-old runaway that had never even been suspected until a playful dog turned up his bones in a shallow grave. Most of the people who lived in Laurel Canyon around 1980-the approximate date the forensics indicate the sorely beaten boy's life was abruptly ended with a final blow to the head-have long since moved on. So one of Harry's first jobs is figuring out who was even in the neighborhood when the boy was buried. Even after a distinctive skateboard allows Harry to identify the victim as Arthur Delacroix, lots of problems remain for Harry and Julia Brasher, the LAPD rookie who's soon sharing his confidences and his bed. A conversation with a known pedophile who lived a few doors away from Arthur's grave plunges Harry into official hot water. Arthur's abusive father is suspiciously eager to confess to the murder. And a routine chat with Johnny Stokes, a childhood friend of Arthur's who's grown up to be the complete loser, explodes in violence. Connelly handles all these episodes with his accustomed skill, but he can't hide the fact that they're episodes designed to make a 20-year-old homicide seem more urgent and dangerous to the present-day cast than it actually is. Harry still shines as a detective, and the sorry souls the evidence flushes out into the open go far to explain his conviction that "in every murder is the tale of a city." But the case itself is marked by coincidences and shifting suspicions that suggest untidiness rather than virtuosity, and there's precious little of the unremitting tension that's won Connelly such a following over the past ten years. A bone to throw to loyalists whilethey wait for another case to rival A Darkness More Than Night

Product Details

  • ISBN-13: 9780446611619
  • Publisher: Grand Central Publishing
  • Publication date: 2/25/2003
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 448
  • Sales rank: 45,512
  • Series: Harry Bosch Series , #8
  • Product dimensions: 4.12 (w) x 6.75 (h) x 0.87 (d)

Meet the Author

Michael  Connelly
Michael Connelly

Michael Connelly is a former journalist and has won every major prize for crime fiction. He lives in Florida.

Biography

Best known for his dark police procedurals featuring the tough, complex and emotionally scarred LAPD detective, Hieronymous "Harry" Bosch, Michael Connelly has been called "infernally ingenious" (The New York Times), "one of those masters...who can keep driving the story forward in runaway locomotive style" (USA Today) and "the top rank of a new generation of crime writers" (The Los Angeles Times).

Consistently exquisite prose and engrossing storylines play an integral role in his swelling success. However, Connelly believes that solid character development is the most important key. As he explained to MagnaCumMurder.com, "I think books with weak or translucent plots can survive if the character being drawn along the path is rich, interesting and multi-faceted. The opposite is not true."

A native of Philadelphia, Pennsylvania, Connelly attended the University of Florida; there he discovered the works of Raymond Chandler -- author of many classic Los Angeles-based noir dramas such as The Big Sleep, The Long Goodbye, and Farewell, My Lovely. The cases of Philip Marlowe inspired Connelly to be a crime novelist -- and by studying journalism, he put himself in the perfect position. "I went into journalism to learn the craft of writing and to get close to the world I wanted to write about -- police and criminals, the criminal justice system," he told MagnaCumMurder.com.

After graduation, Connelly worked the crime beat for two Florida newspapers. When a story he and a colleague wrote about the disastrous 1985 crash of Delta Flight 191 was short-listed for the Pulitzer, Connelly landed a gig in Marlowe's backyard, covering crime for one of the nation's largest newspapers -- The Los Angeles Times. Three years later, Harry Bosch was introduced in The Black Echo, which earned Connelly the Edgar Award for Best First Novel. Connelly has since won every major mystery honor, including the Anthony (The Poet, Blood Work) and the Macavity Award (Blood Work).

While Connelly has written stand-alone novels that don't feature his tragic protagonist Harry Bosch, he is best identified by his rigid, contentious and fiery -- but also immensely skilled and compassionate -- detective. According to The Boston Globe, the Bosch series "raises the hard-boiled detective novel to a new level...adding substance and depth to modern crime fiction."

Called "one of the most compelling, complex protagonists in recent crime fiction" (Newsweek) and "a terrific...wonderful, old-fashioned hero who isn't afraid to walk through the flames -- and suffer the pain for the rest of us" (The New York Times Book Review), Bosch faces unforgettable horrors every day -- either on the street or in his own mind. "Bosch is making up for wrongs done to him when he rights wrongs as a homicide detective," Connelly explained in an interview with his publisher. "In a way, he is an avenging angel."

