City of Stairs

City of Stairs

4.3 11
by Robert Jackson Bennett
     
 

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An atmospheric and intrigue-filled novel of dead gods, buried histories, and a mysterious, protean city—from one of America's most acclaimed young SF writers.

The city of Bulikov once wielded the powers of the gods to conquer the world, enslaving and brutalizing millions—until its divine protectors were killed. Now Bulikov has become just

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Overview

An atmospheric and intrigue-filled novel of dead gods, buried histories, and a mysterious, protean city—from one of America's most acclaimed young SF writers.

The city of Bulikov once wielded the powers of the gods to conquer the world, enslaving and brutalizing millions—until its divine protectors were killed. Now Bulikov has become just another colonial outpost of the world's new geopolitical power, but the surreal landscape of the city itself—first shaped, now shattered, by the thousands of miracles its guardians once worked upon it—stands as a constant, haunting reminder of its former supremacy.

Into this broken city steps Shara Thivani. Officially, the unassuming young woman is just another junior diplomat sent by Bulikov's oppressors. Unofficially, she is one of her country's most accomplished spies, dispatched to catch a murderer. But as Shara pursues the killer, she starts to suspect that the beings who ruled this terrible place may not be as dead as they seem—and that Bulikov's cruel reign may not yet be over.

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Editorial Reviews

The New York Times Book Review - N. K. Jemisin
…a memorably surreal urbanscape…is the best part of this essentially set-piece novel, and it's what makes the whole thing worth reading. The book is labeled epic fantasy, but there's no hint of staid European medievalism in its pages, and its root cultures are (refreshingly) secondary-world variants of czarist Russia and Mughal India. Bulikov is an ancient city trying to reinvent itself amid the ruins of its past, and it is very much a character in its own right. The city teems with leftover magic, warped and decaying from its heyday: walls that aren't quite real, endless twisting stairways to nowhere, shifting monuments to forgotten heroes…readers seeking a truly refreshing fantasy milieu should travel to Bulikov, and welcome its conquest.
Publishers Weekly
06/09/2014
Bennett (American Elsewhere) ventures into secondary-world fantasy in this action-packed, occasionally numinous, noir-like novel, which combines metaphysical and geopolitical observations. The city of Bulikov, once the sacred seat of a brutal, miracle-fueled empire, now stagnates under the administration of its former colony Saypur, which has become a technology-driven superpower. Exiled operative Ashara Komayd is the privileged great-granddaughter of the last Kaj of Saypur, the man who killed the Divinities, thereby both literally and politically destabilizing an entire continent. While investigating the politically inflammatory murder of a Saypuri professor who was studying Bulikov’s censored history, she finds disquieting evidence that some Divinities—and their legacy—may yet survive. Bennett largely sidesteps questions of colonialism and cultural appropriation in his tightly paced mystery, but supporting characters like Ashara’s indestructible aide, Sigrud, and conflicted ex-lover Vohannes Votrov flesh out the otherwise narrowly focused setting. The open ending promises a sequel. Agent: Cameron McClure, Donald Maass Literary Agency. (Sept.)
From the Publisher
"A memorably surreal urbanscape...readers seeking a truly refreshing fantasy milieu should travel to Bulikov, and welcome its conquest.”
New York Times Book Review

"A delightful urban fantasy that travels through a city full of Escher-like staircases and alternate realities...A diverse and entertaining cast of old gods fleshes out the ruins of this mysterious city, and Shara’s hit-man secretary delivers nonstop action."
Washington Post

"Entertaining yet thought-provoking...Entrancing characters, exciting descriptions and piercingly clear action keep the story moving swiftly and surely to a satisfying conclusion.”
Seattle Times

[An] incredible journey through a wondrously weird and surprising world...I found myself both delighted and fascinated as every layer was slowly unpacked. Just the right mix of awesome."
—Tor.com

“Suddenly, the pages are whipping by, 50 at a clip as mysteries are uncovered, miracles happen and assassins begin scaling the walls. … Bennett is plainly a writer in love with the world he has built — and with good cause. It's a great world, original and unique, with a scent and a texture, a sense of deep, bloody history, and a naturally-blended magic living in the stones.” 
—NPR.org

"Robert Jackson Bennett deserves a huge audience. This is the book that will earn it for him. A story that draws you in, brilliant world building, and oh my God, Sigrud. You guys are going to love Sigrud." 
—Brent Weeks, New York Times bestselling author of The Way of Shadows

