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Despite this crown, William the Conqueror and his royal successors remained dukes of Normandy, with feudal obligations to their overlord, the king of France. This naturally fostered an ongoing hostility between the French and English crowns that, as McAuliffe convincingly shows, became ever more explosive as the strength and territorial holdings of the English monarchs grew. Conflict erupted regularly over the years, and Eleanor of Aquitaine’s desertion of one camp for the other only added fuel to the long-simmering feud.
McAuliffe takes the reader back to this dramatic era, providing the fascinating background and context for this “clash of crowns.” She offers colorful insights into Richard Lionheart and Eleanor of Aquitaine as well as lesser-known French and English monarchs, especially Philip II of France. Philip proved a determined opponent of Richard Lionheart, and their cutthroat rivalry not only created fatal divisions within the Third Crusade but also culminated in an incendiary faceoff at Richard’s newly built Château-Gaillard, the seemingly impregnable gateway to empire. The outcome would shape the course of English and French history throughout the centuries that followed.
“Along the way, McAuliffe, a Ph.D. historian, takes the time to fill us in on everything from castle engineering to the development of chess; from the role of women in the medieval era to the flowering of the troubadours and courtly love”
“McAuliffe’s prose is a wonderful instrument, her tone of voice down to earth and commonsensical, all in all a pleasure to read”
The Eagle of the broken covenant ... Shall rejoice in her third nesting.
—Geoffrey of Monmouth, "The Prophecies of Merlin"
They found the tomb deep in the earth between two stone monuments erected so long before that no one could remember what they signified or what the words inscribed upon them meant. Digging deep, as the king directed, they at last encountered a wooden sarcophagus of great size, which they carefully drew up and opened. There they discovered two sets of bones—the huge ones of a man and, at his feet, the smaller and more delicate bones of a woman. Word spread quickly. The bodies of King Arthur and his queen, Guenevere, had at last been found.
From the outset, accounts of the discovery differed. Neither of the two men who first chronicled the event—Ralph of Coggeshall and Giraldus Cambrensis—was present at the scene, although Giraldus visited soon after. A monk named Adam of Domerham wrote of the exhumation a full century later, but he seems to have drawn upon eyewitness testimony. Adam was a monk of Glastonbury, the abbey in Somerset where King Arthur's body was discovered and where details of the marvelous find must have been told and retold long after. Their very own abbey, the "glassy isle" that in the Saxon tongue had become "Glastingeburi," had turned out to be the legendary isle of Avalon.
Yet according to legend, Arthur—who was a special hero of the Celts—had not died at all and would someday return in messianic fashion to lead his people to victory over all their enemies. Quite probably in response to this legend, as well as to the widespread Celtic unrest that simmered along his kingdom's borders, England's Henry II had set out to find Arthur's remains and settle once and for all any question of the ancient king's return.
The result was the remarkable discovery at Glastonbury. Almost as remarkable was the fact that it was Henry who told the monks where to dig. According to Giraldus Cambrensis, the king "had heard from an ancient Welsh bard, a singer of the past, that they would find the body at least sixteen feet beneath the earth, not in a tomb of stone, but in a hollow oak." Giraldus then goes on to describe the dramatic scene of exhumation. Opening the coffin—wooden, although Giraldus specifically calls it a hollow oak—the monks discovered the bones of a man and a woman, the man's of remarkable size. The woman's hair still glinted gold, but when an overeager monk reached out to touch it, the hair crumbled to dust in his hand.
There could be no doubt about the contents. Above the coffin lay a lead cross bearing the words, "Here lies buried the renowned King Arthur with Guenevere his second wife in the Isle of Avalon." Rejoicing, the abbot and monks of Glastonbury bore the precious bones into their abbey church, where they placed them in a marble tomb before the high altar. There, according to John of Glastonbury's fourteenth-century account, they remained until 1278, when King Edward I and his queen opened the tomb and confirmed its contents with their seals and an accompanying inscription.
It is of course quite possible that the monks of Glastonbury, in response to pressure from the king or simply a desire for renown (and the wealth that a flood of pilgrims would bring), had successfully passed off a couple of old skeletons as Arthur and Guenevere. Even Edward I's seal did no more than certify that the tomb's contents were plausible; the king had no way of knowing for sure.
Bogus or not, the news of the Glastonbury discovery created a sensation. Henry II, however, did not live long enough to be gladdened by the news, for he died in 1189, shortly before King Arthur was found. Many had already taken due note of the relevance of some of Merlin's prophecies to current events. Henry's death brought to pass one of Merlin's most famous prophecies: that the eagle of the broken covenant—which the twelfth century understood to mean Henry's queen, Eleanor—would rejoice in her third son, or nesting. The broken covenant referred to her first marriage, to France's King Louis VII, which ended in divorce. As for rejoicing, she certainly had cause. Upon the death of Henry II, who was her second husband, their third son—Richard Lionheart—became ruler over all the vast Plantagenet realms.
* * *
Richard was the apple of his mother's eye. Born in 1157, two years after Prince Henry and a year after the death of three-year-old William, Richard from childhood was singled out as Eleanor's designated heir, the future ruler of Aquitaine and Poitou.
