City of Secretsby Kelli Stanley
This powerful sequel to Kelli Stanley's scorching City of Dragons, which introduced unique and unforgettable series heroine Miranda Corbie, begins on May 25th, 1940, opening day for the World's Fair. When a woman is found dead, private investigator Miranda Corbie is soon hot on the trail of a vicious murderer. Set against the backdrop of a Europe defeated by/i>
This powerful sequel to Kelli Stanley's scorching City of Dragons, which introduced unique and unforgettable series heroine Miranda Corbie, begins on May 25th, 1940, opening day for the World's Fair. When a woman is found dead, private investigator Miranda Corbie is soon hot on the trail of a vicious murderer. Set against the backdrop of a Europe defeated by Nazi Germany and an America unsure of where to turn, City of Secrets is a fast-paced mystery featuring a P.I. who will stop at nothing to right the world's wrongs.
After weeks of preparation, the San Francisco World's Fair is set to open on May 25, 1940. Early that morning, the named corpse of beautiful Pandora Blake is found sprawled across a platform at the Artists and Models exhibition, the word "kike" carved into her body. Before contacting the police, the Exposition owner calls in hard-boiled Miranda Corbie (City of Dragons, 2010). Miranda feels an affinity for a young victim who, like herself, was once a small-town girl from Omaha. The private eye's relationship with Captain O'Meara is strained at the best of times; the fair's importance and a heat wave do nothing to ameliorate their conflict. Under police pressure, she gets fired from the gig. But, lacking another case at the moment, she can't help trying to do right by Pandora, whose friends freely offer opinions about her killer. Both hard-bitten Sheila and much-younger Loretta finger Henry, a violent animal trainer. When Miranda questions him, his pent-up rage is so palpable that she reaches for her .22. The Chesterfield-smoking gumshoe has a haunted past, revealed in snippets of flashback. Developments in the case come rapid-fire, beginning with the similar murder of Annie Learner, who also worked at Artists and Models. When ex-cop Gerry Duggan is arrested for both crimes, Miranda takes on the unsavory job of proving his innocence.
Stanley's brittle prose and period touches effectively capture the feeling of '40s noir, even if the somber tone seems forced at times.
“The historical details shine in this perfectly drawn mystery.... This shows how historical mystery can not only re-create the sights but also the atmosphere of the time.” RT Book Reviews (Top Pick!)
“Stanley's brittle prose and period touches effectively capture the feeling of '40s noir.” Kirkus Reviews
“In best pulp fiction style, suspects lounge about with slick hair and cheap suits, blondes are chain-smoking broads, and the nightclubs are smoky and languid.” Publishers Weekly
“Engrossing.... Stanley brings 1940s San Francisco to life with her meticulously detailed, hard-boiled novel.” Library Journal
Read an Excerpt
City of Secrets
By Kelli Stanley
St. Martin's PressCopyright © 2011 Kelli Stanley
All rights reserved.
Pandora was still pretty. White skin, blond hair. Roots not faded back to black and brown. Stretched across the platform, breasts firm, nipples plump, pubic hair shaved. Head hung over the edge, upside down. Frozen, still, marble. Perfect artist's model, except for the blood dripping.
Fred was standing in the stage shadows, hat in his hands. Tom skittered around Miranda, keeping up a monologue.
"I — I figure you know wh-what to do, Miss Corbie, bein' a detective an' all. You probably seen ... She really is — dead?"
Fred choked, his large brown fedora crumpled with sweat from where he was squeezing it. He took a step toward Miranda.
"Ain't you better — ain't you better do somethin', Miss Corbie? Whoever did this to Pandora ..."
She turned to face him. "Somebody threaten her? Try to get too close?"
He shook his head. "I can't say, Miss Corbie. Tom finds her like this — she ain't supposed to be here, she was always late, but you know, it don't take much time to take off your clothes, and she — she never had to wear much makeup. ..."
He turned his back to her, faced the shadows again. A calliope started playing from the merry-go-round.
Miranda stood up from where she was crouched by the dead woman's face. "You touch anything?"
"I cain't — cain't remember, Miss Corbie. I saw her, might've shook her some." Tom's eyes came back to the dead girl, West Virginia accent thicker.
Miranda took the pack of Chesterfields out of her purse. Said carefully: "You know how this got here?" She pointed to Pandora's right breast, the one without a hole in it.
Under the swell, under the small, slow trickle crossing her chest and oozing from the stab wound. A word in blood.
Bombs exploded from the Elephant Towers, rattling the wooden platform. Signal for opening time, second Golden Gate International Exposition, step right up, folks, and welcome to Treasure Island.
Miranda took a deep breath and lit a cigarette, staring at the dead girl.
May 25, 1940. Opening Day at the Fair to End All Fairs.
Closing day for Pandora Blake.