"Smart and sardonic, with wry echoes from classic tales mixed up in an inventive, winning narrative. [Bennett is] a master of the genre."
Kirkus

"An excellent spy story wrapped in a vivid imaginary world."
Library Journal (starred)

A rich, layered, thoughtful story, full of gods and magic and characters that feel unflinchingly true…every once in a while I read a book that’s so well done, I find myself wanting to punch the author in the face out of pure envy. Congratulations, Mr. Bennett – you just made the face-punching list! 
—Jim C. Hines, Hugo Award winning author of Libriomancer

"Alien and human at the same time, Bennett's world is engrossing and fascinating. The pacing kept me reading far later than was healthy."
—Mur Lafferty, Campbell Award winning author of Playing for Keeps

Library Journal
03/01/2015
In the city of Bulikov, the gods are dead and the conquered populace forbidden from talking or writing about their past. Saypuri master spy Shara Thivani comes to Bulikov to investigate the death of a historian and discovers the city's god might not be as dead as everyone thinks. Complex politics and characters—as well a great puzzler of a mystery—make this an amazing series opener. (LJ 8/14)
Kirkus Reviews
2014-08-28
Another dark fantasy by master of the genre Bennett (American Elsewhere, 2013, etc.), a literate swirl of religion, politics, finance and other sources of misery. "You know you are my foremost Continental operative." Thus a suit to our protagonist, a divinologist who just happens to know her way around a conspiracy theory. Is Bennett's latest merely an elaborate excuse to make a pun on Dashiell Hammett's The Continental Op? Probably not, but Shara Thivani, mutatis mutandis, wouldn't be entirely out of place in an old issue of Black Mask—if, that is, that century-old mystery mag had a soft spot for vaguely Central Asian locales in some not-quite-defined version of the future, along with a little genre-crossing into the horror realm. Shara, an agent of the island state of Saypur, is posted to the vast mainland city of Bulikov after having been abroad for 16 years. Continental Bulikov—a city of ups and downs indeed—once ruled Saypur, but the tables were turned thanks to a conspiracy that involves some considerable theological twists and turns; suffice it to say that Black Mask founder H.L. Mencken would have enjoyed the iconoclasm attendant in Bennett's account of that tumultuous history. Will the tables be turned once again? That's what Shara and her sidekick, the monkish but menacing Sigrud, "a hammer in a world of nails," are there to forestall. The story is winding, the cast of characters sizable but not so sprawling as in many a fantasy; it's all well and neatly told. Bennett's invented geography isn't quite as beguiling as, say, Borges' library, but he does a thoroughly credible job of worldbuilding; readers will find themselves huffing and puffing their ways across the city and its namesake stairs, which "do not end: they stretch on and on, soft and moist, formed of dark, black clay and loam" and lead to all kinds of odd places. Smart and sardonic, with wry echoes from classic tales (a little "Telltale Heart," anyone?) mixed up in an inventive, winning narrative.

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Product Details

ISBN-13:
9780804137171
Publisher:
Crown Publishing Group
Publication date:
09/09/2014
Pages:
464
Sales rank:
57,530
Product dimensions:
5.10(w) x 7.90(h) x 1.10(d)

Read an Excerpt

And Olvos said to them: “Why have you done this, my children? Why is the sky wreathed with smoke? Why have you made war in far places, and shed blood in strange lands?”

And they said to Her: “You blessed us as Your people, and we rejoiced, and were happy. But we found those who were not Your people, and they would not become Your people, and they were willful and ignorant of You. They would not open their ears to Your songs, or lay Your words upon their tongues. So we dashed them upon the rocks and threw down their houses and shed their blood and scattered them to the winds, and we were right to do so. For we are Your people. We carry Your blessings. We are Yours, and so we are right. Is this not what You said?”

And Olvos was silent.

—BOOK OF THE RED LOTUS, PART IV, 13.51–13.59

Someone Even Worse

I believe the question, then,” says Vasily Yaroslav, “is one of intent. I am aware that the court might disagree with me—this court has always ruled on the side of effect rather than intent—but you cannot seriously fine an honest, modest businessman such a hefty fee for an unintentional damage, can you? Especially when the damage is, well, one of abstraction?”

