Classical Guitarists: Conversations

Overview

Classical Guitarists fills a void in the special world of the classical guitar. Although this realm is inhabited by world-class musicians, much of what they think and feel has never been captured in print. The interviewees, including Julian Bream, John Williams, Sharon Isbin, Eliot Fisk, David Starobin and David Tanenbaum are a select group at the peak of their prowess who speak openly and thoughtfully about their opportunities, accomplishments, and lessons learned. Each has made important contributions from ...
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Overview

Classical Guitarists fills a void in the special world of the classical guitar. Although this realm is inhabited by world-class musicians, much of what they think and feel has never been captured in print. The interviewees, including Julian Bream, John Williams, Sharon Isbin, Eliot Fisk, David Starobin and David Tanenbaum are a select group at the peak of their prowess who speak openly and thoughtfully about their opportunities, accomplishments, and lessons learned. Each has made important contributions from establishing significant academic programs to broadening the audience for the classical guitar. The author shares his reviews of their most important recordings and New York City concerts during the 1990s, as well as discographies of their recordings. There are also interviews with Harold Shaw, the most prominent artist manager in the history of the classical guitar and several of today's most important composers for the guitar, including Pulitzer Prize winners George Crumb and Aaron Jay Kernis. An introductory chapter provides an historical perspective on classical guitar and a postscript explains how to create a basic repertoire of recordings.
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Editorial Reviews

Booknews
Tosone (a contributing editor and staff reviewer for magazine) presents interviews with several renowned classical guitarists, including Sharon Isbin, Eliot Fisk, and John Williams, as well as some composers and artist managers. He discusses with them their various accomplishments and lessons learned. Includes his reviews of the musicians' most important recordings and New York City concerts during the 1990s, as well as discographies of their recordings. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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Product Details

  • ISBN-13: 9780786408139
  • Publisher: McFarland & Company, Incorporated Publishers
  • Publication date: 9/1/2000
  • Pages: 199
  • Sales rank: 1,273,984
  • Product dimensions: 9.00 (w) x 6.00 (h) x 0.40 (d)

Meet the Author

Jim Tosone is a contributing editor and staff reviewer for Guitar Review magazine, where his articles and reviews have appeared regularly since 1991. He has also written for Soundboard magazine and authored the classical guitar entries for the three-volume Music in the Twentieth Century. His transcription for guitar of J.S. Bach's Suite No. 1 for Solo Cello was premiered at the 1991 Toronto Guitarfest. Tosone has played classical guitar for over 15 years. He studied privately with Dr. Nicholas Goluses, who at the time was chairman of the Guitar Department at the Manhattan School of Music. He has also performed in master classes for internationally renowned guitarists Hubert Käppel, Raphaëlla Smits and David Tanenbaum.

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