* * *
9:06 A.M. Miranda folded the newspaper over the B-western fence post outside Sally's and flicked the Chesterfield in the dirt, waiting for the bulls to make an appearance, waiting for someone official to show up and tell her to go away.
Another explosion shook the Gayway, drowning out the Hawaiian and Spanish music from the turnstiles. Some genius in the PR department figured bombs were news in Europe, why not drop them on San Francisco?
Girls in line at the hot dog stand tittered. Whiff of fresh scones from Threlkeld's, fog peeling off Ripley's Odditorium.
Tom stepped out of Artists and Models across the midway strip, his long body jerking itself in different directions. She waited, quick inhale, dropped the Chesterfield, crushing it in the sawdust. His hand shook when he grasped her arm. A little taller than her, about five eight. Patched and stained dungarees, worn, covered in dirt, electrical wire hanging from his pocket. Blue eyes watery, wide, scared.
"They — they takin' her away, Miss Corbie. Don't know no family for her, but — God almighty, seems like she needs somebody."
Trembling all over. Rubbed his face into his blue work shirt, mouth contorted, tears on weathered skin.
Miranda said slowly: "You sure you didn't see anyone? They'll ask you. They'll try to break you. You know something, tell me."
Head shake, hair sandy and lifeless. "I don't see nothing. I'm settin' up the lights for the opening, she's the first act on the hour — we been practicin' for the last week. I see her stretched out already, figured she was playin' around." He plucked at his rough blue shirt, stained with oil and sweat, looking down, whispered voice. "I walk over, thinkin' maybe ... maybe she ... I don't know."
Miranda nodded, didn't say anything. He choked back a whimper. Wiped his face with his arm again. Met her eyes.
"So I get Fred, and he says to find you. Alls I did was — was touch her a little. I thought she was playin'. So help me Gawd, Miss Corbie — I thought she was playing."
The thin electrician held his face in his hands, shoulders convulsing with sobs.
* * *
9:27 A.M. Lost men in soiled pants sidling through early, looking for the sure bet, the certain thing, a grift at better odds than Tanforan. Couples, hand in hand, mouths open, blushing at buying a ticket for Sally Rand's, chubby brunette oohing over a cheap gold bracelet, boyfriend in glasses spending a buck for the engraving. "Nina," he says proudly, and she blushes.
Kids kick up the sawdust, dressed in faded pinafores and big brother's old knickers, clutching dimes for the roller coaster and the Roll-O-Plane and the lions in Captain Terrell Jacobs's African Jungle, buying cotton candy and popcorn, dropping peanuts down the Gayway.
Miranda waited and blew a smoke ring, missing Shorty and the rest of the Singer Midgets from last year.
Not the same Fair. Not the same world. Phony war over, a world war now, except we weren't a part of the world anymore.
We were Americans. Who needed the fucking world.
She shielded her eyes against the sun, checking attendance day numbers on the giant cash register. A shadow blocked her view. Grogan, smirk on his face.
"Time to talk, Corbie."
* * *
Herman sat and sweated, sad brown eyes following Grogan's cigar, crumpled derby on his lap. Looked back and forth between Grogan and Miranda.
He whined for the third or fourth time. "Lieutenant, it's Opening Day. Mr. Schwartz got a lot invested."
Grogan looked at the end of his cigar critically, stamped it out in the Firestone ashtray. "You think I like this any more than you do, Lukowski? We got fifty more men than usual today, whole goddamn city's been throwin' one hootenanny after another for the whole goddamn week. Fiesta Days, my ass. It's money, money for Schwartz, money for you. But there's a blond dame upstairs that got stabbed at your concession. And until the M.E. gets done with the crime scene, you can't get your girly peep show open again. So shut the fuck up."
Grogan glanced over at Miranda. "I'd apologize for my language if there was any ladies present."
Miranda blew the stream of smoke in his face. "How'd you manage to get promoted, Grogan? I figured you'd be headlining the Odditorium by now."
Grogan leaned back in his chair until it squeaked. "You're the freak, Corbie. First a whore, now a private dick. Get your picture in the fucking paper, and think you're Carole fucking Lombard."
She stabbed out the Chesterfield on his desk, rolling around the stub until the paper splintered and tobacco spilled out. "How long do I have to stay here? I can't wait long enough for you to find an idea. World doesn't have that much time left."
His lips stretched, eyes tight under the heavy bags. "Long enough to deal with Captain O'Meara."
Noise in the outer room. Sally's voice. O'Meara stuck his head in and scanned the room, not looking at anyone in particular.
Said: "My office, please." Grogan shoved his chair aside, gestured sarcastically for Miranda to go ahead of him. Herman sighed and shrank farther into the office wall.
Sally was already inside, draped in a brown fox stole and an air of irritation. Surrounded by men, and not the kind she liked. Too old, too fat, too lawyer.