A cough echoes in the courtroom, dashing the pregnant pause. Through the window the shadows of drifting clouds race across the walls of Bulikov.

Governor Turyin Mulaghesh suppresses a sigh and checks her watch. If he goes on for six more minutes, she thinks, we’ll have a new record.

“And you have heard testimony from my friends,” says Yaroslav, “my neighbors, my employees, my family, my . . . my bankers. People who know me well, people who have no reason to lie! They have told you again and again that this is all just an unfortunate coincidence!”

Mulaghesh glances to her right along the high court bench. Prosecutor Jindash, his face the very picture of concern, is doodling a picture of his own hand on the official Ministry of Foreign Affairs letterhead. To her left, Chief Diplomat Troonyi is staring with unabashed interest at the well-endowed girl in the first row of the courtroom seats. Next to Troonyi, at the end of the high court bench, is an empty chair normally occupied by the visiting professor Dr. Efrem Pangyui, who has been more and more absent from these proceedings lately. But frankly, Mulaghesh is only too happy for his absence: his presence in the courtroom, let alone in this whole damn country, has caused enough headaches for her.

“The court”—Yaroslav pounds on the table twice—“must see reason!”

I must find someone else, thinks Mulaghesh, to come to these things in my place. But this is wishful thinking: as the polis governor of Bulikov, the capital city of the Continent, it is her duty to preside over all trials, no matter how frivolous.

“So you all have heard, and you must understand, that I never intended the sign that stood outside of my business to be . . . to be of the nature that it was!”

The crowd in the courtroom mutters as Yaroslav skirts this sensitive subject. Troonyi strokes his beard and leans forward as the girl in the front row crosses her legs. Jindash is coloring in the fingernails on his sketch. Mulaghesh casts an eye over the crowd, cataloging the various ailments and diseases: the boy with the crutches, rickets; the woman with the scabbed face, pox; and she can’t tell what’s wrong with the man in the corner, though she dearly hopes what he’s covered in is mud. Yaroslav and a few others, as mildly successful Continentals, can afford running water, and thus in their examples one can observe the Continental specimen free of filth: pale, heavy-featured, dark-eyed, and in the case of the men, sporting untamed mountains of beards. Mulaghesh and the other Saypuris, by stark contrast, are short, slender, and dark-skinned, with somewhat long noses and narrow chins, and as Troonyi’s ridiculous bearskin coat attests, they are much more accustomed to warm Saypuri climates, far across the South Seas.

To a distant extent—very distant—Mulaghesh can understand Troonyi and Jindash’s disinterest: the Continent is steadfastly, defiantly, stubbornly backward, to the degree that one sometimes forgets the many unsettling reasons why Saypur bothers occupying such a miserable nation. (Though can we really call ourselves occupiers, thinks Mulaghesh, if we’ve been here for nearly seventy-five years? When do we graduate to residents?) If Mulaghesh were to offer everyone in the courtroom money right now and say, “Here, here is something to get you the medicine you need, to buy you fresh water,” it’s all too likely the Continentals would spit in her hand before accepting a single red cent.

Mulaghesh understands why they resent them so. For though they may look like no more than paupers and beggars, these people were once the most powerful and dangerous human beings alive. Which they remember, of course, Mulaghesh thinks as she watches one man stare at her with naked rage. Hence why they hate us so . . .

Yaroslav summons up his nerve.

Here it comes, thinks Mulaghesh.

“I never intended,” he says clearly, “for my sign to reference any Divinity, any trace of the celestial, nor any god!”

A quiet hum as the courtroom fills with whispers. Mulaghesh and the rest of the Saypuris on the bench remain unimpressed by the dramatic nature of this claim. “How do they not know,” mutters Jindash, “that this happens at every single Worldly Regulations trial?”

“Quiet,” whispers Mulaghesh.

This public breach of the law emboldens Yaroslav. “Yes, I . . . I never intended to show fealty to any Divinity! I know nothing of the Divinities, of what they were or who they were . . .”

Mulaghesh barely stops herself from rolling her eyes. Every Continental knows something about the Divinities: to claim otherwise would be akin to claiming ignorance that rain is wet.

“. . . and thus I could not have known that the sign I posted outside of my millinery unfortunately, coincidentally, mimicked a Divinity’s sigil!”

A pause. Mulaghesh glances up, realizing Yaroslav has stopped speaking. “Are you finished, Mr. Yaroslav?” she asks.

