The Clash of Gods: A Reinterpretation of Early Christian Art / Edition 1

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Overview

"This book presents an up-to-date and original survey of Early Christian art and its origins, and attacks the current idea of continuity between the Roman emperor cult and the art of the early church. Conservative readers may well be shocked by this lucid but utterly unconventional presentation of an often treated subject. I find Thomas Mathews's work convincing and impressive."--Hugo Buchthal

"Not only does Mathews present bold arguments that I find persuasive, but his book is exciting to read. He removes the images of Christ from the iconography of the emperor and puts them into the far more plausible context of late antique teachers and wonder-workers."--G. W. Bowersock

Between the third and sixth centuries, the ancient gods and goddesses were replaced by a new imagery of Christ and his saints. In a generously illustrated treatment of this revolution, Matthews explores the many different, often surprising images and religious interpretations of Christ during this period. 16 color illustrations; 122 halftones.

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Editorial Reviews

Theology - Leslie Holden
This is a sumptuously illustrated book, in which the pictures are well married to the text. It makes an illuminating way into patristic theology and the religions of the first six centuries.
Parergon - Ann Moffatt
Mathews's argument is convincing. In his determination to challenge and overturn a long-held theory, he does not allow his chameleon Christ, who is both man and woman, magician and god, any role as Christ the king. The pendulum may swing back, but not on the same course again. This book has cleared the way for new understandings of the iconography of Christ. It should stimulate a reconsideration of stereotyped readings of other images and in other periods.
From the Publisher

"This is a sumptuously illustrated book, in which the pictures are well married to the text. It makes an illuminating way into patristic theology and the religions of the first six centuries."--Leslie Holden, Theology

"Mathews's argument is convincing. In his determination to challenge and overturn a long-held theory, he does not allow his chameleon Christ, who is both man and woman, magician and god, any role as Christ the king. The pendulum may swing back, but not on the same course again. This book has cleared the way for new understandings of the iconography of Christ. It should stimulate a reconsideration of stereotyped readings of other images and in other periods."--Ann Moffatt, Parergon

Parergon
Mathews's argument is convincing. In his determination to challenge and overturn a long-held theory, he does not allow his chameleon Christ, who is both man and woman, magician and god, any role as Christ the king. The pendulum may swing back, but not on the same course again. This book has cleared the way for new understandings of the iconography of Christ. It should stimulate a reconsideration of stereotyped readings of other images and in other periods.
— Ann Moffatt
Theology
This is a sumptuously illustrated book, in which the pictures are well married to the text. It makes an illuminating way into patristic theology and the religions of the first six centuries.
— Leslie Holden
Read More Show Less

Product Details

  • ISBN-13: 9780691009391
  • Publisher: Princeton University Press
  • Publication date: 4/5/1999
  • Series: Princeton Paperbacks Series
  • Edition description: REV
  • Edition number: 1
  • Pages: 256
  • Sales rank: 1,345,225
  • Product dimensions: 7.40 (w) x 9.90 (h) x 0.90 (d)

Table of Contents

Acknowledgments
Ch. 1 The Mistake of the Emperor Mystique 3
Ch. 2 The Chariot and the Donkey 23
Ch. 3 The Magician 54
Ch. 4 Larger-than-Life 92
Ch. 5 Christ Chameleon 115
Ch. 6 Convergence 142
Ch. 7 The Intimate Icon 177
List of Abbreviations 181
Notes 183
List of Figures 205
Index 213
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