Major Charles Kendrick, one of Dill's vice presidents, old man with a droopy white mustache and too much room in the seat of his pants. Francis Sandusky, director of concessions, Threlkeld's crumbs still clinging to his potbelly. Randell Larson, stiff in his young attorney starched Arrow shirt and unobjectionable navy tie.
The fucking Firing Squad.
Sally smiled at Miranda, grabbed her hand and squeezed it.
O'Meara struck a newspaper pose behind his desk, gray black hair shiny with Wildroot Cream-Oil, star on his chest as polished as the black leather shoes. He cleared his throat, spoke to the Certificate of Merit on the wall.
"I'm sorry to bring you here under these circumstances. As you know, there's been a death on Opening Day. A young woman —"
"Was murdered, Captain. Or don't we use that word during Fiesta Days?"
Larsen shook his head, soft white hands folded in his lap. O'Meara's blue eyes narrowed, crawling over her.
She wouldn't make it easy on the bastards.
"Miss Corbie, you've rendered service to the Exposition company on several occasions."
"She's the best protection my girls got on the Gayway. I'm not here much — you know me, I've got a finger in a lot of pies — but everyone at Sally Rand Enterprises can tell you Miranda Corbie is a valuable em-ploy-ee." She enunciated carefully before blowing smoke out the corner of her mouth. "And a damn good broad. So what's the beef? I've got a show to set up and a plane to catch."
"Just a few questions, Miss Rand. Miss Corbie doesn't work solely for you, does she?"
"Ask me the goddamn questions, O'Meara. I know who I work for." Miranda leaned over his desk. "I work for myself. Worked for Leland Cutler, too, before he was cut loose. You might remember him. He was president of this circus before the moneymen replaced him with Dill."
O'Meara pulled open the mahogany desk tray, shut it. Trying to time it just right.
"As I said, Miss Corbie — you've been helpful. But the nature of this incident —"
"Who's the lawyer — you or Larson? Pandora Blake was stabbed and murdered. Somebody wrote 'kike' on her dead body, in her own blood. That sound like an 'incident' to you?"
The captain exhaled, color in his cheekbones. Larson shifted in the background, making a noise in his chest. Sandusky looked up from the floor, stomach quivering.
"Christ, you're not exactly known for discretion. That Jap case a few months ago — you were asked not to investigate —"
"I was told not to investigate. A killing nobody gave a fuck about, except to hush it up." Voice derisive, eyes sure and hard. "I'll say it again. Pandora was murdered. Her body defaced. Because somebody doesn't like Jews."
Sandusky took a step backward. Gasp from Larson. Forbidden words. Fuck was fuck, but Jews were something more than profanity.
The major made a snorting sound, voice quavering. "She defiled herself. Appearing in a show like that."
Sally's voice slurred with the slight lisp she usually controlled. "Now wait a goddamn minute, sport. If you want to dress up in a powdered wig, maybe I'd better leave the room. My girls — all the girls — make money for this outfit. They're about the only ones who do." She dropped her cigarette to the floor and crushed it out.
The major retreated to San Juan Hill. Miranda set O'Meara's horse-head lighter back on the desk with a thump, quick inhale, second-to-last cigarette.
"You know damn well I'm a private detective, O'Meara. From now through September I work the Nude Ranch for Sally."
Never dodge, never run, no blindfold. Johnny taught her that.
"I'm sorry, but — not anymore, Miss Corbie."
Sally's chair scraped the tile floor. "I hire who I want to hire. Who the hell are you to can my employee in front of me? Jesus, what are you people — Gestapo?"
Grim smile from O'Meara, no teeth in it. Hair back to gleaming, hands steady. Audition for Mr. District Attorney, champion of the fucking people. Just make sure you're the right people, honey. No Jews or nudes allowed.
"Management considers Miss Corbie a security risk. We understand your position, Miss Rand, but keep in mind that private security personnel need approval by the Fair management. That's why we asked you to be present."
"And here I thought it was my figure." Sally shook her head, disgust making her face look its age. "Well, honey ... that's that. I can always use you at the Music Box. Hell, I could train you in the act — you got everything it takes."
Miranda dropped ash on the floor, eyes locking on Grogan and his smirk.
"Thanks, Sally. I've still got my license."
O'Meara nodded at Larson. The lawyer scurried forward with a typewritten document. O'Meara let it drop, the paper making a smooth, expensive sound against the dark brown wood.
"You will if you sign this. It says you promise to not give out any information about the homicide. Or contact the press. And that you won't initiate an investigation on your own or sign a contract with anyone who seeks to employ you in regards to it."
