Clearly Now, the Rain: A Memoir of Love and Other Trips

Clearly Now, the Rain: A Memoir of Love and Other Trips

by Eli Hastings

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A memoir about loving someone you cannot save Serala drank frat boys under the table. She wore saris and ate delicately from plates of curry at family events; elsewhere she wore a lip ring, designer shades, and a cowboy hat and ordered bloody steaks. She wrote volumes of poetry, made amateur films, singlehandedly ran a chapter of Food Not Bombs, and ended up as a…  See more details below


A memoir about loving someone you cannot save Serala drank frat boys under the table. She wore saris and ate delicately from plates of curry at family events; elsewhere she wore a lip ring, designer shades, and a cowboy hat and ordered bloody steaks. She wrote volumes of poetry, made amateur films, singlehandedly ran a chapter of Food Not Bombs, and ended up as a fierce advertising agency executive. She often slept less than five hours per week and would, at the slightest excuse, drive from L.A. to New York in a cool 50 hours. In some moments of danger, she split the lips of menacing strangers. And she gave herself over to the casual knives and fists of others for nothing more than another bag of heroin that she had plenty of money for anyway. Clearly Now, the Rain traces the decade-long relationship of Eli Hastings and his friend Serala: from ill-advised quests for narcotics in Mexican border towns through summer road trips, from southern California to Tennessee and on to New York City and Seattle, from 1996 to the very last days of 2004, when Serala’s journey concluded tragically at age 27.

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Editorial Reviews

From the Publisher
"In electric, adventurous prose, Eli Hastings' Clearly Now, the Rain tells the story of loving one wrecked soul, and the rich, dark wonder of the joys to be found along the way."  —Paul Lisicky, author, Famous Builder and Lawnboy

"Eli Hastings will make you fall in love—and then he will punch through your ribcage and rip your heart out—and by the end of his moving memoir, Clearly Now, the Rain, you will thank him for it."  —Benjamin Percy, author, Refresh, Refresh and The Wilding

"[Serala's] story is as biting and claustrophobic as Nicolas Cage's in Leaving Las Vegas, but it is drawn with great affection. Hastings became both her friend and her lover, and he is brutally honest in his assessments of her flaws and of their relationship. . . . As elemental, lyrical and cringe-inducing a love story as they come." —Kirkus Reviews (March 2013)

“Some relationships make us question whether we’ve loved enough, others whether we’ve loved too much. But Seattle author Eli Hastings grapples with an even more perplexing issue in his latest book: Did he love the right way? His new memoir, ‘Clearly Now, the Rain: A Memoir of Love and Other Trips,’ is a drug, romance and adventure-filled exploration of that gut-wrenching question, a story that is both thoroughly of its time (post-grunge Seattle) and timeless in theme.”—Tyrone Beason, The Seattle Times

"Hastings writes a graceful, unbiased portrait of someone whose self-destructive fate cannot be altered, and he does so with incredible power and sensitivity. Clearly Now, the Rain is a hypnotic, surreal, and lyrical testament to the capacities of friendship and the outer limits of love. By the time you reach the book’s end, the enigmatic Serala will be impossible to shake from your consciousness."— Margaux Fragoso, author of Tiger, Tiger

"Clearly Now, the Rain is an unflinching account of how it feels to be young and flirting with the abyss in America. The narrator’s observations as he and his friends ride rough across the U.S.A., all pulled to orbit around their friend, lover, and lost soul, Serala, are also an investigation into the dangerously different ways that people respond to addiction. This is an elegy, yes, as if told by a boy who began his quest tutored by Kerouac’s ghost, but became, on this hard road, a man schooled in love by the spirit of the Dalai Lama."— Rachel Rose, author of Giving My Body to Science