Yaroslav hesitates. “Yes? Yes. Yes, I believe so, yes.”

“Thank you. You may take your seat.”

Prosecutor Jindash stands, takes the floor, and produces a large photograph of a painted sign that reads: YAROSLAV HATS. Below the letters on the sign is a largish symbol—a straight line ending in a curlicue pointing down that has been altered slightly to suggest the outline of the brim of a hat.

Jindash swivels on his heels to face the crowd. “Would this be your sign, Mr. Yaroslav?” Jindash mispronounces the man’s name. Mulaghesh can’t quite tell if this is intentional: Continental names are so teeming with slavs and -ilyas and -ulyas and whatnot that navigating introductions is nigh impossible for anyone who hasn’t lived here for more than a decade, as Mulaghesh has.

“Y-yes,” says Yaroslav.

“Thank you.” Jindash flourishes the photograph before the bench, the crowd, everyone. “Let the court please see that Mr. Yaroslav has confirmed this sign—yes, this sign—as his own.”

CD Troonyi nods as if having gained deeply perceptive insight. The crowd of Continentals mutters anxiously. Jindash walks to his briefcase with the air of a magician before a trick—How I hate, Mulaghesh thinks, that this theatrical little shit got assigned to Bulikov—and produces a large engraving of a similar symbol: a straight line ending in a curlicue. But in this instance, the symbol has been rendered to look like it is made of dense, twisting vines, even sporting tiny leaves at the curlicue.

The crowd gasps at the reveal of this sign. Some move to make holy gestures, but stop themselves when they realize where they are. Yaroslav himself flinches.

Troonyi snorts. “Know nothing of the Divinities indeed . . .”

“Were the estimable Dr. Efrem Pangyui here”—Jindash gestures to the empty chair beside Troonyi—“I have no doubt that he would quickly identify this as the holy sigil of the Divinity . . . I apologize, the deceased Divinity . . .”

The crowd mutters in outrage; Mulaghesh makes a note to reward Jindash’s arrogance with a transfer to someplace cold and inhospitable, with plenty of rats.

Jindash finishes: “. . . known as Ahanas. This sigil, specifically, was believed by Continentals to imbue great fecundity, fertility, and vigor. For a milliner it would suggest, however peripherally, that his hats imbued their wearers with these same properties. Though Mr. Yaroslav may protest it, we have heard from Mr. Yaroslav’s financiers that his business experienced a robust uptick after installing this sign outside of his property! In fact, his quarterly revenue increased by twenty-three percent.” Jindash sets down the engraving, and makes a two with the fingers of one hand and a three with the other. “Twenty. Three. Percent.”

“Oh my goodness,” says Troonyi.

Mulaghesh covers her eyes in embarrassment.

“How did you . . . ?” says Yaroslav.

“I’m sorry, Mr. Yaroslav,” says Jindash. “I believe I have the floor? Thank you. I will continue. The Worldly Regulations were passed by the Saypuri Parliament in 1650, outlawing any public acknowledgment of the Divine on the Continent, however peripheral. One may no more mutter the name of a Divinity on the Continent than fall to their knees in the street shrieking prayers. One need only make any acknowledgment—any acknowledgment—of the Divine to be in violation of the Worldly Regulations, and thus incur punishment. The significant financial gain does suggest that Mr. Yaroslav installed the sign with both knowledge and intent—”

“That’s a lie!” cries Yaroslav.

“—of its Divine nature. It does not matter that the Divinity the sigil referenced is dead, and the sigil could not have bestowed any properties on anyone or anything. The acknowledgment is made. As such, Mr. Yaroslav’s actions incur the formal punishment of a fine of”—Jindash consults a note—“fifteen thousand drekels.”

The crowd shifts and mutters until it is a low roar.

Yaroslav sputters. “You can’t . . . You can’t possibly . . .”

Jindash retakes his seat at the bench. He gives Mulaghesh a proud smile; Mulaghesh strongly considers smashing it with her fist.

She wishes she could somehow bypass all this pomp and pageantry. Worldly Regulations cases usually only go to court every five months or so: the vast majority of all WR infractions are settled out of court, between Mulaghesh’s office and the defendant. Very, very rarely does anyone feel confident or righteous enough to bring their case to court; and when they do, it’s always a dramatic, ridiculous affair.