He seems to have been a handsome lad, muscular and deep-chested like his father, but tall and long-limbed, with red-gold hair and a ruddy complexion. Named for his Norman forebears, he embraced his remarkable heritage with enthusiasm, devoting himself with rigor and single-mindedness to the pursuits of war. Without question, Richard loved nothing better than a good fight. By the time he was sixteen, he was a blooded warrior, and while his older brother, Prince Henry, contented himself with tournaments, Richard seems to have been dissatisfied with anything less than the real thing. Fierce and single-minded when focused on warfare (which he generally was), he soon mastered the combatant's skills and moved on to the commander's, absorbing the larger lessons of siegecraft and assault, fortress-building and defense, to such remarkable effect that—as Giraldus was quick to point out—scarcely a castle could hold out against him. The roll call of fortifications that crumbled to Richard, generally in record time, constituted one of the marvels of the age.
Far narrower in his interests than his father, whose talents lay in governance as well as war (and who preferred the former), Richard seems to have been bored by administration and little intrigued by the realm of ideas. Had he been born in the tenth or even the eleventh century, he would have bathed his steps in blood and never bothered to wash for dinner. Instead, under Eleanor's tutelage, he became something far more complex—a very model of chivalry.
Eleanor adored him.
* * *
Bernard of Clairvaux had never much liked Eleanor. The saintly monk had never liked Henry, either, but he had a particular aversion to Eleanor and her family, the house of Poitou. Although renowned for his obliviousness to the things of this world, Bernard seems to have had a sharp eye when it suited him. He understood the appeal of Cluniac art and architecture, even as he rejected it, and he just as clearly noticed and understood the appeal of Louis' first queen. Bernard did not necessarily speak for all ecclesiastics, as the Church had never been a seamless whole, whether in the exercise of power or opinions. Even as bishop jostled bishop and Cistercian took on Cluniac, Bernard did not sit well with all higher prelates, including the powerful Abbot Suger, whom Bernard had once scolded for worldliness. Always the politician and statesman, and ever devoted to the house of Capet, Abbot Suger tried to keep Eleanor—and her vast lands—by Louis' side. But Bernard, who had early concluded that Eleanor was a bad seed descended from evil stock, pressed Louis to free himself from her influence. At length—after Suger's death—Louis reluctantly did as Bernard urged.
For once, although for vastly different reasons, Eleanor and Bernard were in agreement. Still, her subsequent marriage to Henry of Anjou must have confirmed whatever evil the saintly monk believed of them both. She and Henry began married life in mutual defiance of Louis, with the bright overtones of sexual as well as political triumph. The thirty-year-old countess pleased her nineteen-year-old husband, and just as important, he pleased her. Both were passionate and strong, dangerous as well as attractive to the opposite sex. Henry had the more legalistic mind, while Eleanor was the more romantic—but neither gave place to the other in intelligence or wit.
Eleanor bore this lion of a husband eight children, five during the first six years alone—something of a record given the two children she had managed to conceive during her fifteen years with Louis. Even more remarkably, all but one of this strong brood survived infancy. Between them, she and Henry founded a dynasty.
In December 1166 or early 1167, at the age of forty-five, Eleanor gave birth to her last child, John. Henry had by this time taken firm hold of his empire, consolidating control over England and his extensive Continental domains—stretching from Normandy and Anjou down through Poitou and Aquitaine—as well as extending Plantagenet authority over Brittany. He also managed to put down rebellions in Wales, while preparing to bring Ireland and Scotland into the fold. It was an enormous undertaking, and Henry held his far-flung territories together by sheer tenacity; he was constantly in the saddle as he rode the considerable length of his strung-out domains.
Given Henry's constant wars and travels, he and Eleanor had never seen much of one another—although the time they did spend together appeared to be productive, as Eleanor conceived little Plantagenets with remarkable regularity. Yet by the late 1160s, Eleanor's childbearing years had come to a close. She had lived up to and even exceeded all expectations for a medieval queen, for Henry certainly required no more sons. The larger question, in fact, appeared to be how best to provide for them all.
Henry's solution emerged early in 1169, at Montmirail, where he announced his intention of dividing his realm. His eldest, Prince Henry, who was heir to England, would receive his father's own inheritance. In recognition of this, the young prince now did homage to Louis VII for Normandy and Anjou—his father's lands, but subject to the French crown. Richard, as expected, bent the knee for Eleanor's vast lands in southwestern France, while Geoffrey, the third living son, paid homage to Prince Henry—and through him, to the French king—for the English king's recent conquest, Brittany. These youngsters—aged thirteen, eleven, and ten, respectively—now held the titles to go with their expected inheritances. The following year, Henry even had his eldest son crowned king. This was not an unusual procedure, as the Capetians and others had been doing it for years to secure the succession. The problem lay in the homage that these heirs of Henry II had now paid to Henry's hereditary rival, Louis VII of France.