Bosch is clearly a product of his deadly, unforgiving environment. "The philosopher Friedrich Nietzsche once wrote that when you look into the darkness of the abyss the abyss looks into you. Probably no other line or thought more inspires or informs my work," said Connelly in the same interview. With each passing novel, Bosch looks deeper and deeper into the abyss; and readers continue to return to see just how far he will gaze.

Good To Know

  • Michael Connelly received a huge career boost in 1994 when then President Bill Clinton was photographed walking out of a Washington bookstore with a copy of The Concrete Blonde under his arm. Connelly remarked to USA Today, "In the six years I've been writing books, that is the biggest thrill I've had."

  • Real events have always inspired Connelly's plots. His novel Blood Work was inspired by a friend who underwent transplant surgery and was coping with survivor's guilt, knowing someone had died in order for him to live. The book was later developed into a feature film starring Clint Eastwood, Angelica Huston, and Jeff Daniels.

  • One of Connelly's writing professors at the University of Florida was cult novelist Harry Crews.

  • Connelly named his most famous character after the 15th Century Dutch painter, Hieronymous Bosch. As he told Bookends UK in an interview, Bosch "created richly detailed landscapes of debauchery and violence and human defilement. There is a ‘world gone mad' feel to many of his works, including one called ‘Hell' -- of which a print hangs on the wall over the computer where I write." Some interesting outtakes from our interview with Connelly:

    "I wrote a mystery story as a class paper in high school. It was called The Perfect Murder. The protagonist's named was McEvoy, a name I later used for the protagonist in The Poet. Being a witness to a crime when I was 16 was what made me interested in crime novels and mystery stories."

    "I wrote my first real murder story as a journalist for the Daytona Beach News Journal in 1980. It was about a body found in the woods. Later, the murder was linked to a serial killer who was later caught and executed for his crimes."

    "Everything I want people to know about me is in my books."

      1. Hometown:
        Sarasota, Florida
      1. Date of Birth:
        July 21, 1956
      2. Place of Birth:
        Philadelphia, Pennsylvania
      1. Education:
        B.A. in Journalism, University of Florida, 1980
      2. Website:

    Read an Excerpt

    Chapter One


    The old lady had changed her mind about dying but by then it was too late. She had dug her fingers into the paint and plaster of the nearby wall until most of her fingernails had broken off. Then she had gone for the neck, scrabbling to push the bloodied fingertips up and under the cord. She broke four toes kicking at the walls. She had tried so hard, shown such a desperate will to live, that it made Harry Bosch wonder what had happened before. Where was that determination and will and why had it deserted her until after she had put the extension cord noose around her neck and kicked over the chair? Why had it hidden from her?

    These were not official questions that would be raised in his death report. But they were the things Bosch couldn't avoid thinking about as he sat in his car outside the Splendid Age Retirement Home on Sunset Boulevard east of the Hollywood Freeway. It was 4:20 p.m. on the first day of the year. Bosch had drawn holiday call-out duty.

    The day more than half over and that duty consisted of two suicide runs—one a gunshot, the other the hanging. Both victims were women. In both cases there was evidence of depression and desperation. Isolation. New Year's Day was always a big day for suicides. While most people greeted the day with a sense of hope and renewal, there were those who saw it as a good day to die, some—like the old lady—not realizing their mistake until it was too late.

    Bosch looked up through the windshield and watched as the latest victim's body, on a wheeled stretcher and covered in a green blanket, was loaded into the coroner's blue van. He saw there was one other occupiedstretcher in the van and knew it was from the first suicide—a thirty-four-year-old actress who had shot herself while parked at a Hollywood overlook on Mulholland Drive. Bosch and the body crew had followed one case to the other.

    Bosch's cell phone chirped and he welcomed the intrusion into his thoughts on small deaths. It was Mankiewicz, the watch sergeant at the Hollywood Division of the Los Angeles Police Department.

    "You finished with that yet?"

    "I'm about to clear."

    "Anything?"

    "A changed-my-mind suicide. You got something else?"

    "Yeah. And I didn't think I should go out on the radio with it. Must be a slow day for the media—getting more what's-happening calls from reporters than I am getting service calls from citizens. They all want to do something on the first one, the actress on Mulholland. You know, a death-of-a-Hollywood-dream story. And they'd probably jump all over this latest call, too."

    "Yeah, what is it?"

    "A citizen up in Laurel Canyon. On Wonderland. He just called up and said his dog came back from a run in the woods with a bone in its mouth. The guy says it's human—an arm bone from a kid."