Kirkus Reviews
A candid, bracing memoir of love, addiction and self-destruction. When readers first meet Hastings (Falling Room, 2006), in the middle of the 1990s, he comes across with a bit of posture: a hepcat, we are to understand, like Richard Fariña's Gnossos Pappadopoulis. But forgive him; he was fresh out of high school and about to be flayed by love and death. At college that autumn, he met Serala, a woman from the south of India, a rose with a full complement of thorns, a smoky romanticism and a whispery deepness that speaks of experiencing too much too soon in life. Hastings doles out her character as if skating backward, looking over his shoulder for the next patch of thin ice. There will be many, for Serala nursed and then fully blossomed into addiction and was seduced by suicide, which lurked even after her failed second attempt, when she realized that "we don't get any stronger, we just become better liars." Her story is as biting and claustrophobic as Nicolas Cage's in Leaving Las Vegas, but it is drawn with great affection. Hastings became both her friend and her lover, and he is brutally honest in his assessments of her flaws and of their relationship. He also relates the many other travails he experienced during these years, including the many adventures abroad and on road trips at home, as well as a slew of other fraught relationships--familial and romantic--as Serala moved, now like a shadow and now a devouring presence, in and out of his life. "She enabled years of pleasant fog for me, some of which I regret," he writes. As elemental, lyrical and cringe-inducing a love story as they come.

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Product Details

ECW Press
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5.50(w) x 8.40(h) x 0.80(d)

Read an Excerpt

Clearly Now, the Rain

A Memoir of Love and Other Trips

By Eli Hastings


Copyright © 2013 Eli Hastings
All rights reserved.
ISBN: 978-1-77090-293-0


We'd been fired into America like pinballs. We were joyous young clichés, Louis and I, with our jointly owned VW van, Kerouac stories, and bags of drugs. We'd only become close in the last year and we were a strange pair: Louis near six feet, broad shoulders, black hair shorn mostly off then; I was short, skinny, blond hair growing into impossible tangles which, to my eternal mortification, I'd later try to pass off as dreadlocks. He carried the love of many people because of the high school years of designated driving, generosity, the shoulder he offered for adolescent crises. In short, he was full of humor and kindness and I was intense, rather self-absorbed and embittered. But we sensed the space our friendship had to grow into and the will to go was something we shared in that spring of 1996.

There were a lot of elements that went into my momentum away from Seattle then. Only two months after we tossed our tasseled caps, Louis and I had moved into a newly constructed, spacious five-bedroom with three other high school friends, courtesy of a crooked realtor who demanded cash and no rental contract. The scenario was, at first, the culmination of a dream we'd all shared for years: no more classes, no more books, no more busywork and what passed for education at our inner city high school. We all got service sector jobs and pooled our money for discount groceries and beer, believing giddily for a time that we were crafting an adult community from the ranks we all considered as close as family. But the dreams of high school die hard and the mismatched workaday schedules, the filth multiplied by five adolescent males, and the pressures of bills came together with considerable speed—as fast as we'd alienated our entire residential block with parties and late night dramas on the back porch.

One January night Louis and I lounged in his back bedroom, the drapes pulled against the nastiness of the winter; I recall waterlogged leaves splatting against the pane in the wind like wet rags. A drunk stranger weaved past Louis's open door, presumably looking for the bathroom. I shoved it closed and turned Bob Marley up on the stereo, sliding a glance at Louis who, for the first time I could recall, was scowling along with me. In the soupy light of the candles and the far-away optimism of the reggae, we both silently discovered in that moment that this communal party life was not what we'd dreamed. It was no kind of destination and, at least for now, in the middle of that dead, freezing post-high school season, Seattle had become a husk and we had to empty our bank accounts and try a more extreme version of freedom: a road trip with no destination.

I'd also left behind a disturbed friend. There had been a fissure running through him for years, and in the last months it had finally yawned wide, becoming full-fledged schizophrenia. This development brutally erased any hope I'd harbored of helping him. Getting physically distant was a partial balm to my guilt, disappointment and fear, conjured forth by a very rough ride at his side.