Sally made a guttural noise, left hand on her ample hip. "An hour ago I was carrying a midget and leading a parade of freaks down the Gayway. If you ask me, the only freaks in this whole goddamn fair are right here, right now, trying to find some balls to scratch and coming up empty." She motioned with her head to the door. "C'mon, honey. Let's drift."
"In a minute."
Sally rearranged her fur, flounced out. Miller's "Bugle Call Rag" and screams from the Roll-O-Plane filtered through the dusty window glass. Miranda rubbed out the stub on a corner of O'Meara's desk. Picked up the document, checked the signatures. Folded it, wedged it behind the Chadwick's Street Guide in her purse.
Sweat was beading up in O'Meara's hairline. Larson opened his mouth to say something, shut it again. Sandusky and the major faded against the wall, mute chorus, packed jury.
She placed her hands on O'Meara's desk, leaning forward. Felt his gaze draw downward, helpless. Spoke in soft tones, silky, like talking to an out-of-town Shriner at the Club Moderne.
"I know how many people depend on Treasure Island for their wages, Captain. Better than you do. But that's not what this is about."
She stepped back, staring down each man in turn. "You bastards want to look the other way, pretend it never happened." Her fingers closed into fists. They shook, and she held them at her side.
She was almost out the door when Grogan raised his voice.
"You gonna sign it, Corbie? Keep out of it?"
She threw it over her shoulder.
"There's a war on, Grogan. No more fucking peace in our time."
They were still standing in silence when the outside door to the station house slammed shut.
* * *
She stayed on the island for the rest of the day, saying her good-byes. Electricians and stagehands and loud talk about a strike to get her back on the Gayway. Barkers with crumpled faces, voices hoarse, pat on the shoulder and free admission to anything she wanted to see. She talked to Sally's bunch, but the girls were mostly new, didn't know Pandora, didn't know Miranda, didn't know about how she started with the Fair or about Leland Cutler or Phil or the Incubator Babies case, except from hearsay.
She caught Sonny from the coroner's office at the dock, gave him a fin to let her ride back in the morgue boat. The sun was setting behind the skyscrapers as Miranda stood in the stern, smoking a new pack of Chesterfields.
Dead girl on the Bay, bier coming home. Blond and beautiful. Willows whiten, aspens quiver. Goddamn poetry, her fucking father the fucking professor and the fucking Lady of Shalott. He said, "She has a lovely face ..."
Cigarette went out with a gust from the Bay Bridge, car lights crawling like ants on the top deck, Key System train shining, fast, modern, on the deck below. Took her Ronson Majorette three times to light the stick again.
Lovely face. Enough for big dreams. No family, not that anyone knew. Kept to herself, that one, always dreaming. Brushing her hair in the mirror. "Tirra lirra," by the river. Then the mirror cracked, no Jews allowed in Shalott. Restricted community, don't you know. Only Episcopalian knights allowed, and if you aren't one of those, lady, you don't sit at our table.
Sonny turned on a radio, Glenn Miller and Ray Eberle wishing on a star, goddamn Jiminy Cricket, and a little boy made of wood.
Geppetto's Italy, not Mussolini's.
The boat pulled up to Pier 5. The Delta Queen lay clean and quiet by Pier 1/1/2, overnight to Sacramento in style, but style was too old-fashioned for 1940. On September 29 the Fair would close for good, and so would the Delta King and Queen, faster world of train tracks and asphalt passing them by.
Red neon glowed on the Embarcadero, come to the Exposition, ferries every five minutes. Bored morgue attendants stood on the pier in white coats and threw a rope to Sonny. Two uniforms waited in a car. Last look back at Treasure Island.
Excerpted from City of Secrets by Kelli Stanley. Copyright © 2011 Kelli Stanley. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Meet the Author
KELI STANLEY is also the author of a critically acclaimed Roman Noir series. The first book in that series, Nox Dormienda, won the Bruce Alexander Award for best historical mystery. Kelli lives in San Francisco, California.
Most Helpful Customer Reviews
See all customer reviews
Sometimes, I am amazed by what I do not know, and the eugenics in the United States during the 1930's to 1950's has really shocked me. I know about the terrible treatment of the blacks in the South, but this points to the perils of being Jewish in America, while Hitler exterminates European Jews. Miranda has not lost her grit and stamina, but her smoking has diminished, a little. Parts of the story sends chills up my spine, to think of the suffering of the oppressed. Stanley presents a San Francisco rich in history, crime, passion, and beauty. The characters are rich in detail from No-Legs to Duggan to Blind Willie to Ozzie. I enjoy the friendship among Miranda and Bente and Gladys and Allen. Little by little, the reader learns Miranda’s history, but still much needs to be told.
I gave this book my best. It is written in the present tense and I cannot keep up with the dialogue. I feel that books should be written about what is said not what is being said now. Example, "I am talking to him and he speaks to me". That format is difficult for me to read.