Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven

by William E. Caplin

Overview

Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.

Product Details

ISBN-13:	9780195143997
Publisher:	Oxford University Press
Publication date:	12/28/2000
Edition description:	New Edition
Pages:	320
Product dimensions:	8.25(w) x 11.00(h) x 0.67(d)

About the Author

McGill University

Table of Contents

IntroductionPart I. Preliminaries1. Some Basic Formal Functions: An Overview2. Fundamental Progressions of HarmonyPart II. Tight-Knit Themes3. Sentence4. Period5. Hybrid Themes and Compound Themes6. Small Ternary7. Small BinaryPart III. Looser Formal Regions8. Subordinate Theme9. Transistion10. Development11. Recapitulation12. CodaPart IV. Full-Movement Forms13. Sonata Form14. Slow-Movement Forms15. Minuet/Trio Form16. Rondo Forms17. Concerto FormGlossary of TermsNotesBibliographyIndex of Classical CompositionsGeneral Index

Editorial Reviews

"This ambitious book offers nothing less than a new theory of form for the music of the Classical period....In its combination of scholarship, musicality and sheer common sense, Caplan's Classical Form is a major achievement by any standards....it should be read by anybody who teaches, studies or writes about this music."—Music and Letters

"His book is an important and impressive statement that no theorist or musicologist can afford to ignore."—Music Theory Spectrum

"A compilation of intriguing examples illustrating classical design and function, an up-to-date bibliographical guide, and a source of fresh insight into the accomplishments of the classical masters. Caplin's approach, buttressed by methodological rigor and theoretical detail, makes a persuasive case for the revival of Formenlehre as a pedagogical tool and analytical discipline."—Music Theory Online

"Caplin draws his Beethoven examples from all genres...the fortepiano sonatas are particularly well-represented."—The Beethoven Journal

From the Publisher