My brief experience with corporate America, as an espresso jerk in the financial district, was another element that caused me to walk away from my familiar life with a straight spine. They had rules, which now seem a reasonable part of customer service but then caused me great consternation: you had to "strike up chat!" with and smile at every single customer who came through the door. That little shop hosted some angry and sad moments: when they 86'd the Professor, a sweet and silent homeless man who voluntarily swept our sidewalks, because a banker complained about his smell. It was not a context in which I fit and the impulse to untie the apron and fling it down in protest grew acute quickly.

My most vivid memory from that job is the phone call: I was in the midst of the mid-afternoon rush, whirling from the espresso machine to the garbage can with a steel tub of scalding coffee grounds in hand when the phone rang. The apple-faced manager said with bright annoyance that it was for me (we weren't supposed to receive social calls at work, needless to say). I dumped the grounds, absorbed the pointed sighs of the waiting businessmen, hooked the phone under my chin and learned that one of my best friends, Hugh, had just lost his big brother—a role model to us all—to suicide in his parents' home.

These were some of the events that sent me off bitterly into America, to be as naïve and recklessly free as possible until college began in the fall. I believed I deserved it, as if it were my only chance, as if I weren't on the track to a private liberal arts school and a life of sampling experience, of the luxury to explore.

With these blinders on, with this momentum, I traveled toward Serala for the first time.

One of my and Louis's first stops was Sage Hill, the small college we would enter six months later. Our friend Jay had already started there, straight out of our ghetto high school. By the time Louis and I made it down to visit that corner of Riverside county, beneath the brown air and hard sunlight of the desert, Jay was already deeply in love with Serala.

Jay wasn't the type to flip easily over a girl. I'd known him since the seventh grade when he'd a been an intellectual band geek, his passion and authority on many subjects so grown-up that it used to dumb most adolescents into silence—those whom it didn't grew comfortable in Jay's orbit. In the eighth grade we'd been urged into an extracurricular debate class together and I'd come to appreciate Jay, and to see that his bombast—always impressive, not always welcome—arose from insecurity. One thing he'd always had, though, was a funky and intimate relationship with rhythm, and he graced the high school jazz band, and, in college, both punk rock and hip hop crews with leadman presence. He had thinned and refined into an oddly handsome and sophisticated cat by the time he met Serala.

Man, I don't know how to tell you, I'm really trippin' over this girl, he'd reported to me late nights on his dorm phone that winter, blowing smoke out in frustration. There's no way for me to say what it is she does to me. She's hard but so good—like drugs almost. But she loves different.

The first time I saw her, I was scared of her. I wonder if it showed.

She is sitting in the corner of a cinderblock dorm room. She smokes furiously—not fast, but with drags that seem lethal. She is silent and her eyes are purple, bagged, like they've weathered a storm. Her south Indian skin is as dark as her pupils. She watches us severely. I try to tell myself that she is clearly a hamper on the good times we've planned with Jay, and that I don't give a shit what she thinks. But these falsities evaporate every time I feel her aloof gaze hit me.

Soon the silver dollar sun is halfway dropped, shadows are growing and someone has produced malt liquor. We are in a dorm room next to Jay's that has been abandoned in typical private college fashion: the administration has not even noticed that spoiled teenagers are turning it into a den of vice. Someone scrawls a quote on the wall and I follow the lead. I rise with drunken steadiness in the dying sunlight that leaks in from the window over Serala's shoulder, and slash a large RIP for Hugh's brother across the east wall. I tell myself I'm eulogizing my dead classmate, but I'm also thinking that this might gain me Serala's attention. And it works: within moments, she touches me for the first time—gives up her drawn pose on the desk chair, eases near and puts a cool palm on my neck. She tells me with that touch that I am allowed in. I feel my good fortune open in my chest.

During those days that Louis and I lingered at Sage Hill I remember her picking up every expense and warning off our protests with glares. Jay was walking on clouds. I suspect she could have gotten him to drive her to Tijuana for an ice cream cone if she desired, but she wasn't like the game master girls of high school, collecting favors, gifts, and affection for sport. She didn't seem to be asking anyone for anything—except sometimes to leave her alone for a bit.