Mulaghesh looks out over the packed courthouse; there are people standing at the back, as if this dull municipal trial were grand theater. But they are not here to see the trial, she thinks. She glances down the high court bench to Dr. Efrem Pangyui’s empty chair. They’re here to see the man who’s caused me so many problems. . . .

However, whenever a WR case does go to trial, it’s almost always a conviction. In fact, Mulaghesh believes she has acquitted only three people in her two decades as polis governor. And we convict almost every case, she thinks, because the law requires us to prosecute them for living their way of life.

She clears her throat. “The prosecution has finished its case. You may now make your rebuttal, Mr. Yaroslav.”

“But . . . But this isn’t fair!” says Yaroslav. “Why do you get to bandy about our sigils, our holy signs, but we can’t?”

“The polis governor’s quarters”—Jindash waves a hand at the walls—“are technically Saypuri soil. We are not under the jurisdiction of the Worldly Regulations, which apply only to the Continent.”

“That’s . . . That’s ridiculous! No, it’s not just ridiculous, it’s . . . it’s heretical!” He stands to his feet.

The courtroom is dead silent. Everyone stares at Yaroslav.

Oh, excellent, thinks Mulaghesh. We have another protest.

“You have no right to do these things to us,” says Yaroslav. “You strip our buildings of their holy art, loot and pillage our libraries, arrest people for mentioning a name. . . .”

“We are not here,” says Jindash, “to debate the law, or history.”

“But we are! The Worldly Regulations deny us our history! I . . . I have never been able to see that sign you showed me, the sign of, of . . .”

“Of your Divinity,” says Jindash. “Ahanas.”

Mulaghesh can see two City Fathers of Bulikov—their version of elected councilmen—staring at Jindash with cold rage.

“Yes!” says Yaroslav. “I was never allowed such a thing! And she was our god! Ours!”

The crowd looks back at the court guards, expecting them to charge forward and hack down Yaroslav where he stands.

“This is not exactly a rebuttal, is it?” asks Troonyi.

“And you . . . you let that man”—Yaroslav points a finger at Dr. Efrem Pangyui’s empty seat—“come into our country, and read all of our histories, all of our stories, all of our legends that we ourselves do not know! That we ourselves are not allowed to know!”

Mulaghesh winces. She knew this would come up eventually.

Mulaghesh is sensitive to the fact that, in the full scope of history, Saypur’s global hegemony is minutes old. For many hundreds of years before the Great War, Saypur was the Continent’s colony—established and enforced, naturally, by the Continent’s Divinities—and few have forgotten this in Bulikov: why else would the City Fathers call the current arrangement “the masters serving the servants”? In private only, of course.

So it was a show of enormous negligence and stupidity on the part of the Ministry of Foreign Affairs to ignore these tensions and allow the esteemed Dr. Pangyui to travel here, to Bulikov, to study all the history of the Continent: history that the Continentals are legally prevented from studying themselves. Mulaghesh warned the Ministry it’d wreak havoc in Bulikov, and as she predicted, Dr. Pangyui’s time in Bulikov has not exemplified the mission of peace and understanding he supposedly arrived under: she has had to deal with protests, threats, and once, assault, when someone threw a stone at Dr. Pangyui but accidentally struck a police officer on the chin.

“That man,” says Yaroslav, still pointing at the empty chair, “is an insult to Bulikov and the entire Continent! That man is . . . is the manifestation of the utter contempt Saypur holds for the Continent!”

“Oh, now,” says Troonyi, “that’s a bit much, isn’t it?”

“He gets to read the things no one else can read!” says Yaroslav. “He gets to read things written by our fathers, our grandfathers!”

“He is allowed to do so,” says Jindash, “by the Ministry of Foreign Affairs. His mission here is of an ambassadorial nature. And this is not part of your tria—”

“Just because you won the War doesn’t mean you can do whatever you like!” says Yaroslav. “And just because we lost it doesn’t mean you can strip us of everything we value!”

“You tell them, Vasily!” shouts someone at the back of the room.

Mulaghesh taps her gavel; immediately, the room falls silent.

