Cityscape is one of those moments where a veteran jazzman places himself in a setting in order to showcase the music he's made --
David "Fathead" Newman is beginning his sixth decade as a working musician -- what he's learned and where he's likely to travel. The band is a septet, one of the rarer sessions for
Newman. His own working band -- pianist
David Leonhardt, bassist
John Menegon, and drummer
Yoron Israel -- are here, and so are some old friends, like baritone saxophonist
Howard Johnson, trombonist
Benny Powell, and
Winston Byrd on trumpet and flugelhorn. The horn arrangements actually serve to make
Newman's trademark warm, easy grooving style even more so. The set opens with
"Goldfinger," the classic
James Bond theme.
Newman's bunch enter in unison on the theme; it's a beautiful call to attention before he takes his solo on the melody, just grooving and blowing. The baritone, trombone, and trumpet here allow
Newman a wide base to lift off from, but his well-known restraint is in place here, too. Other fine moments on this disc are the swinging
blues in
"Bu Bop Bass," full of swagger and humor.
Johnson's
"Here Comes Sunny Man," has a gorgeous horn chart rooted in
gospel and
blues but falls out more like
Burt Bacharach-meets-
Ray Charles. The
soul is in there, keeping the elegance form running away with the tune.
Newman's flute gets down and dirty in his own
"Flankin'," copping a
Yusef Lateef-vibe before the band enters and turns the whole thing into a
modal blues.
Gospel and
soul-jazz go head-to-head on
"Sneakin' In," another
Newman composition with a wonderfully gritty solo by the bandleader. The set closes with
"Suki Duki," by
Ronnie Boykins. It's fast, knotty, and deeply funky, led by a complex horn chart and
Israel's solid backbeat groove. It's takes the album out on such a high note, listeners are left wanting more. And of course, that's the point.
Newman's consistency as a bandleader is remarkable and this is yet another session that proves the point. The man is a treasure. ~ Thom Jurek