Jay would speak of her urgently, always shaking his head as he did so, as if he only half-understood this person and what she was doing to him. He could be honest about this with me because he had years of trust and comfort to draw on; in her presence he was more outwardly confident and more aggressively charming than ever.

She drives me fuckin' nuts, man, he'd say, and sometimes I could glimpse the fear alongside the love, the thin line that ran through his heart. A preview of storms to come.

There is one picture of her that rises above the blur: in the institutional laundry room of the dormitory, white cinderblocks and white washing machines and her, sitting halfway inside one of the dryers, where someone had tossed her, skinny limbs spidering out, dark as a shadow sweeping the desert against all that white. She's giving the camera a look of pure defiance, daring the viewer to chuckle, restraining her own laughter, as if this tomfoolery were serious business, her middle finger raised.

When we got restless, Louis and I climbed into the VW van and hit it.

We stood beneath the thousand-foot walls of Zion National Park; we rolled through its snaking byways, beating drums on the dash to Marley and De La Soul. We completed ill-advised scrambles around the Grand Canyon. We made it to the smack-dab center of America, where we lodged ourselves with an old filmmaker and weathered a Kansas twister. Then it was south, to the heavy-aired magic of New Orleans and the madness of Jazz Fest. Then further, to Georgia, where we abused the wealth and generosity of my relatives, borrowing BMWs and pushing them down freeways with the fire of good whisky. We hiked in the magic light of the Smokies. We rambled to Providence where we lived with wild artists and the days filled with basketball games on sticky courts deep into the spring. In West Philly we got lost and came face-to-face with local thugs who decided to let us pass with only cold glares and the flash of a pistol. Then to Boston, in and out of close and not-so-close friends' lives, gobbling up hospitality as quickly as the ounces of weed we'd mailed ahead of ourselves.

Jay had found his way to a plane ticket to join us for a spell, motoring the East Coast. It wasn't till we scooped him at Hartford International that we learned we were expected at Serala's house that night—before Serala herself would fly in from L.A. twenty-four hours later.

I recall nearly swallowing my tongue at her mother's beauty. The confident way she swings her green eyes around is so similar to her daughter but without the edge. She piles us into the leather interior of her Lexus and takes us to feast at McDonald's.

The next morning her mother drives us into New York City and, en route, does no less than the following: smokes skinny cigarettes, drinks coffee, converses with us, opens and closes files on her laptop, cuts off several drivers, talks on her cell phone, and yells at a traffic cop who, in her estimation, is doing a poor job. Us Seattle boys clutch door handles and do our best to impress her with our wit and intellect, both dampened by the driving experience and a great deal of weed.

In all the years that came after, me sitting shotgun beside Serala, I never mentioned the driving traits she'd inherited; I just fastened my seatbelt and smiled. But I did consider that having a mother with that much poise and bearing must have prescribed her a durable veneer, right from the beginning.

And so Serala arrives that evening, looking poorly rested and nervous at the fact of home. That night we slouch around a booth in a diner. Jay is doing what Jay does when he wants to impress: monopolizing the floor, talking and talking to demonstrate his knowledge of sundry subjects. Louis is doing what Louis does well, too: nodding Jay along, laughing, inserting jokes, helping him carry the burn of the limelight.

But I don't mind just watching Serala smoke and drink coffee and Coke, alternating sips. Once in a while, when my eyes are on the ribbons of taillights outside the window, I feel her gaze land on me. When she leans over to her friend Cassie with a long ash on her cigarette and mischief in her eyes, and whispers in her ear, I strain to hear but cannot except for the effusions that they want us to hear, the flirty, showboat phrases suddenly shouted (we were still teenagers after all): no way! I did not say that! Fuck you, you're one to talk. Cassie, you better not—shut up! Later, walking down a street near her house, Serala wordlessly takes my hand in hers and holds it tight until we get to our destination: a lit-up court where we play drunken tennis with our hands.