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City of Stairs 4.3 out of 5 based on 0 ratings. 11 reviews.
MikeUnderwood More than 1 year ago
I was late to the party, but What. A. Party. Wondrous worldbuilding, nuanced cultures and politics, and sharply-drawn characters all around. Looking back from 2024 or 2030, I think we'll point to City of Stairs as one of the novels that changed the course of how the literature of the fantastic (specifically in the epic fantasy mode) is thought about and the ways it is deployed. Also, SIGRUD. What a character. Viking Giant Ninja Conan.
Anonymous More than 1 year ago
Good story with a satisfying mix of realism shrouded in fantasy. Characters are well fleshed out and relatable. Plot moves at a good pace with plenty of intrigue and twists.
Anonymous More than 1 year ago
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Anonymous More than 1 year ago
Dragondragonfly More than 1 year ago
Excellent! Religious myth mixed with a mystery. Lots of action, good dialogue.
Tomtenor2 More than 1 year ago
Started out slow but got more interesting as it went along. The usual plucky heroine who starts out lost but saves the day in the end with a satisfying flurry of mass destruction and god killing. Her sidekick is the epitome of the omnipotent Viking warrior who is of course really the secret heir to the throne in his country and seemingly indestructible as well, one eye and all. Maybe he's Odin? Good ending and did leave me with a desire to see if our heroine could really do all the things she promised to do plus did she really get a cup of GOOD tea after all?
Anonymous More than 1 year ago
Absolutely one of the best books I've read this year (and I read a lot of books). Bennett creates a rich, detailed world with a long history and a diversity that draws you in right from the beginning. I was hooked from the start and couldn't put it down. Reads like a spy novel but in a fantasy world. Kind of reminiscent of The City and the City by China Mieville.
MaggieJones More than 1 year ago
ity of Stairs is an excellent novel. Robert Jackson Bennett is amazing at world-building, and in City of Stairs he introduces us to Saypur and the Continent and the ruins of the city of the gods, Bulikov. The sad history between the two lands is front and center as we travel through a journey of a Saypuri operative and history loving woman named Shara. Shara is a Saypuri government operative, whose job it is to pacify the Continent after the war of the gods which ended 300 years prior and also ended the enslavement of the Saypuri people. This was an apocalyptic event for the Continent and the freedeom of the Saypuri people all in one. Saypuri steps in to help the ravaged continent and takes over as conquerors. All mentions of the deities is forbidden and the populace in Bulikov is still very traditional and fighting against the “new” regime as well as they can. Shara is looking into the death of a famous historian that she admires greatly, and her investigation leads her to find a plot that can change the face of their world. If you enjoy investigations, riddles and quick and intense world building, this is the novel for you. Robert Jackson Bennett puts the history of the gods first and foremost, and Shara’s obsession with history and the forming of their current world keeps that focus. Luckily there is a string of secondary characters that add life and interest to the story. Without them Shara would be waaaay to focused to enjoyably read. Sigurd, her blood thirsty Greyling secretary is my favorite. General Mulagesh (female, I may add) is also strong, funny and interesting. The love focus in this novel is not really there, there is an old flame that is central to the plot but the sparks are simply not there. My only qualms with this book are the lack of a map and the constant info-dumping. While I feel like this has encyclopedic knowledge of the world, I really can’t understand how it is shaped and a map would have helped a lot. The history and knowledge given in this book is enough to have spread throughout multiple books. The plot didn’t really suffer, however, because a big part of the mystery involves history and how it affects the present. So while it was a bit much, the info dumping wasn’t overwhelming. The other questions it raises are whether gods are really needed, work taking over a life and the subjugation of people. I felt like it tickled parts of my brain that hadn’t been out in awhile.
Anonymous More than 1 year ago
Only made it halve way through i literaly could not care less
Thoughts_and_Pens More than 1 year ago