    Bosch almost groaned. There were four or five call outs like this a year. Hysteria always followed by simple explanation: animal bones. Through the windshield he saluted the two body movers from the coroner's office as they headed to the front doors of the van.

    "I know what you're thinking, Harry. Not another bone run. You've done it a hundred times and it's always the same thing. Coyote, deer, whatever. But listen, this guy with the dog, he's an MD. And he says there's no doubt. It's a humerus. That's the upper arm bone. He says it's a child, Harry. And then, get this. He said . . ."

    There was silence while Mankiewicz apparently looked for his notes. Bosch watched the coroner's blue van pull off into traffic. When Mankiewicz came back he was obviously reading.

    "The bone's got a fracture clearly visible just above the medial epicondyle, whatever that is."

    Bosch's jaw tightened. He felt a slight tickle of electric current go down the back of his neck.

    "That's off my notes, I don't know if I am saying it right. The point is, this doctor says it was just a kid, Harry. So could you humor us and go check out this humerus?"

    Bosch didn't respond.

    "Sorry, had to get that in."

    "Yeah, that was funny, Mank. What's the address?"

    Mankiewicz gave it to him and told him he had already dispatched a patrol team.

    "You were right to keep it off the air. Let's try to keep it that way."

    Mankiewicz said he would. Bosch closed his phone and started the car. He glanced over at the entrance to the retirement home before pulling away from the curb. There was nothing about it that looked splendid to him. The woman who had hung herself in the closet of her tiny bedroom had no next of kin, according to the operators of the home. In death, she would be treated the way she had been in life, left alone and forgotten.

    Bosch pulled away from the curb and headed toward Laurel Canyon.


    Excerpted from City of Bones by Michael Connelly. Copyright © 2002 by Hieronymus, Inc.. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.


    Table of Contents

    Customer Reviews

    Average Rating 4
    ( 136 )

    Rating Distribution

    5 Star

    (60)

    4 Star

    (46)

    3 Star

    (17)

    2 Star

    (9)

    1 Star

    (4)

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    See All Sort by: Showing 1 – 20 of 137 Customer Reviews
    • Anonymous

      Posted November 17, 2011

      Bosch #8

      I have read seven previous Harry Bosch books and this by far is the best one.. Very interesting and very well writtem..Connelly outdid himself on this one...

      2 out of 2 people found this review helpful.

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    • Posted December 31, 2011

      more from this reviewer

      Highly Recommended

      Once again, Michael Connelly has written an excellent thriller that kept me glued to each page until I finished reading the book. Anyone who likes mystery and intregue will certainly enjoy this story. It is well worth the read and will most likely keep you reading other books in the Harry Bosch series.

      1 out of 1 people found this review helpful.

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    • Posted March 29, 2011

      excellent five star!

      This was the first book of Connelly's that I read. I am CSI student and I decided to read a mystery novel to relax and fell in love with the Harry Bosch series. Now I need to decide which one will be the next. Should I start from the beginning or for the new ones? All of them has an excellent reviews, hard to choose.

      1 out of 1 people found this review helpful.

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    • Posted August 18, 2010

      Lack of intensity and unsatisfying ending mar 'Bones'

      Michael Connelly's Detective Hieronymous "Harry" Bosch is back in the police procedural, City of Bones. Harry and partner Jerry Edgar are assigned the case of a missing child whose bones are found in the hills of Laurel Canyon. With the cases of child abuse and abduction today, this grisly and depressing storyline really punched me in the gut right from the start. I wanted this killer caught or worse more than Harry and Jerry did.

      As the case progresses, so does Harry's romantic involvement with Officer Julia Brasher. Because she's a fellow officer, she's supposed to be off-limits per LAPD regulations. Harry feels the heat on and off the case from his superiors to overly ambitious media personnel to his own desire wanting to solve this horrific crime.

      Connelly's always does a great job of depicting the inner workings of the LAPD chock-full of political correctness, rivals and friends, procedure and how the case works the psyche of Harry. In spite of all of this, as is the tone of a police procedure, the action is minimal and the solution to the crime didn't turn or twist as much as I thought it might. A key piece of interpreted evidence triggers the solution but it lacked that white-hot, 'I gotcha!' feeling.

      Police procedural mysteries are not thrillers or suspense stories and tend to reflect real life in a more subdued manner but after raising the hair on the back of my neck in the beginning just imagining what happened to this child, the ending to me didn't match that horrendous discovery to launch the case file.

      Then Harry at the conclusion left me scratching my head as much as the solution of closing the investigated and determined homicide. I wasn't quite fully satisfied with the resolution of neither the story nor a certain love interest in this one. But Michael's still the man and continues to be in demand.