Exacerbating this potentially explosive situation was the inevitable question of when Henry's sons would receive the lands, revenues, and responsibilities to go with their titles. To Henry, the answer was obvious: upon his own death. Yet in the following years, as the boys grew to manhood, they became restless under the restrictions their father imposed. Even Richard, who as duke and count of his mother's lands had considerably more independence than the rest, was held on a tight leash. But it was Henry's oldest, the duly crowned young king, who chafed the most, for by 1173 he was eighteen years old and a married man. To his mind, his father was treating him like a child.
Henry the Younger (or the Young King), as this young man was known, was the handsomest of all the Plantagenet brood, a striking fellow with an engaging manner and easy ways. A spendthrift and something of a dandy, he was surrounded by friends and hangers-on who urged him to claim what was rightfully his. After all, hadn't his father received Normandy from his father, in fact as well as in name, when he was still in his teens? Marriage to Princess Marguerite of France only worsened the situation.
This remarkable union had taken place many years earlier, after Louis VII's second wife most disappointingly gave birth to yet another daughter. Contemplating the English king's growing brood of male children, Louis set pride aside and—looking to the future—proposed a marriage alliance with his erstwhile rival. If a Capetian son did not seem destined to rule over France, then perhaps a grandson could rule over France as well as the vast Plantagenet realms. Sweetening the deal, Louis offered an especially strategic piece of property between French and English crown lands called the Norman Vexin, which he had extracted from the Plantagenets some years before. The outcome was the betrothal of baby Marguerite to three-year-old Prince Henry, with the all-important Norman Vexin as her dowry. Marguerite, aged six months, went to be raised in the court of her future husband, as was the custom, while Louis sat back, prepared to retain control over the entire Vexin until Marguerite and her young prince reached marriageable age.
He failed to appreciate the wiliness of the elder Henry, who quickly outmaneuvered him, marrying off the youngsters—by now two and five years old, respectively—and reeling in the Norman Vexin before Louis could sit up and take notice. It was a brazen move, made possible only because a pope in dire need of Henry's support was willing to overlook the extreme youth of the bride and groom and cast his blessing on the marriage. Louis himself, thoroughly preoccupied in the tumult surrounding the unexpected death of his second wife (while giving birth to yet another girl) and his almost-immediate remarriage to Adele of Champagne, did not catch what Henry was about until it was too late.
King Henry II of England had thus most grievously jeopardized relations with his Continental overlord, the king of France, on the heels of yet other causes for hostility (a tedious list for the reader, but not for the French king). It was hardly surprising that Louis' animosity now grew increasingly open, as his marriage to Adele of Champagne so clearly signaled. Certainly neither Adele nor her brothers—the powerful Theobald of Blois and Henry of Champagne—were friends of the Plantagenets.
More than this, in the year 1165, Adele at long last presented Louis with a son.
* * *
It was a sweltering August night, and twenty-year-old Giraldus Cambrensis—drawn to Paris like other young students of his time—had retired from the heat to his room in the Cité. A zealous student (by his own account), he had remained up studying until well past midnight. At last, thoroughly exhausted, he collapsed upon his bed. But no sooner had he fallen into slumber than a great commotion of clanging bells awakened him. Fearful that a great fire had broken out, he dived toward his window and leaned out. The city was ablaze with bonfires, and people rushed westward toward the king's palace, lighting the narrow streets with torches as they went.
"What is it?" he cried out as two old crones hastened by.
Recognizing from his accent that he was English, the one called out, "This night a boy is born to us, who by the blessing of God shall assuredly be a hammer to your King!"
At long last, at the age of forty-five, Louis VII had fathered a son. They named him Philip, but they called him Dieudonné (God-given), for God had finally answered their prayers. Bolstered by the event, Louis seems to have developed more sprightliness. He now took it upon himself to stir up flames of rebellion wherever they appeared within his rival's vast empire, whether in Wales or Scotland, Aquitaine or Brittany. Most particularly, he offered asylum to Thomas Becket, archbishop of Canterbury, who had recently evolved from the English king's closest friend into his bitterest enemy. Henry countered by marrying off his eldest daughter, Matilda, to the powerful Henry the Lion, duke of Saxony, and threatened to join with the German emperor in supporting a rival pope. It was at this moment that Louis decided to raid the Norman Vexin. Henry replied with a brilliant sack of Louis' heavily fortified arsenal on the French side of the border, at Chaumont-sur-Epte. Louis in turn sacked the nearby town of Andely.
Thirty years later, Richard Lionheart would choose Andely as the site on which to build his magnificent castle, Château-Gaillard. But for now, Henry and Louis called a truce. This was the occasion that brought Henry and his three eldest sons to Montmirail in early 1169. And this was the place where Henry proposed to divide his realm, while Louis agreed to betroth the youngest of his four daughters, a princess by the name of Alais, to young Richard. Just as her older sister had brought the invaluable Vexin to Henry as her dowry, Alais promised to bring portions of the equally significant borderland of Berry into Henry's hands. Louis, in turn, received homage from Henry and his sons, plus the promise of eventual joint Capetian-Plantagenet rule over the greater part of Henry's realms. Both sides had reason to be pleased.
Excerpted from Clash of Crowns by Mary McAuliffe Copyright © 2012 by Mary McAuliffe. Excerpted by permission of ROWMAN & LITTLEFIELD PUBLISHERS, INC.. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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