After that Louis and I made another huge loop in the center of America and, cruising a Colorado highway with a bottle of honey wine one July day, we decided to drive home. After three months, some twenty-six states, seventeen thousand miles, and countless adventures and mishaps, all that was left was one more ribbon of highway. I had gained more than what the wild sociology of the American road had afforded me; I had gained the caliber of friend that would be by my side in many unforeseeable journeys down the line. Louis carried his love like his bass guitar—slung easily and comfortably over his shoulder, less forgotten then grown into. While I'd spit all my hurt and rage about my parents and stepparents, about my crazy ex-best friend, about Hugh's brother, about ex-girlfriends, Louis nodded, slapped my shoulder, rolled another joint, switched the tape.

When I see Serala again in the parking lot of Jay's place in Seattle in mid-August, I find her face altered, and not merely by the hoop through her lip. The usually flawless skin beneath her eyes is raw and her lip quivers. I've learned that Jay slipped up and cheated on her and, now, this has left her unmade for the stage of the world. She slides a tissue-wrapped knuckle across her cheekbones. It leaps off my tongue:

I'm sorry about what happened; I think it's fucked up.

I feel awkward, standing there, trembling a little in my flip-flops and ragged shorts. But when she pitches her Pall Mall, blows out the last plume, stands and looks me in the eyes, kisses my cheek and wraps skinny arms around me, I feel like I would kill for her.

Thanks, I can really use that, she says against my shoulder, and her voice warbles from shaky to firm, the timbre of both the hurt girl I want to soothe and the tough screw I already admire. Maybe this is also the first time I really notice the sculpture of her jaw, the curve of her long neck, the near-perfection of her chest (or, as she would say, how great her tits are). The first time I inhale deeply of her perfume, the expensive musk that lurks in shirtsleeves and linens, and sometimes, it seems, rides in on a sudden breeze.

I am flying down to school the next day for some reason, so I watch them all pull away, Louis and Jay in our van, Serala in her Honda Accord, which she'd named Desert Storm. A caravan of youth, vanishing.

At the time, the giddiness I felt about Serala was conflated with the giddiness I felt about college, departure, a blank page, an unblemished space in the world and I wasn't given to analyzing it too much. The truth is I didn't like myself too much. I was hungry for childhood to be decisively done because the events of my life didn't fit under the thin skin of a kid anymore. In truth they had not for a long time, beginning with the ugliness of my parents' divorce, which was knotted up in my father's abuse of drugs, alcohol and other affairs, the revelations of which turned my childhood into a kind of false floor in my memory. But in recent years the casual way that violence and betrayals and sorrow cropped up had increased in velocity: the mental illness of my best friend, the suicide of Hugh's popular brother, the betrayal by a girl that I'd loved wildly. From beneath a baseball cap with a keg cup in my hand, devoid of wisdom or perspective, I flailed. The best I could achieve was catharsis by risking my ass writing graffiti on rain-soaked billboards or dropping acid and playing chicken with freight trains. I wanted to deal with life's pain better and I thought that college and all its attendant lessons would instruct me in how to face storms like a man instead of a boy.


Excerpted from Clearly Now, the Rain by Eli Hastings. Copyright © 2013 Eli Hastings. Excerpted by permission of ECW PRESS.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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What People are saying about this

From the Publisher
"In electric, adventurous prose, Eli Hastings' Clearly Now, the Rain tells the story of loving one wrecked soul, and the rich, dark wonder of the joys to be found along the way."  —Paul Lisicky, author, Famous Builder and Lawnboy

"Eli Hastings will make you fall in love—and then he will punch through your ribcage and rip your heart out—and by the end of his moving memoir, Clearly Now, the Rain, you will thank him for it."  —Benjamin Percy, author, Refresh, Refresh and The Wilding

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