      1 out of 1 people found this review helpful.

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    • Posted February 22, 2010

      One of the best books I've read

      Excellent

      1 out of 1 people found this review helpful.

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    • Anonymous

      Posted March 11, 2012

      Wow!

      Let the midnight oil burn,,,could not put it down

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    • Anonymous

      Posted February 13, 2012

      The hill side of mystery.

      Great story. Harry Bosch continue to amaze with his desire to know.

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    • Anonymous

      Posted January 15, 2012

      Excellent!

      My first book of his, excellent read and I'll get more of his books.

      0 out of 1 people found this review helpful.

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    • Anonymous

      Posted January 18, 2012

      Interesting looking book

      I am wondering if I should get the series...

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    • Posted July 28, 2011

      0 out of 3 people found this review helpful.

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    • Posted January 10, 2011

      Crazy story

      Loved hoe this one was written from start to finish. This was the first book of Connelly's that I read I found it at work waiting for someone to claim it but they never did. So I decided to read it and fell in love with the Harry Bosch series. Went out and bought the first 7 before these and never put them down unitl completion.

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    • Anonymous

      Posted April 8, 2010

      A great Police Procedural

      I have read all of the Harry Bosch series available so far, and have enjoyed each immensely. They are great police procedural books, have strong plots, and involved and interesting charecter development.
      I have eagerly finished each book, and have anticipated beginning the next--I will have to move onto the "Lincoln Lawyer" series, soon!

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    • Posted December 14, 2009

      CITY OF BONE WAS A GREAT READ!!

      This is a great book to read I love how you never knew who the killers was! and it keeps you guess thought out the whole book!! I couldn't put this book down until i finished up the last of the pages.

      Thanks Kristi

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    • Anonymous

      Posted December 12, 2009

      I Also Recommend:

      A terrific read! A suspenseful thriller. Michael Connelly is at the top of his game with City Of Bones. Not for the faint of heart. I loved every moment of it.Not to be missed. A taunt thriller.

      This was my first novel by Michael Connelly,that I read,and I loved it. I really liked his character Harry Bosch. Harry Bosch is great detective and hero,I really liked him. This is great detective story,it had great plot and great characters.I recommend this book to anybody who likes a good thriller. I really liked this story,it full of great and very likable characters.Even when I was not reading,I was thinking about it.This a great book,I think that everybody should read this book. I hope that Michael Connelly keeps on writing,I also hope that Harry Bosch is around for a long long time.

      0 out of 1 people found this review helpful.

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    • Posted April 20, 2009

      Great escapism read

      As usual, Connelly's protagonist is a decent person and a good cop, with just enough flaws to make him interesting. He drinks too much, isn't good with personal relationships, and is adverse to procedure and red tape. But he isn't sour on humanity as are too many fictional policemen, and basically he is a good cop. I particularly enjoy the way his attention to detail allows him to catch the criminal. Connelly is a great writer, and I recommend him (and this book) highly.

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    • Posted April 8, 2009

      City of Bones Filled with Surprises

      As with every Michael Connelly book, City of Bones is a thrilling whodunit. Connelly continues beyond the case solving to add plot twists that the reader does not see coming.The last pages of his novels are filled with the unexpected. A great read.

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    • Posted February 25, 2009

      good

      Easy and fast read- it you like Harry Bosche

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    • Anonymous

      Posted July 25, 2006

      Excellent police procedural

      This was my first Harry Bosch encounter (and I hope not my last). I truly felt that the author hit this one out of the ballpark with regards to believability of the investigation as well as the emotional background of all of the characters. I will admit that Julia Brasher did seem to be a 3-dimensional character who leaves the story in a somewhat surprising potentially 2-dimensional manner, but this is a minor off-note in this otherwise excellent book. Definitely recommended!

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    • Anonymous

      Posted September 29, 2005

      My 1st and Favorite Harry Bosch

      The book that got me hooked on Michael Connelly and still remains one of his best! Harry Bosch is a complex, very real character. Definitely someone you'd want on your side.

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    • Anonymous

      Posted August 5, 2005

      So so

      I came away with a frustrating feeling after reading this book. This is the first Michael Connelly book I have read and I'm not anxious to read the next. Bosch, especially left me feeling cold. I felt the relationship with Brasher would have been a welcome development, but the female and rookie officer was - without warning - turned into some sort of ridiculous stereotype that did not fit with the story. Decent story, but lacked some depth and development.

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