City of Stairs is worthy of a standing ovation! I have to be honest here.  When I signed up for an account on Blogging for Books, my intent was to look for an ARC of a book that I really wanted.  I made a request on EW but sadly, got rejected.  Driven by a sick obsession, I sought Blogging for Books in the hopes that I might find what I’m looking for there. Obviously, my search failed and I end up with City Of Stairs.  Yeah, I know, I could have just walk away without adding another ARC to my staggering TBR pile but I need to try the site and see how it works, build some reviewing cred… yada…yada… There weren’t a lot of choices because some of the titles being offered were horror, zombie stuff and other titles that really didn’t catch my attention.  City of Stairs was the best choice because it belongs to my favorite genre, Fantasy (Although I would learn later that the author does not have a specific genre for City of Stairs. Here’s the post if you’re interested in reading it: The Genre Fountain). Prior to requesting the book, I’ve already read a wonderful review of it a month before (Thankfully, I wasn’t spoiled). That review has made me consider picking up the book but I didn’t anticipate that it would be this soon. Well, what I can say right now is that: Thank heavens for making me pick the e-ARC asap! City of Stairs has just compensated for all the other ARCs (10 of them and still counting) that greatly disappointed me this year.  City of Stairs is utter perfection! I don’t even know where to start or how to write this review without spoiling everyone or bore you with my wax poetic. All I know is that City of Stairs is a mix of everything.  It can be considered as whodunit, mythopoeia, epic fantasy, thriller…you get the idea.  At the wrong hands, City of Stairs would have tremendously flopped considering that there’s an impression that the author was trying to cram a lot of things into the story.  But OMG, City of Stairs was gold! It’s a one stop shop for readers who are into detective stuff, mythology, fantasy, steampunk, and all that jazz. The City Of Stairs started with a curious air as I was immediately thrown into a scene on what is clearly an ongoing case on a courtroom.  Then things got more interesting when the trial was suddenly disturbed by a shocking news. Efrem Pangyui, the famous Saypuri historian, was murdered.  The horrendous event immediately set things in motion.  Our main character, Shara Thivani, who is a close friend of Efrem immediately travelled to the capital city of the Continent, Bulikov.  Pretending to be a lowly Cultural Ambassador, Shara is actually one of the greatest spies of Saypuri, a nation that was once a slave to the Continent. Once Shara and her bodyguard started to unearth the mystery surrounding Efrem’s death, trouble—as big as the gods themselves—instantly ensued. While reading the City of Stairs, I really expected that I will get bored at some point.  I mean, this book is about gods, history of Saypur and the Continent, etc., which for the average reader (like me) are already perfect ingredients for a certified boring book riddled with annoying infodumps. Gladly, Bennett was able to use the said ingredients with great mastery that the book is either or more than perfection. We’ve got characters that are worth rooting for. Pardon if I will get some of their names misspelled as they are really weird. The main character, Shara, is such a brilliant detective.  How do I even describe her deduction skills? Maybe not as awesome as Sherlock Holmes’ but Robert Langdon’s perhaps. I love the way she processes her thoughts. And although she possesses the usual characteristics (no curves, small, bookworm, brilliant, straight A student) of the special snowflakes that littered our YA books today, she’s different in the sense that she doesn’t wallow on inferiority complex bullshit and if she has a task at hand, instead of moaning (i.e. I can’t do this! I am not powerful enough!)  she will see it through with total composure. Absolutely no backing down or even attempts of doing so despite the fact that some of the consequences of her actions were killing her inside. Then of course, would I forget Sigrud, the secretary-cum-muscle of Shara Thivani? Okay, I don’t want to describe how awesome he is and make this review longer than it is but he really made me cry and laugh at the same time. Dear Lord, this is emotional puppetry at its best. The other characters, including the Gods, were memorable as well.  There’s Mulaghesh, Pitry, Votrov…blah blah blah. The world building was mindblowing without the author resorting to infodump.  I find it difficult to describe it because it is clearly a fantasy world infused with contemporary stuff.  There are cameras, cars but you know that it was not this world.  If you have read Philip Pullman’s His Dark Materials then you’ll understand what I’m trying to say. Everything about the world, the gods, the culture, the religion, the history unraveled in sufficient increments to give the reader enough time to appreciate the whats, wheres, whens, hows, and whys of the story. The plot is also praiseworthy.  All throughout the book, my mind was not only busy deducting who killed Efrem but I was also busy thinking about the mysterious Kaj, how he killed the Gods,  who are these so called Restorationists, are all the gods really dead, etc.  There was never a moment that I got bored with City of Stairs and I would have finished it one sitting if I wasn’t so busy with work and school. I don’t know if this is still worth mentioning but the romance or a hint of it was heartwrenching. I really hoped to the gods that Shara and her romantic interest (despite his true self) would have at least some sort of an HEA. How could you, Bennett? My ship hasn’t even sailed yet but you… you…you… Okay, I need to end this now.  Summing it up, City of Stairs, despite being a standalone and only told in 300+ pages, managed to tell a story with tremendous character development, tightly woven plot, and magnificent world building.  It is a masterpiece worthy of a standing ovation. Bennett has certainly made it on my to-follow-author list!